See also:

• FREDERICK
• FREDERICK (Mod. Ger. Friedrich; Ital. Federigo; Fr. Frederic and Federic; M.H.G. Friderich; O.H.G. Fridurih, " king or lord of peace," from O.H.G. fridu, A.S. frith, " peace," and rfh " rich," " a ruler," for derivation of which see HENRY)

FREDERICK See also:

• FIELD (a word common to many West German languages, cf. Ger. Feld, Dutch veld, possibly cognate with O.E. f olde, the earth, and ultimately with root of the Gr. irAaror, broad)
• FIELD, CYRUS WEST (1819-1892)
• FIELD, DAVID DUDLEY (18o5-1894)
• FIELD, EUGENE (1850-1895)
• FREDERICK FIELD (18o1—1885)
• FIELD, HENRY MARTYN (1822-1907)
• FIELD, JOHN (1782—1837)
• FIELD, MARSHALL (183 1906)
• FIELD, NATHAN (1587—1633)
• FIELD, STEPHEN JOHNSON (1816-1899)
• FIELD, WILLIAM VENTRIS FIELD, BARON (1813-1907)

FIELD (18o1—1885)  , See also:

• ENGLISH

English divine and biblical See also:

• SCHOLAR, SCHOLARSHIP

scholar, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• LONDON

London and educated at See also:

• CHRIST (Gr. X pLQTOS, Anointed)
• CHRIST, WILHELM VON (1831-1906)

Christ's See also:

• HOSPITAL (Lat. haspitalis, the adjective of hospes, host or guest)

hospital and Trinity See also:

• COLLEGE (Collegium)

College, See also:

• CAMBRIDGE
• CAMBRIDGE, EARLS AND DUKES OF
• CAMBRIDGE, RICHARD OWEN (1717-1802)

Cambridge, where he obtained a fellowship in 1824 . He took orders in 1828, and began a See also:

• CLOSE
• CLOSE (from Lat. clausum, shut)
• CLOSE, MAXWELL HENRY (1822-1903)

close study of patristic See also:

• THEOLOGY

theology . Eventually he published an emended and for the See also:

• PIANOFORTE (Ital. piano, soft, and forte, loud)

pianoforte are now forgotten . Neither do his quartets for strings and pianoforte hold their own by the See also:

• SIDE
• SIDE (mod. Eski Adalia)

side of those of the See also:

• GREAT

great masters . But his "nocturnes," a See also:

• FORM (Lat. forma)

form of See also:

• MUSIC

music highly See also:

• DEVELOPED

developed if not actually created by him, remain all but unrivalled for their tenderness and dreaminess of conception, combined with a continuous flow of beautiful See also:

• MELODY (Gr. ,ueXw3ia, a choral song, from name, tune, and gi6i, song)

melody . They were indeed See also:

• CHOPIN, FREDERIC FRANCOIS (1810-1849)

Chopin's See also:

• MODELS

models . See also:

• FIELD (a word common to many West German languages, cf. Ger. Feld, Dutch veld, possibly cognate with O.E. f olde, the earth, and ultimately with root of the Gr. irAaror, broad)
• FIELD, CYRUS WEST (1819-1892)
• FIELD, DAVID DUDLEY (18o5-1894)
• FIELD, EUGENE (1850-1895)
• FIELD, FREDERICK (18o1—1885)
• FIELD, HENRY MARTYN (1822-1907)
• FIELD, JOHN (1782—1837)
• FIELD, MARSHALL (183 1906)
• FIELD, NATHAN (1587—1633)
• FIELD, STEPHEN JOHNSON (1816-1899)
• FIELD, WILLIAM VENTRIS FIELD, BARON (1813-1907)

Field's See also:

• EXECUTION (from Lat. ex-sequor, exsecutus, follow or carry out)

execution on the pianoforte was nearly allied to the nature of his compositions, beauty and poetical See also:

• CHARM (through the Fr. from the Lat. carmen, a song)

charm of See also:

• TOUCH (derived through Fr. toucher from a common Teutonic and Indo-Germanic root, cf. " tug," " tuck," O. H. Ger. zucchen, to twitch or draw)

touch being one of the See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief characteristics of his See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style .