FRIEZE  . 1 . (Through the Fr. frise, and Ital. fregio, from the . See also:

• LAT

Lat . Phrygium, sc. See also:

• OPUS ('O7rois)

opus, Phrygian or embroidered See also:

• WORK

work), a See also:

• TERM

term given in See also:

• ARCHITECTURE (Lat. architectura, from the Gr. ap)(LTEKrwv, a master-builder)

architecture to the central See also:

• DIVISION (from Lat. dividere, to break up into parts, separate)

division of the en-tablature of an See also:

• ORDER
• ORDER (through Fr. ordre, for earlier ordene, from Lat. ordo, ordinis, rank, service, arrangement; the ultimate source is generally taken to be the root seen in Lat. oriri, rise, arise, begin; cf. " origin ")
• ORDER, HOLY

order (see ORDER), but also applied to any oblong See also:

• HORIZONTAL

horizontal feature, introduced for decorative purposes and enriched with See also:

• CARVING

carving . The Doric frieze had a structural origin as the triglyphs suggest See also:

• VERTICAL (from Lat. vertex, highest point)

vertical support . The Ionic frieze was purely decorative and probably did not exist in the earliest examples, if we may See also:

• JUDGE (Lat. judex, Fr. juge)

judge by the copies found in the Lycian tombs carved in the See also:

• ROCK
• ROCK (O.Fr. rake, Sp. rota, Ital. rocca; possibly from a Lat. form rupica, from rupes, rock)
• ROCK, DANIEL (1799–187t)

rock . There is no frieze in the Caryatide See also:

• PORTICO (Ital. for " porch," Lat. porticus)

portico of the See also:

• ERECHTHEUM

Erechtheum, but in the Ionic temples its introduction may have been necessitated in consequence of more height being required in the See also:

• ENTABLATURE (Lat. in, and tabula, a tablet)

entablature to carry the beams supporting the lacunaria over the See also:

• PERISTYLE (Gr. wept, round, and oriaos, column)

peristyle . In the frieze of the Erechtheum the figures (about 2 ft. high) were carved in See also:

• WHITE
• WHITE, ANDREW DICKSON (1832– )
• WHITE, GILBERT (1720–1793)
• WHITE, HENRY KIRKE (1785-1806)
• WHITE, HUGH LAWSON (1773-1840)
• WHITE, JOSEPH BLANCO (1775-1841)
• WHITE, RICHARD GRANT (1822-1885)
• WHITE, ROBERT (1645-1704)
• WHITE, SIR GEORGE STUART (1835– )
• WHITE, SIR THOMAS (1492-1567)
• WHITE, SIR WILLIAM ARTHUR (1824--1891)
• WHITE, SIR WILLIAM HENRY (1845– )
• WHITE, THOMAS (1628-1698)
• WHITE, THOMAS (c. 1550-1624)

white See also:

• MARBLE (from Lat. marmor, Gr. pApµapos, shining stone)

marble and affixed by clamps to a background of See also:

• BLACK
• BLACK, ADAM (1784-1874)
• BLACK, JEREMIAH SULLIVAN (1810–1883)
• BLACK, WILLIAM (1841-1898)

black Eleusinian marble . The frieze of the Choragic See also:

• MONUMENT (Lat. monumentum or monumentum; from monere, to advise, bring to mind, remind; the German equivalent is Denkmal)

monument of Lysicrates (10 in. high) was carved with figures representing the See also:

• STORY, JOHN (c. 1510-1571)
• STORY, JOSEPH (1779-1845)
• STORY, ROBERT HERBERT (1835-1907)
• STORY, WILLIAM WETMORE (1819—1895)

story of See also:

• DIONYSUS (probably = " son of Zeus," from & Os and vv(7os, a Thracian word for " son ")

Dionysus and the pirates . The most remarkable frieze ever sculptured was that on the outside of the See also:

• WALL (O. Eng. weal, weall, Mid. Eng. wal, wane, adapted from Lat. vallum, rampart; the original O. Eng. word for a wall was wag or tenth)
• WALL, RICHARD (1694-1778)

wall of the See also:

• CELLA

cella of the See also:

• PARTHENON (HapOevwv)

Parthenon representing the procession of the celebrants of the Panathenaic Festival . It was 40 in. in height and 525 ft. See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long, being carried See also:

• ROUND (O. Fr. rond, Lat. rotundus, the Fr. is the source also of Du. rond; Ger., Swed., Dan. and Nor. rond)

round the whole See also:

• BUILDING

building under the peristyle .

Nearly the whole of the western frieze exists in situ; of the See also:

• REMAINDER, REVERSION

remainder, about See also:

• HALF

half is in the See also:

• BRITISH

British Museum, and as much as remains is either in See also:

• ATHENS
• ATHENS ['AN vat, Athenae, modem colloquial Greek `Ath va]

Athens or in other museums . In some of the See also:

• ROMAN

Roman temples, as in the See also:

• TEMPLE
• TEMPLE, FREDERICK (1821-1902)
• TEMPLE, RICHARD
• TEMPLE, SIR RICHARD, BART
• TEMPLE, SIR WILLIAM, BART

temple of See also:

• ANTONINUS, SAINT ANTONIO PIEROZZI

Antoninus and See also:

• FAUSTINA, ANNIA GALERIA

Faustina and the temple of the See also:

• SUN
• SUN (0. Eng. sonne, Ger. sonne. Fr. soleil, Lat. sol, Gr. ijXior, from which comes helio- in various English compounds)

Sun, the frieze is elaborately carved and in later work is made See also:

• CONVEX

convex, to which the term " pulvinated " is given . 2 . (Probably connected with " frizz," to curl; there is no See also:

• HISTORICAL

historical See also:

• REASON (Lat. ratio, through French raison)

reason to connect the word with See also:

• FRIESLAND, or VRIESLAND

Friesland), a thick, rough woollen See also:

• CLOTH

cloth, of very lasting quality, and with a heavy See also:

• NAP

nap, forming small tufts or curls . It is largely manufactured in See also:

• IRELAND
• IRELAND, CHURCH
• IRELAND, CHURCH OF
• IRELAND, JOHN (1761-1842)
• IRELAND, JOHN (1838- )
• IRELAND, WILLIAM HENRY (1777-1835)

Ireland .