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FOUCQUET, See also: born at See also: Tours, is the most representative and See also: national French painter of the 15th century
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Of his See also: life little is known, but it is certain that he was in See also: Italy about 1437, where he executed the portrait of See also: Pope See also: Eugenius IV., and that upon his return to See also: France, whilst retaining his purely French sentiment, he grafted the elements of the Tuscan See also: style, which he had acquired during his sojourn in Italy, upon the style of the See also: Van Eycks, which was the basis of early 15th-century French See also: art, and thus became the founder of an important new school
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He was See also: court painter to See also: Louis XI
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Though his supreme excellence as an illuminator and miniaturist, of exquisite precision in the rendering of the finest detail, and his power of clear characterization in
See also: work on this minute See also: scale, have long since procured him an eminent position in the art of his country, his importance as a painter was only realized when his portraits and altarpieces were for the first See also: time brought together from various parts of See also: Europe in 1904, at the See also: exhibition of the French Primitives held at the Bibliotheque Nationale in See also: Paris
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One of Foucquet's most important paintings is the diptych, formerly at Notre See also: Dame de See also: Melun, of which one wing, depicting See also: Agnes See also: Sorel as the Virgin, is now at the See also: Antwerp Museum and the other in the Berlin Gallery
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The Louvre has his oil portraits of See also: Charles VII., of Count Wilczek, and of Jouvenal
See also: des Ursine, besides a portrait See also: drawing in crayon; whilst an authentic portrait from his See also: brush is in the See also: Liechtenstein collection
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Far more numerous are his illuminated books and miniatures that have come down to us
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The Brentano-Laroche collection at See also: Frankfort contains See also: forty miniatures from a See also: Book of See also: Hours, painted in 1461 for Etienne Chevalier who is portrayed by Foucquet on the Berlin wing of the Melun altarpiece
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From Foucquet's See also: hand again are eleven out of the fourteen miniatures illustrating a See also: translation of See also: Josephus at the Bibliotheque Nationale
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The second See also: volume of this MS., unfortunately with only one of the See also: original thirteen miniatures, was discovered and bought in 1903 by Mr See also: Henry Yates
See also: Thompson at a See also: London sale, and restored by him to France
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See fEuvres de Jehan Foucquet (Curmer, Paris, 1866—1867) ; A. de Champeaux and P
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Gauchery, Euvres d'art executees pour le duc de See also: Berry; ` Facsimiles of two histories by See also: Jean Foucquet " from vols. i. and ii. of the Anciennetes des _Tuffs (London, 19o2); Charles Blanc, Histoire des peintres de toutes See also: les ecoles (introduction) ; and Georges Lafenestre, Jehan Fouquet (Paris, 1902)
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