See also:

• JEAN

JEAN HIPPOLYTE See also:

• JEAN HIPPOLYTE FLANDRIN (1809-1864)

FLANDRIN (1809-1864)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• LYONS
• LYONS (Fr. Lyon)
• LYONS, COUNCILS OF
• LYONS, EDMUND LYONS, BARON (1790-1858)
• LYONS, RICHARD BICKERTON PEMELL LYONS, 1ST EARL (1817–1887)

Lyons in 1809 . His See also:

• FATHER

father, though brought up to business, had See also:

• GREAT

great fondness for See also:

• ART

art, and sought himself to follow an artist's career . Lack of See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early training, however, disabled him for success, and he was obliged to take up the See also:

• PRECARIOUS

precarious occupation of a See also:

• MINIATURE

miniature painter . Hippolyte was the second of three sons, all painters, and two of them eminent, the third son See also:

• PAUL
• PAUL (PAULUS)

Paul (b . 1811) ranking as one of the leaders of the See also:

• MODERN

modern landscape school of See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France . See also:

• AUGUSTA

Augusta (1804-1842), the eldest, passed the greater See also:

• PART

part of his See also:

• LIFE

life as See also:

• PROFESSOR (the Latin noun formed from the verb profiteri, to declare publicly, to acknowledge, profess)

professor at Lyons, where he died . After studying for some See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time at Lyons, Hippolyte and Paul, who had See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long determined on the step and economized for it, set out to walk to See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris in 1829, to See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place themselves under the tuition of See also:

• HERSENT, LOUIS (1777-1860)

Hersent . They See also:

• CHOSE (Fr. for " thing ")

chose finally to enter the atelier of See also:

• INGRES, JEAN AUGUSTE DOMINIQUE (178o-1867)

Ingres, who became See also:

• NET

net only their instructor but their friend for life . At first considerably hampered by poverty, Hippolyte's difficulties were for ever removed by his taking, in 1832, the See also:

• GRAND

Grand Prix de See also:

• ROME
• ROME (Roma)

Rome, awarded for his picture of the " Recognition of See also:

• THESEUS

Theseus by his Father." This allowed him to study five years at Rome, whence he sent See also:

• HOME
• HOME, DANIEL DUNGLAS (1833-1886)
• HOME, EARLS OF

home several pictures which consider-ably raised his fame . " St Clair healing the See also:

• BLIND, MATHILDE (1841—1896)

Blind " was done for the See also:

• CATHEDRAL

cathedral of See also:

• NANTES
• NANTES, EDICT OF

Nantes, and years after, at the See also:

• EXHIBITION

exhibition of 18J5, brought him a See also:

• MEDAL (Fr. medaille, from Lat. metallum)

medal of the first class . " Jesus and the Little See also:

• CHILDREN, LAW RELATING TO

Children " was given by the See also:

• GOVERNMENT
• GOVERNMENT (0. Fr. governement, mod. gouvernement, O. Fr. governer, mod. gouverner, from Lat. gubernare, to steer a ship, guide, rule; cf. Gr. xv(3epvav)

government to the See also:

• TOWN

town of See also:

• LISIEUX

Lisieux . " See also:

• DANTE

Dante and See also:

• VIRGIL (PUBLIUS VERGILIUS MARC)
• VIRGIL, POLYDORE (c. 1470-1555)

Virgil visiting the Envious Men struck with See also:

• BLINDNESS

Blindness," and " See also:

• EURIPIDES (48o–4o6 B.C.)

Euripides See also:

• WRITING
• WRITING (the verbal noun of " to write," O. Eng. writan, to inscribe)

writing his Tragedies," belong to the museum at Lyons .

Returning to Paris through Lyons in 1838 he soon received a See also:

• COMMISSION (from Lat. commissio, committere)

commission to See also:

• ORNAMENT (Lat. ornare, to adorn)

ornament the See also:

• CHAPEL

chapel of St See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John in the See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church of St Severin at Paris, and reputation increased and employment continued abundant for the See also:

• REST (O. Eng. rest, reste, bed, cognate with other Teutonic forms, e.g. Ger. Rast, Riiste, rest, and probably Gothic Rasta, league, i.e. resting or stopping place)

rest of his life . Besides the pictures mentioned above, and others of a similar See also:

• KIND (O. E. ge-cynde, from the same root as is seen in " kin," supra)

kind, he painted a great number of portraits . The See also:

• WORKS

works, however, upon whin his fame most surely rests are his monumental decorative paintings . Of these the See also:

• PRINCIPAL

principal are those executed in the following churches:—in the See also:

• SANCTUARY (from the late Lat. sanctuarium, a sacred place)

sanctuary of St Germain See also:

• DES

des Pres at Paris (1842-1844), in the See also:

• CHOIR (0. Fr. cuer from Lat. chorus; pronounced quire, and until the end of the 17th century so spelt, the spelling being altered to agree with the Fr. chceur)

choir of the same church (1846-1848), in the church of St Paul at Nismes (1848-1849), of St See also:

• VINCENT (or VINCENTIUS), ST
• VINCENT, GEORGE (1796-1831?)
• VINCENT, MARY ANN (1818-1887)

Vincent de Paul at Paris (1850-1854), in the church of Ainay at Lyons (1855), in the See also:

• NAVE

nave of St Germain des Pres (1855-1861) . In 1856 Hippolyte See also:

• FLANDRIN, JEAN HIPPOLYTE (1809-1864)

Flandrin was elected to the Academie des See also:

• BEAUX, CECILIA (1863– )

Beaux-Arts . In 1863 his failing See also:

• HEALTH

health, rendered worse by incessant toil and exposure to the See also:

• DAMP

damp and See also:

• DRAUGHTS (from AS. dragan, to draw)

draughts of churches, induced him again to visit See also:

• ITALY
• ITALY (Italia)

Italy . He died of small-pox at Rome on the 21st of See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March 1864 . As might naturally be expected in one who looked upon See also:

• PAINTING

painting as but the vehicle for the expression of spiritual sentiment, he had perhaps too little See also:

• PRIDE, THOMAS (d. 1658)

pride in the technical qualities of his art . There is shown in his works much of that austerity and coldness, expressed in See also:

• FORM (Lat. forma)

form and See also:

• COLOUR (Lat. color, connected with celare, to hide, the root meaning, therefore, being that of a covering)

colour, which springs from a faith which feels itself in opposition to the tendencies of surrounding life . He has been compared to Fra See also:

• ANGELICO, FRA (1387–1455)

Angelico; but the faces of his long processions of See also:

• SAINTS, BATTLE OF THE

saints and martyrs seem to See also:

• EXPRESS (through the French from the past participle of the Lat. exprimere, to press out, by transference used of representing objects in painting or sculpture, or of thoughts, &c. in words)

express rather the austerity of souls convicted of See also:

• SIN
• SIN (O. Eng. syn: a common Teutonic word, cf. Dutch zonde, Ger. Siinde)

sin than the joy and purity of never-corrupted life which shines from the See also:

• WORK

work of the early See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master . See See also:

• DELABORDE, HENRI FRANCOIS, COUNT (1764-1833)

Delaborde, Lettres et pensees de H . Flandrin (Paris, 1865); Beule, See also:

• NOTICE

Notice historique sur H .

F . (1869) .