See also:

• FOUCQUET, JEAN, or JEHAN (c. 1415–1485)

FOUCQUET, See also:

• JEAN

JEAN, or JEHAN (c. 1415–1485)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French painter, See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• TOURS

Tours, is the most representative and See also:

• NATIONAL

national French painter of the 15th See also:

• CENTURY (from Lat. centuria, a division of a hundred men)

century . Of his See also:

• LIFE

life little is known, but it is certain that he was in See also:

• ITALY
• ITALY (Italia)

Italy about 1437, where he executed the portrait of See also:

• POPE (Gr. irarraas, post-classical Lat. papa, father)
• POPE, ALEXANDER (1688–1744)
• POPE, ALEXANDER (1763-1835)
• POPE, JANE (1742-1818)
• POPE, JOHN (1822-1892)
• POPE, SIR THOMAS (c. 1507-1559)

Pope See also:

• EUGENIUS

Eugenius IV., and that upon his return to See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France, whilst retaining his purely French sentiment, he grafted the elements of the Tuscan See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style, which he had acquired during his sojourn in Italy, upon the style of the See also:

• VAN

Van Eycks, which was the basis of See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early 15th-century French See also:

• ART

art, and thus became the founder of an important new school . He was See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

court painter to See also:

• LOUIS
• LOUIS (804–876)
• LOUIS (893–911)
• LOUIS, JOSEPH DOMINIQUE, BARON (1755-1837)
• LOUIS, or LEWIS (from the Frankish Chlodowich, Chlodwig, Latinized as Chlodowius, Lodhuwicus, Lodhuvicus, whence-in the Strassburg oath of 842-0. Fr. Lodhuwigs, then Chlovis, Loys and later Louis, whence Span. Luiz and—through the Angevin kings—Hungarian

Louis XI . Though his supreme excellence as an illuminator and miniaturist, of exquisite precision in the rendering of the finest detail, and his See also:

• POWER [WILLIAM GRATTAN] TYRONE (1797-1841)

power of clear characterization in See also:

• WORK

work on this See also:

• MINUTE
• MINUTE (Lat. minutes, small; minuere, to make less)

minute See also:

• SCALE
• SCALE (1) A

scale, have See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long since procured him an eminent position in the art of his See also:

• COUNTRY (from the Mid. Eng. contre or contrie, and O. Fr. cuntree; Late Lat. contrata, showing the derivation from contra, opposite, over against, thus the tract of land which fronts the sight, cf. Ger. Gegend, neighbourhood)

country, his importance as a painter was only realized when his portraits and altarpieces were for the first See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time brought together from various parts of See also:

• EUROPE

Europe in 1904, at the See also:

• EXHIBITION

exhibition of the French Primitives held at the Bibliotheque Nationale in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris . One of See also:

• FOUCQUET, JEAN, or JEHAN (c. 1415–1485)

Foucquet's most important paintings is the See also:

• DIPTYCH (Gr. &sravxos, two-folding), (I) A

diptych, formerly at Notre See also:

• DAME
• DAME (through the Fr. from Lat. domina, mistress, lady, the feminine of dominus, master, lord)

Dame de See also:

• MELUN

Melun, of which one wing, depicting See also:

• AGNES, SAINT

Agnes See also:

• SOREL
• SOREL, AGNES (c. 1422-1450)
• SOREL, ALBERT (1842-1906)
• SOREL, CHARLES, SIEUR DE SOUVIGNY (1597-1674)

Sorel as the Virgin, is now at the See also:

• ANTWERP
• ANTWERP (Fr. Anvers)

Antwerp Museum and the other in the See also:

• BERLIN
• BERLIN, CONGRESS AND TREATY OF
• BERLIN, ISAIAH (1725–1799)

Berlin See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery . The Louvre has his oil portraits of See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles VII., of See also:

• COUNT (Lat. comes, gen. comitis, Fr. comte, Ital. conte, Span. conde)

Count Wilczek, and of Jouvenal See also:

• DES

des Ursine, besides a portrait See also:

• DRAWING

drawing in See also:

• CRAYON (Fr. craie, chalk, from Lat. creta)

crayon; whilst an See also:

• AUTHENTIC (from Gr. aOO 'rns, one who does a thing himself)

authentic portrait from his See also:

