See also:

• EDWARD

EDWARD See also:

• ONSLOW, ARTHUR (1691-1768)
• ONSLOW, EARL OF

ONSLOW See also:

• EDWARD ONSLOW FORD
• FORD, JOHN (r586–c.1640)
• FORD, RICHARD (1796-1858)
• FORD, THOMAS (b. c. 158o)

FORD  j9o1), See also:

• ENGLISH

English sculptor, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• LONDON

London . He receivea some See also:

• EDUCATION

education as a painter in See also:

• ANTWERP
• ANTWERP (Fr. Anvers)

Antwerp and as a sculptor in See also:

• MUNICH (Ger. Munchen)

Munich under See also:

• PROFESSOR (the Latin noun formed from the verb profiteri, to declare publicly, to acknowledge, profess)

Professor Wagmuller, but was mainly self-taught . His first contribution to the Royal See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy, in 1875, was a bust of his wife, and in See also:

• PORTRAITURE

portraiture he may be said to have achieved his greatest success . His busts are always extremely refined and show his sitters at their best . Those (in See also:

• BRONZE

bronze) of his See also:

• FELLOW

fellow-artists See also:

• ARTHUR (Fr. Arius)
• ARTHUR, CHESTER ALAN (1830 – 1886)

Arthur Hacker (1894), Briton See also:

• RIVIERE, BRITON (1840- )

Riviere and See also:

• SIR

Sir W . Q . See also:

• ORCHARDSON, SIR WILLIAM QUILLER (1835-1910)

Orchardson (1895), Sir L . See also:

• ALMA

Alma Tadema (1896), Sir See also:

• HUBERT (HUCBERTUS, HUGBERTUS), ST (d. 727)

Hubert von Herkomer and Sir See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John See also:

• MILLAIS, SIR JOHN EVERETT (1829-1896)

Millais (1897), and of A . J . See also:

• BALFOUR, FRANCIS MAITLAND (1851-1882)
• BALFOUR, ROBERT (known also as BALFOREUS) (1550?-1625?)
• BALFOUR, SIR JAMES (of Pittendreich) (d. 1583 Or 1584)
• BALFOUR, SIR JAMES, BART

Balfour are all striking likenesses, and are equalled by that in See also:

• MARBLE (from Lat. marmor, Gr. pApµapos, shining stone)

marble of Sir See also:

• FREDERICK
• FREDERICK (Mod. Ger. Friedrich; Ital. Federigo; Fr. Frederic and Federic; M.H.G. Friderich; O.H.G. Fridurih, " king or lord of peace," from O.H.G. fridu, A.S. frith, " peace," and rfh " rich," " a ruler," for derivation of which see HENRY)

Frederick See also:

• BRAMWELL, GEORGE WILLIAM WILSHERE BRAMWELL, BARON (1808-1892)

Bramwell (for the Royal Institution) and by many more . He gained the open competition for the statue of Sir See also:

• ROWLAND, HENRY AUGUSTUS (1848-1901)

Rowland See also:

• HILL
• HILL (0. Eng. hyll; cf. Low Ger. hull, Mid. Dutch hul, allied to Lat. celsus, high, collis, hill, &c.)
• HILL, A
• HILL, AARON (1685-175o)
• HILL, AMBROSE POWELL
• HILL, DANIEL HARVEY (1821-1889)
• HILL, DAVID BENNETT (1843–1910)
• HILL, GEORGE BIRKBECK NORMAN (1835-1903)
• HILL, JAMES J
• HILL, JOHN (c. 1716-1775)
• HILL, MATTHEW DAVENPORT (1792-1872)
• HILL, OCTAVIA (1838– )
• HILL, ROWLAND (1744–1833)
• HILL, SIR ROWLAND (1795-1879)

Hill, erected in 1882 outside the Royal See also:

• EXCHANGE

Exchange, and followed it in 1883 with " See also:

