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FREILIGRATH . See also: FERDINAND (1810-1876),
See also: German poet, was See also: born at Detmold on the 17th of See also: June 1810
.
He was educated at the gymnasium of his native See also: town, and in his sixteenth See also: year was sent to See also: Soest, with a view to preparing him for a commercial career
.
Here he had also See also: time and opportunity to acquire a taste for French and See also: English literature
.
The years from 1831 to 1836 he spent in a See also: bank at See also: Amsterdam, and 1837 to 1839 in a business See also: house at See also: Barmen
.
In 1838 his Gedichte appeared and met with such extraordinary success that he gave up the
See also: Battle of
See also: FREIBURG
English See also: Miles
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.
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.
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.
idea of a commercial See also: life and resolved to devote himself entirely to literature
.
His repudiation of the See also: political See also: poetry of 1841 and its revolutionary ideals attracted the See also: attention of the See also: king of Prussia,
See also: Frederick See also: William IV., who, in 1842, granted him a pension of 300 talers a year
.
He married, and, to be near his friend Emanuel
See also: Geibel, settled at St Goar
.
Before long, however, Freiligrath was himself carried away by the rising See also: tide of liberal-ism
.
In the poem Ein Glaubensbekenntnis (1844) he openly avowed his sympathy with the political See also: movement led by his old adversary, Georg See also: Herwegh; the See also: day, he declared, of his own poetic trifling with Romantic themes was over; Romanticism itself was dead
.
He laid down his pension, and, to avoid the inevitable political persecution, took See also: refuge in See also: Switzerland
.
As a sequel to the Glaubensbekenntnis he published Ca ira
!
(1846), which strained still further his relations with the German authorities
.
He fled to See also: London, where he resumed the commercial life he had broken off seven years before
.
When the Revolution of 1848 broke out, it seemed to Freiligrath, as to all the liberal thinkers of the time, the dawn of an era of political freedom; and, as may be seen from the poems in his collection of Politische and soziale Gedichte (1849-1851), he welcomed it with unbounded See also: enthusiasm
.
He returned to See also: Germany and settled in See also: Dusseldorf; but it was not long before he had again called down upon himself the See also: ill-will of the ruling See also: powers by a poem, Die Toten an die Lebenden (1848)
.
He was arrested on a See also: charge of lese-majeste, but the See also: prosecution ended in his acquittal
.
New difficulties arose; his association with the democratic movement rendered him an See also: object of See also: constant suspicion, and in 1851 he judged it more prudent to go back to London, where he remained until 1868
.
In that year he returned to Germany, settling first in See also: Stuttgart and in 1875 in the neighbouring town of See also: Cannstatt, where he died on the 18th of See also: March 1876
.
As a poet, Freiligrath was the most gifted member of the German revolutionary
See also: group
.
Coming at the very close of the Romantic age, his own purely lyric poetry re-echoes for the most See also: part the See also: familiar thoughts and imagery of his Romantic predecessors; but at an early age he had been attracted by the See also: work of French contemporary poets, and he reinvigorated the German lyric by grafting upon it the orientalism of Victor Hugo
.
In this reconciliation of French and German romanticism See also: lay Freiligrath's significance for the development of the lyric in Germany
.
His remarkable power of assimilating See also: foreign literatures is also to be seen in his See also: translations of English and Scottish See also: ballads, of the poetry of Burns, Mrs See also: Hemans, Longfellow and See also: Tennyson (Englische Gedichte aus neuerer Zeit, 1846; The See also: Rose, See also: Thistle and Shamrock, 18J3, 6th ed
.
1887); he also translated See also: Shakespeare's Cyinbeline, Winter's Tale and See also: Venus and See also: Adonis, as well as Longfellow's See also: Hiawatha (18J7)
.
Freiligrath is most See also: original in his revolutionary poetry
.
His poems of this class suffer, it is true, under the disadvantage of all political poetry—purely temporary See also: interest and the unavoidable admixture of much that has no claim to be called poetry at all—but the agitator Freiligrath, when he is at his best, displays a vigour and strength, a power of See also: direct and cogent poetic expression, not to be found in any other political See also: singer of the age
.
Freiligrath's Gedichte have passed through some fifty See also: editions, and his Gesammelte Dichtungen, first published in 187o, have reached a See also: sixth edition (1898)
.
Nachgelassenes (including a See also: translation of See also: Byron's Mazeppa) was published in 1883
.
A selection of Freiligrath's best-known poems in English translation was edited by his daughter, Mrs Freiligrath-Kroeker, in 1869; also Songs of a Revolutionary Epoch were translated by J
.
L
.
Joynes in 1888
.
Cp
.
E
.
See also: Schmidt-See also: Weissenfels, F
.
Freiligrat, eine Biographie (1876) ; W
.
Buchner, F
.
Freiligrath, ein Dichterleben in Briefen (2 vols., 1881); G
.
Freiligrath, Erinnerungen an F
.
Freiligrath (1889) ; P
...
Hessen, Freiligrath (See also: Paris, 1899) ; K
.
See also: Richter, Freiligrath als Ubersetzer (1899)
.
(J
.
G
.
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