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VINCENZO DA See also: Italian poet, sprung from an See also: ancient and See also: noble See also: family of Florence, was See also: born in that city on the 3oth of See also: December 1642
.
From an incidental See also: notice in one of his letters, stating the amount of See also: house See also: rent paid during his childhood, his parents must have been in easy circumstances, and the supposition is confirmed by the fact that he enjoyed all the advantages of a liberal See also: education, first under the See also: Jesuits of Florence, and then in the university of See also: Pisa
.
At Pisa his mind became stored, not only with the results of patient study in various branches of letters, but with the See also: great See also: historical associations linked with the former See also: glory of the See also: Pisan republic, and with one remarkable institution of which Pisa was the seat
.
To the tourist who now visits Pisa the banners and emblems of the See also: order of St See also: Stephen are See also: mere See also: matter of curiosity, but they had a serious significance two See also: hundred years ago to the See also: young Tuscan, who knew that these See also: naval crusaders formed the See also: main defence of his country and commerce against the See also: Turkish, Algerine and Tunisian corsairs
.
After a five years' residence in Pisa he returned to Florence, where he married Anna, daughter of the senator and See also: marquis Scipione Capponi, and withdrew to a small See also: villa at Figline, not far from the city
.
Abjuring the thought of writing amatory See also: poetry in consequence of the premature See also: death
tion and preparation, when the See also: world was still amassing and of a young lady to whom he had been attached, he occupied cataloguing the fragments rescued from the wrecks of See also: Greece himself chiefly with See also: literary pursuits, above all the composition of and See also: Rome
.
Men had to receive the very rudiments of culture Italian and Latin poetry
.
His own literary See also: eminence, the before they could appreciate its niceties
.
And in this See also: work of I opportunities enjoyed by him as a member of the celebrated collection and instruction See also: Filelfo excelled, passing rapidly from See also: Academy Della Crusca for making known his critical taste and place to place, stirring up the zeal for learning by the passion classical knowledge, and the social relations within the reach of a of his own enthusiastic temperament, and acting as a See also: pioneer I noble Florentine so closely allied with the great house of Capponi, for men like Poliziano and See also: Erasmus. sufficiently explain the intimate terms on which he stood with
All that is worth knowing about Filelfo is contained in Carlo de' such eminent men of letters as Magalotti, Menzini, See also: Gori and Redi
.
Rosmini's admirable Vita di Filelfo (Milan, 18o8) ; see also W
.
The last-named, the author of B`_acchus in See also: Tuscany, was not only See also: Roscoe's See also: Life of Lorenzo de' See also: Medici, Vespasiano's Vile di uomini one of the most brilliant poets of his See also: time, and a safe literary
illustri, and J
.
A
.
See also: Symonds's See also: Renaissance in See also: Italy (1877).(J
.
A
.
S.) adviser; he was the See also: court physician, and his court influence was adviser;
A See also: complete edition of Filelfo's See also: Greek letters (based on the Codex employed with zeal and effect in his friend's favour
.
See also: Filicaja's rural seclusion was owing even more to his straitened means than to his rural tastes
.
If he ceased at length to See also: pine in obscurity, the change was owing not merely to the fact that his poetical See also: genius, fired by the deliverance of Vienna from the See also: Turks in 1683, poured forth the right strains at the right time, but also to the influence of Redi, who not only laid Filicaja's verses before his own See also: sovereign, but had them transmitted with the least possible delay to the See also: foreign princes whose noble deeds they sung
.
The first recompense catne, however, not from those princes, but from Christina, the ex-See also: queen of Sweden, who, from her circle of savants and
courtiers at Rome, spontaneously and generously announced to Filicaja her wish to bear the expense of educating his two sons, enhancing her kindness by the delicate See also: request that it should remain a secret
.
The See also: tide of Filicaja's fortunes now turned
.
The See also: grand-duke of Tuscany, Cosmo III., conferred on him an important office, the commissionership of official balloting
.
He was named governor of See also: Volterra in 1696, where he strenuously exerted himself to raise the See also: tone of public morality
.
Both there and at Pisa, where he was subsequently governor in 1700, his popularity was so great that on his removal the inhabitants of both cities petitioned for his recall
.
He passed the close of his life at Florence; the grand-duke raised him to the See also: rank of senator, and he died in that city on the 24th of See also: September 1707
.
He was buried in the family vault in the See also: church of St
See also: Peter, and a monument was erected to his memory by his See also: sole surviving son Scipione Filicaja
.
In the six celebrated odes inspired by the great victory of Sobieski, Filicaja took a lyrical See also: flight which has placed him at moments on a level with the greatest Italian poets
.
They are, however, unequal, like all his poetry, reflecting in some passages the native vigour of his genius and purest inspirations of his tastes, whilst in others they are deformed by the affectations of the Seicentisti
.
When thoroughly natural and spontaneous—as in the two sonnets " Italia, Italia, o to cui feo la sorte " and " Dov' e, Italia, it tuo braccio ? e a the ti serve; " in the verses " Alla beata Vergine," " Al divino amore; " in the sonnet " Sulla fede nelle disgrazie " —the truth and beauty of thought and language recall the verse of See also: Petrarch
.
Besides the poems published in the complete Venice edition of 1762, several other pieces appeared for the first time in the small Florence edition brought out by Barbera in 1864
.
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