See also:

• BENEDICT (BENEDICTUS)
• BENEDICT, SIR JULIUS (1804-1885)

BENEDICT See also:

• BENEDICT FOGELBERG (or BENGT) ERLAND (1786-1854)

FOGELBERG (or BENGT) ERLAND (1786-1854)  , See also:

• SWEDISH

Swedish sculptor, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• GOTHENBURG (Swed. Goteborg)

Gothenburg on the 8th of See also:

• AUGUST (originally Sextilis)

August 1786 . His See also:

• FATHER

father, a See also:

• COPPER (symbol Cu, atomic weight 63.1, H=1, or 63.6, O = 16)

copper-founder, encouraging an See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early-exhibited See also:

• TASTE (from Lat. taxare, to touch sharply; tangere, to touch)

taste for See also:

• DESIGN (Fr. desiin, drawing; Lat. designare, to mark out)

design, sent him in 18or to See also:

• STOCKHOLM

Stockholm, where he studied at the school of See also:

• ART

art . There he came much under the See also:

• INFLUENCE (Late Lat. influentia, from influere, to flow in)

influence of the sculptor Sergell, who communicated to him his own See also:

• ENTHUSIASM

enthusiasm for See also:

• ANTIQUE (Lat. antiquus, old)

antique art and natural See also:

• GRACE (Fr. grace, Lat. gratia, from grates, beloved, pleasing; formed from the root cra-, Gr. xav-, cf. xaipw, x6p,ua, Xapts)
• GRACE, WILLIAM GILBERT (1848– )

grace . See also:

• FOGELBERG, BENEDICT (or BENGT) ERLAND (1786-1854)

Fogelberg worked hard at Stockholm for many years, although his See also:

• INSTINCT

instinct for severe beauty rebelled against the somewhat See also:

• ROCOCO, or ROCAILLE

rococo quality of the art then prevalent in the See also:

• CITY (through Fr. cite, from Lat. civitas)

city . In 1818 the See also:

• GRANT (from A.-Fr. graunter, O. Fr. greanter for creanter, popular Lat. creantare, for credentare, to entrust, Lat. credere, to believe, trust)
• GRANT, ANNE (1755-1838)
• GRANT, CHARLES (1746-1823)
• GRANT, GEORGE MONRO (1835–1902)
• GRANT, JAMES (1822–1887)
• GRANT, JAMES AUGUSTUS (1827–1892)
• GRANT, ROBERT (1814-1892)
• GRANT, SIR ALEXANDER
• GRANT, SIR FRANCIS (1803-1878)
• GRANT, SIR JAMES HOPE (1808–1895)
• GRANT, SIR PATRICK (1804-1895)
• GRANT, U
• GRANT, ULYSSES SIMPSON (1822-1885)

grant of a See also:

• GOVERNMENT
• GOVERNMENT (0. Fr. governement, mod. gouvernement, O. Fr. governer, mod. gouverner, from Lat. gubernare, to steer a ship, guide, rule; cf. Gr. xv(3epvav)

government See also:

• PENSION (Lat. pensio, a payment, from pendere, to weigh, to pay)

pension enabled him to travel . He studied from one to two years in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris, first under See also:

• PIERRE

Pierre See also:

• GUERIN, JEAN BAPTISTE PAULIN (1783-1855)
• GUERIN, PIERRE NARCISSE, BARON (1774-1833)

Guerin, and after-wards under the sculptor Bosio, for the technical practice of See also:

• SCULPTURE
• SCULPTURE (Lat. sculptura, from sculpere, to carve, cognate with Gr. yXb4ew)

sculpture . In 182o Fogelberg realized a See also:

• DREAM (from a root dreug, connected with Germ. trugen, to deceive)

dream of his See also:

• LIFE

life in visiting See also:

• ROME
• ROME (Roma)

Rome, where the greater See also:

• PART

part of his remaining years were spent in the assiduous practice of his art, and the careful study and See also:

• ANALYSIS (Gr. avci and Meta, to break up into parts)

analysis of the See also:

• WORKS

works of the past . Visiting his native See also:

• COUNTRY (from the Mid. Eng. contre or contrie, and O. Fr. cuntree; Late Lat. contrata, showing the derivation from contra, opposite, over against, thus the tract of land which fronts the sight, cf. Ger. Gegend, neighbourhood)

country by royal command in 1854, he was received with See also:

• GREAT

great enthusiasm, but nothing could compensate him for the See also:

• ABSENCE (Lat. absentia)

absence of those ' remains of antiquity and surroundings of See also:

• FREE

free natural beauty to which he had been so See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long accustomed Returningto See also:

• ITALY
• ITALY (Italia)

Italy, he died suddenly of See also:

• APOPLEXY (Gr. arov n i.a, from aroaMvvew, to strike down, to stun)

apoplexy at See also:

• TRIESTE (Ger. Triest; Slay. Trst; the Roman Tergeste, q.v.)

Trieste on the 22nd of See also:

• DECEMBER (Lat. decent, ten)

December 1854 . The subjects of Fogelberg's earlier works are mostly taken from classic myth- ology . Of these, "See also:

• CUPID (Cupido, " desire ")

Cupid and See also:

• PSYCHE (//vxi7)

Psyche," " See also:

• VENUS

Venus entering the See also:

• BATH
• BATH, THOMAS THYNNE
• BATH, WILLIAM

Bath," "A Bather " (1838), " See also:

• APOLLO (Gr. 'A2r6XXwv,'Airkkhwv)

Apollo Citharede," " Venus and Cupid " (1839) and " Psyche " (1854) may be mentioned . In his representations of Scandinavian See also:

• MYTHOLOGY

mythology Fogelberg showed, perhaps for the first See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time, that he had See also:

• POWERS, HIRAM (1805-1873)

powers above those of intelligent assimilation and See also:

• IMITATION (Lat. imitatio, from intitari, to imitate)

imitation . His "See also:

• ODIN, or OTHIN (O. Norse 66inn)

Odin"(1831),"See also:

• THOR

Thor" (1842), and" See also:

• BALDER

Balder" (1842), though influenced by See also:

• GREEK
• GREEK, ETRUSCAN AND

Greek art, display considerable See also:

• POWER [WILLIAM GRATTAN] TYRONE (1797-1841)

power of See also:

• INDEPENDENT

independent See also:

• IMAGINATION

imagination .

His portraits and See also:

• HISTORICAL

historical figures, as those of Gustavus See also:

• ADOLPHUS, JOHN LEYCESTER (1795-1862)

Adolphus (1849), of See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles XII . (1851), of Charles XIII . (1852), and of See also:

• BIRGER (?-1266)

Birger Jarl, the founder of Stockholm (1853), are faithful and dignified works . See Casimir Leconte, L'fuvre de Fogelberg (Paris, 1856) .