• HENRY
• HENRY (1129-1195)
• HENRY (c. 1108-1139)
• HENRY (c. 1174–1216)
• HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
• HENRY, EDWARD LAMSON (1841– )
• HENRY, JAMES (1798-1876)
• HENRY, JOSEPH (1797-1878)
• HENRY, MATTHEW (1662-1714)
• HENRY, PATRICK (1736–1799)
• HENRY, PRINCE OF BATTENBERG (1858-1896)
• HENRY, ROBERT (1718-1790)
• HENRY, VICTOR (1850– )
• HENRY, WILLIAM (1795-1836)

Henry See also:

• IRVING, EDWARD (1792-1834)
• IRVING, SIR HENRY (1838-1905)
• IRVING, WASHINGTON (1783-18J9)

Irving as See also:

• HAMLET

Hamlet," now in the See also:

• GUILDHALL

Guildhall See also:

• ART

art See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

gallery . This seated statue, See also:

• GOOD, JOHN MASON (1764-1827)

good as it is, was soon surpassed by those of Dr See also:

• DALE, ROBERT WILLIAM (1829-1895)
• DALE, SIR THOMAS (d. 1619)

Dale (1898, in the See also:

• CITY (through Fr. cite, from Lat. civitas)

city museum, See also:

• BIRMINGHAM

Birmingham) and Professor See also:

• HUXLEY, THOMAS HENRY (1825–1895)

Huxley (1900), but the See also:

• COLOSSAL

colossal memorial statue of See also:

• QUEEN
• QUEEN (O.E. cwen, wife, related to "quean," O.E. cwene, a hussy; cf. Gr. yvvi7: from root gan-, to produce; cf. genus, " kin," &c.)

Queen See also:

• VICTORIA
• VICTORIA (or VITTORIA), TOMMASSO LUDOVICO DA (C. I540-C. 1613)
• VICTORIA [ALEXANDRINA VICTORIA]

Victoria (igor), for See also:

• MANCHESTER
• MANCHESTER (popularly Manchester-by-the-Sea)
• MANCHESTER, EARLS AND DUKES OF

Manchester, was less successful .

The See also:

• STANDING

standing statue of W . E . See also:

• GLADSTONE
• GLADSTONE, JOHN HALL (1827-1902)
• GLADSTONE, WILLIAM EWART (1809–1898)

Gladstone (1894, for the City Liberal See also:

• CLUB (connected with " clump ")

Club, London) is to be regarded as one of See also:

• FORD, EDWARD ONSLOW
• FORD, JOHN (r586–c.1640)
• FORD, RICHARD (1796-1858)
• FORD, THOMAS (b. c. 158o)

Ford's better portrait See also:

• WORKS

works . The colossal " See also:

• GENERAL
• GENERAL (Lat. generalis, of or relating to a genus, kind or class)

General See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles See also:

• GORDON
• GORDON, ADAM LINDSAY (1833—1870)
• GORDON, ALEXANDER (c. 1692—c. 1754)
• GORDON, CHARLES GEORGE (1833-'885)
• GORDON, LEON
• GORDON, LORD GEORGE (1751-1793)
• GORDON, PATRICK (1635–1699)
• GORDON, SIR JOHN WATSON (1788—1864)

Gordon," See also:

• CAMEL (from the Arabic Djemal or the Heb. Gamal)

camel-mounted, for See also:

• CHATHAM
• CHATHAM, WILLIAM PITT

Chatham, " See also:

• LORD
• LORD (O. Eng. hldford, i.e. hldfweard, the warder or keeper of bread, hlIf, loaf; the word is not represented in any other Teutonic language)
• LORD, JOHN (1810-1894)

Lord See also:

• STRATHNAIRN, HUGH HENRY ROSE

Strathnairn," an equestrian See also:

• GROUP

group for Knightsbridge, and the " Maharajah of See also:

• MYSORE

Mysore " (19oo) comprise his larger works of the See also:

• KIND (O. E. ge-cynde, from the same root as is seen in " kin," supra)

kind . A beautiful nude recumbent statue of See also:

• SHELLEY, MARY WOLLSTONECRAFT (1797-1851)
• SHELLEY, PERCY BYSSHE (1792-1822)

