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GUSTAV FREYTAG (1816–1895)

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Originally appearing in Volume V11, Page 212 of the 1911 Encyclopedia Britannica.
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GUSTAV See also:

FREYTAG (1816–1895)  , See also:German novelist, was See also:born at See also:Kreuzburg, in See also:Silesia, on the 13th of See also:July 1816 . After attending the gymnasium at Ols, he studied See also:philology at the See also:universities of See also:Breslau and See also:Berlin, and in 1838 took the degree with a remark-able dissertation, De initiis poeseos scenicae apud Germanos . In 1839 he settled at Breslau, as Privatdocent in German See also:language and literature, but devoted his See also:principal See also:attention to See also:writing for the See also:stage, and achieved considerable success with the See also:comedy See also:Die Braudfahrt, See also:oder Kunz von der Rosen (1844) . This was followed by a See also:volume of unimportant poems, In Breslau (1845) and the dramas Die See also:Valentine (1846) and See also:Graf Waldemar (1847) . He at last attained a prominent position by his comedy, Die Join-nails/en (1853), one of the best German comedies of the 19th See also:century . In 1847 he migrated to Berlin, and in the following See also:year took over, in See also:conjunction with See also:Julian See also:Schmidt, the editorship of Die Grenzboten, a weekly See also:journal which, founded in 1841, now became the leading See also:organ of German and See also:Austrian liberalism . See also:Freytag helped to conduct it until 1861, and again from 1867 till 1870, when for a See also:short See also:time he edited a new periodical, lm neuen Reich . His See also:literary fame was made universal by the publication in 1855 of his novel, See also:Soli and Haben, which was translated into almost all the See also:languages of See also:Europe . It was certainly the best German novel of its See also:day, impressive by its sturdy but unexaggerated See also:realism, and in many parts highly humorous . Its See also:main purpose is the recommendation of the German See also:middle class as the soundest See also:element in the nation, but it also has a more directly patriotic intention in the contrast which it draws between the homely virtues of the Teuton and the shiftlessness of the See also:Pole and the rapacity of the See also:Jew . As a Silesian, Freytag had no See also:great love for his See also:Slavonic neighbours, and being a native of a See also:province which owed everything to See also:Prussia, he was naturally an See also:earnest See also:champion of Prussian See also:hegemony over See also:Germany . His powerful advocacy of this See also:idea in his Grenzboten gained him the friendship of the See also:duke of See also:Saxe-See also:Coburg-See also:Gotha, whose See also:neighbour he had become, on acquiring the See also:estate of Siebleben near Gotha .

At the duke's See also:

request Freytag was attached to the See also:staff of the See also:crown See also:prince of Prussia in the See also:campaign of 1870, and was See also:present at the battles of See also:Worth and See also:Sedan . Before this he had published another novel; Die verlorene Handschrift (1864), in which he endeavoured to do for German university See also:life what in Sall and Haben he had done for commercial life . The See also:hero is a See also:young German See also:professor, who is so wrapt up in his See also:search for a See also:manuscript by See also:Tacitus that he is oblivious to an impending tragedy in his domestic life . The See also:book was, however, less successful than its predecessor . Between 1859 and 1867 Freytag published in five volumes Bilder aus der deutschen Vergangenheit, a most valuable See also:work on popular lines, illustratingthe See also:history and See also:manners of Germany . In 1872 he began a work with a similar patriotic purpose, Die Ahnen, a See also:series of See also:historical romances in which he unfolds the history of a German See also:family from the earliest times to the middle of the 19th century . The series comprises the following novels, none of which, however, reaches the level of Freytag's earlier books . (I) Ingo and Ingraban (1872), (2) Das See also:Nest der Zaunkonige (1874), (3) Die Brader vom deutschen Hause (1875), (4) See also:Marcus See also:Konig (1876), (5) Die Geschwister (1878), and (6) in conclusion, Aus einer kleinen Stadt (188o) . Among Freytag's other See also:works may be noticed Die Technik See also:des Dramas (1863); an excellent See also:biography of the See also:Baden statesman Karl See also:Mathy (1869); an autobiography (Erinnerungen aus meinen Leben, 1887); his Gesammelte Aufsatze, chiefly reprinted from the Grenzboten (1888); Der Kronprinz and die deutsche Kaiserkrone; Erinnerungsblatter (1889) . He died at See also:Wiesbaden on the 3oth of See also:April 1895 . Freytag's Gesammelte Werke were published in 22 vols. at See also:Leipzig (1886–1888) ; his Vermischte Aufsatze have been edited by E . See also:Elster, 2 vols .

(Leipzig, 1901–1903) . On Freytag's life see, besides his autobiography mentioned above, the lives by C . See also:

Alberti (Leipzig, 189o) and F . Seiler (Leipzig, 1898) .

End of Article: GUSTAV FREYTAG (1816–1895)
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