PROSPERO See also:

• FONTANA, DOMENICO (1543-1607)
• FONTANA, LAVINIA (1552-1614)
• PROSPERO FONTANA (1512-1597)

FONTANA (1512-1597)  , See also:

• ITALIAN

Italian painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• BOLOGNA
• BOLOGNA, GIOVANNI DA (1524–1608)

Bologna, and became a See also:

• PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)

pupil of Innocenzo da See also:

• IMOLA (anc. Forum Cornelii)

Imola . He afterwards worked for See also:

• VASARI, GIORGIO (1511-1571)

Vasari and Perino del Vaga . It was probably from Vasari that See also:

• FONTANA, DOMENICO (1543-1607)
• FONTANA, LAVINIA (1552-1614)
• FONTANA, PROSPERO (1512-1597)

Fontana acquired a practice of off-See also:

• HAND
• HAND (a word common to Teutonic languages; cf. Ger. Hand, Goth. handus)
• HAND, FERDINAND GOTTHELF (1786-185r)

hand, self-displaying See also:

• WORK

work . He undertook a multitude of commissions, and was so rapid, that he painted, it is said, in a few See also:

• WEEKS, EDWIN LORD (1849-1903)

weeks an entire See also:

• HALL
• HALL (generally known as SCHWABISCH-HALL, tc distinguish it from the small town of Hall in Tirol and Bad-Hall, a health resort in Upper Austria)
• HALL (O.E. heall, a common Teutonic word, cf. Ger. Halle)
• HALL, BASIL (1788-1844)
• HALL, CARL CHRISTIAN (1812–1888)
• HALL, CHARLES FRANCIS (1821-1871)
• HALL, CHRISTOPHER NEWMAN (1816—19oz)
• HALL, EDWARD (c. 1498-1547)
• HALL, FITZEDWARD (1825-1901)
• HALL, ISAAC HOLLISTER (1837-1896)
• HALL, JAMES (1793–1868)
• HALL, JAMES (1811–1898)
• HALL, JOSEPH (1574-1656)
• HALL, MARSHALL (1790-1857)
• HALL, ROBERT (1764-1831)
• HALL, SAMUEL CARTER (5800-5889)
• HALL, SIR JAMES (1761-1832)
• HALL, WILLIAM EDWARD (1835-1894)

hall in the See also:

• VITELLI, VITELLOZZO ( ?-1502)

Vitelli See also:

• PALACE (Lat. Palatium, the name given by Augustus to his residence on the Palatine Hill)

palace at Citta di See also:

• CASTELLO, BERNARDO (1557—1629)
• CASTELLO, GIOVANNI BATTISTA (1500 ?–1569 ?)
• CASTELLO, VALERIO (1625-1659)

Castello . Along with daring, he had fertility of See also:

• COMBINATION (Lat. combinare, to combine)

combination, and in See also:

• WORKS

works of See also:

• PARADE (Fr. parade, an adaptation from Ital. parada; cf. Span. parada, from Lat. parade, to prepare, equip, furnish)

parade he attained a certain measure of success, although his See also:

• DRAWING

drawing was incorrect and his mannerism palpable . He belongs to the degenerate See also:

• PERIOD
• PERIOD (Gr. irepioSos, a going or way round, circuit, aepi, round, and &Sis, way, road)

period of the Bolognese school, under the See also:

• INFLUENCE (Late Lat. influentia, from influere, to flow in)

influence chiefly of the imitators of See also:

• RAPHAEL (Hebrew smm, " God heals ")

Raphael—Sabbatini, Sammachini and Passerotti being three of his See also:

• PRINCIPAL

principal colleagues . His soundest successes were in See also:

• PORTRAITURE

portraiture, in which See also:

• BRANCH (from the Fr. branche, late Lat. branca, an animal's paw)

branch of See also:

• ART

art he stood so high that towards 1550 See also:

• MICHELANGELO (MICHELAGNIOLO BUONARROTI) (1475-1564)

Michelangelo introduced him to See also:

• POPE (Gr. irarraas, post-classical Lat. papa, father)
• POPE, ALEXANDER (1688–1744)
• POPE, ALEXANDER (1763-1835)
• POPE, JANE (1742-1818)
• POPE, JOHN (1822-1892)
• POPE, SIR THOMAS (c. 1507-1559)

Pope See also:

• JULIUS

Julius III. as a portrait-painter; and he was pensioned by this pope, and remained at the pontifical See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

court with the three successors of Julius . Here he lived on a See also:

• GRAND

grand See also:

• SCALE
• SCALE (1) A

scale, and figured as a sort of arbiter and See also:

• ORACLE (Lat. oraculum, from ora' to pray; the corresponding Greek word is uavreiov or Xpnuri7pwov)

oracle among his professional brethren . Returning to Bologna, after doing some work in See also:

• FONTAINEBLEAU

Fontainebleau and in See also:

• GENOA (anc. Genua, Ital. Genova, Fr. GPnes)

Genoa, he opened a school of art, in which he became the See also:

• PRECEPTOR

preceptor of Lodovico and See also:

• AGOSTINO
• AGOSTINO, or AGOSTINI [AUGUSTINUS], PAOLO (1593-1629)

Agostino See also:

• CARACCI, LODOVICO, AGOSTINO

Caracci; but these pupils, See also:

• STANDING

standing forth as reformers and innovators, finally extinguished the See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

academy and the See also:

• VOGUE, EUGENE MELCHIOR, COMTE DE (1848- )

vogue of Fontana . His subjects were in the way of sacred and profane See also:

• HISTORY

history and of See also:

• FABLE (Fr. fable, Lat. fabula)

fable . He has See also:

• LEFT

left a large quantity of work in Bologna,—the picture of the " See also:

• ADORATION (Lat. ad, to, and os, mouth; i.e. " carrying to one's mouth ")

Adoration of the Magi," in the See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church of S . Maria delle Grazie, being considered his masterpiece —not unlike the See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style of See also:

• PAUL
• PAUL (PAULUS)

Paul Veronese .

He died in See also:

• ROME
• ROME (Roma)

Rome in 1597 .