Shelley (1892) upon a cleverly-designed See also:

• BASE

base, which is not quite impeccable from the point of view of See also:

• ARTISTIC

artistic See also:

• TASTE (from Lat. taxare, to touch sharply; tangere, to touch)

taste, is at University See also:

• COLLEGE (Collegium)

College, See also:

• OXFORD
• OXFORD, EARLS OF
• OXFORD, EDWARD DE VERE, 17TH EARL
• OXFORD, JOHN DE VERE, 13TH EARL OF (1443-1513)
• OXFORD, PROVISIONS OF
• OXFORD, ROBERT DE VERE, 9TH EARL OF (1362-1392)
• OXFORD, ROBERT HARLEY, 1ST

Oxford, and a simplified version was presented by him to be set up on the See also:

• SHORE

shore of See also:

• VIAREGGIO

Viareggio, where the poet's See also:

• BODY

body was washed up . Ford's ideal See also:

• WORK

work has See also:

• GREAT

great See also:

• CHARM (through the Fr. from the Lat. carmen, a song)

charm and daintiness; his statue " Folly " (1886) was bought by the trustees of the See also:

• CHANTREY, SIR FRANCIS LEGATT (1782-1841)

Chantrey Fund, and was followed by other statues or statuettes of a similar See also:

• ORDER
• ORDER (through Fr. ordre, for earlier ordene, from Lat. ordo, ordinis, rank, service, arrangement; the ultimate source is generally taken to be the root seen in Lat. oriri, rise, arise, begin; cf. " origin ")
• ORDER, HOLY

order: " See also:

• PEACE
• PEACE, BREACH OF THE

Peace " (189o), which secured his See also:

• ELECTION
• ELECTION (from Lat. eligere, to pick out)

election as an See also:

• ASSOCIATE (Lat. associates, from ad, to, and sociare to join)

associate of the Royal Academy, " See also:

• ECHO (Gr. I'Xw)

Echo " (1895), on which he was elected full member, " The See also:

• EGYPTIAN

Egyptian See also:

• SINGER, SIMEON (1846-1906)

Singer " (1889), " See also:

• APPLAUSE (Lat. applaudere, to strike upon, clap)

Applause " (1893), " See also:

• GLORY (through the O. Fr. glorie, modern gloire, from Lat. gloria, cognate with Gr. KXebs, abets)

Glory to the Dead " (Igo1) and "Snowdrift" (1902) . Ford's See also:

• INFLUENCE (Late Lat. influentia, from influere, to flow in)

influence on the younger See also:

• GENERATION (from Lat. generare, to beget, procreate; genus, stock, race)

generation of sculptors was considerable and of good effect . His charming disposition rendered him extremely popular, and when he died a See also:

• MONUMENT (Lat. monumentum or monumentum; from monere, to advise, bring to mind, remind; the German equivalent is Denkmal)

monument was erected to his memory (C . Lucchesi, sculptor, J . W . See also:

• SIMPSON, MATTHEW (1811-1884)
• SIMPSON, SIR JAMES YOUNG (1811-1870)
• SIMPSON, THOMAS (1710-1761)

Simpson, architect) in St John's See also:

• WOOD, ANTHONY A2 (1632-1695)
• WOOD, JOHN GEORGE (1827—1889)
• WOOD, MRS HENRY [ELLEN] (1814—1887)
• WOOD, SEARLES VALENTINE (1798—188o)

Wood, near to where he dwelt . See See also:

• SCULPTURE
• SCULPTURE (Lat. sculptura, from sculpere, to carve, cognate with Gr. yXb4ew)

SCULPTURE; also M .

H . Spielmann, See also:

• BRITISH

British Sculpture and Sculptors of To-See also:

• DAY (O. Eng. dreg, Ger. Tag; according to the New English Dictionary, " in no way related to the Lat. dies")
• DAY, JOHN (1574-1640?)
• DAY, THOMAS (1748-1789)

day (London, 1901) .