• BRUSH (from Fr. brosse, which, like the English word, means both the undergrowth of a wood and the instrument; if the word in both these meanings is ultimately the same, then the origin is from a bundle of brushwood used as a brush or broom, but this is h
• BRUSH, GEORGE DE FOREST (1855– )

brush is in the See also:

• LIECHTENSTEIN

Liechtenstein collection . Far more numerous are his illuminated books and miniatures that have come down to us . The See also:

• BRENTANO, KLEMENS (1778-1842)
• BRENTANO, LUDWIG JOSEPH [called Lujo]

Brentano-Laroche collection at See also:

• FRANKFORT

Frankfort contains See also:

• FORTY

forty miniatures from a See also:

• BOOK

Book of See also:

• HOURS, CANONICAL

Hours, painted in 1461 for See also:

• ETIENNE, CHARLES GUILLAUME (1778-1845)

Etienne See also:

• CHEVALIER, ALBERT (1861– )
• CHEVALIER, MICHEL (1806-1879)
• CHEVALIER, ULYSSE (1841– )

Chevalier who is portrayed by Foucquet on the Berlin wing of the Melun altarpiece . From Foucquet's See also:

• HAND
• HAND (a word common to Teutonic languages; cf. Ger. Hand, Goth. handus)
• HAND, FERDINAND GOTTHELF (1786-185r)

hand again are eleven out of the fourteen miniatures illustrating a See also:

• TRANSLATION

translation of See also:

• JOSEPHUS, FLAVIUS (c. 37-C. 95?)

Josephus at the Bibliotheque Nationale . The second See also:

• VOLUME

volume of this MS., unfortunately with only one of the See also:

• ORIGINAL

original thirteen miniatures, was discovered and bought in 1903 by Mr See also:

• HENRY
• HENRY (1129-1195)
• HENRY (c. 1108-1139)
• HENRY (c. 1174–1216)
• HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
• HENRY, EDWARD LAMSON (1841– )
• HENRY, JAMES (1798-1876)
• HENRY, JOSEPH (1797-1878)
• HENRY, MATTHEW (1662-1714)
• HENRY, PATRICK (1736–1799)
• HENRY, PRINCE OF BATTENBERG (1858-1896)
• HENRY, ROBERT (1718-1790)
• HENRY, VICTOR (1850– )
• HENRY, WILLIAM (1795-1836)

Henry See also:

• YATES, EDMUND HODGSON (1831–1894)
• YATES, MARY ANN (1728-1787)
• YATES, RICHARD (1818-1873)

Yates See also:

• THOMPSON
• THOMPSON, FRANCIS (1860-1907)
• THOMPSON, LAUNT (1833-1894)
• THOMPSON, SIR HENRY, BART
• THOMPSON, SIR JOHN SPARROW (1844-1894)
• THOMPSON, THOMAS PERONNET (1783-1869)
• THOMPSON, WILLIAM HEPWORTH (18ro–1886)

Thompson at a See also:

• LONDON

London See also:

• SALE
• SALE, GEORGE (c. 1697-1736)
• SALE, SIR ROBERT HENRY (1782—1845)

sale, and restored by him to France . See fEuvres de Jehan Foucquet (Curmer, Paris, 1866—1867) ; A. de See also:

• CHAMPEAUX, WILLIAM OF [GULIELMUS CAMPELLENSIS] (C. 1070-1121)

Champeaux and P . Gauchery, Euvres d'art executees pour le duc de See also:

• BERRY, CHARLES ALBERT (1852-1899)
• BERRY, CHARLES FERDINAND
• BERRY, JOHN, DUKE OF (1340-1416)
• BERRY, or BERRI

Berry; ` Facsimiles of two histories by See also:

• JEAN

Jean Foucquet " from vols. i. and ii. of the Anciennetes des _Tuffs (London, 19o2); Charles See also:

• BLANC, (JEAN JOSEPH CHARLES) LOUIS (1811-1882)
• BLANC, MONT

Blanc, Histoire des peintres de toutes See also:

• LES

les ecoles (introduction) ; and Georges Lafenestre, Jehan See also:

• FOUQUET (or FOUCQUET), NICOLAS (1615-168o)

Fouquet (Paris, 1902) .