See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

WILLIAM See also:

• POWELL, FREDERICK YORK (1850-1904)
• POWELL, GEORGE (c. 1658-1714)
• POWELL, JOHN WESLEY (1834–1902)
• POWELL, VAVASOR (1617-1670)

POWELL See also:

• FRITH (or FRYTH), JOHN (c. 1503-1533)
• WILLIAM POWELL FRITH (1818-19og)

FRITH (1818-19og)  , See also:

• ENGLISH

English painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at Aldfield, in See also:

• YORKSHIRE

Yorkshire, on the 9th of See also:

• JANUARY

January 1819 . His parents moved in 1826 to See also:

• HARROGATE

Harrogate, where his See also:

• FATHER

father became landlord of the See also:

• DRAGON (Fr. dragon, through Lat. draco, from the Greek; connected with SEpeoµay " see," and interpreted as " sharp-sighted "; O.H. Ger. tracho, dracho, M.H.G. trache, Mod. Ger. Drachen; A.S. draca, hence the equivalent English form " drake," " fire-drake,

Dragon See also:

• INN

Inn, and it was then that the boy began his See also:

• GENERAL
• GENERAL (Lat. generalis, of or relating to a genus, kind or class)

general See also:

• EDUCATION

education at a school at See also:

• KNARESBOROUGH

Knaresborough . Later he went for about two years to a school at St See also:

• MARGARET
• MARGARET (1283–1290)
• MARGARET (1353-1412)
• MARGARET (1489–1541)
• MARGARET, ST (c. 1045–1093)
• MARGARET, ST (SANCTA MARGARITA)

Margaret's, near See also:

• DOVER
• DOVER, GEORGE JAMES WELBORE
• DOVER, HENRY JERMYN, EARL OF (c. 1636-1708)
• DOVER, ROBERT (1575-1641)

Dover, where he was placed specially under the direction of the See also:

• DRAWING

drawing-See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master, as a step towards his preparation for the profession which his father had decided on as the one that he wished him to adopt . In 1835 he was entered as a student in the well-known See also:

• ART

art school kept by See also:

• HENRY
• HENRY (1129-1195)
• HENRY (c. 1108-1139)
• HENRY (c. 1174–1216)
• HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
• HENRY, EDWARD LAMSON (1841– )
• HENRY, JAMES (1798-1876)
• HENRY, JOSEPH (1797-1878)
• HENRY, MATTHEW (1662-1714)
• HENRY, PATRICK (1736–1799)
• HENRY, PRINCE OF BATTENBERG (1858-1896)
• HENRY, ROBERT (1718-1790)
• HENRY, VICTOR (1850– )
• HENRY, WILLIAM (1795-1836)

Henry Sass in Bloomsbury, from which he passed after two years to the Royal See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy See also:

• SCHOOLS

schools . His first See also:

• INDEPENDENT

independent experience was gained in 1839, when he went about for some months in See also:

• LINCOLNSHIRE

Lincolnshire executing several commissions for portraits; but he soon began to See also:

• ATTEMPT (Lat. adtemptare, attentare, to try)

attempt compositions, and in 1840 his first picture, " Malvolio, See also:

• CROSS

cross-gartered before the Countess Olivia," appeared at the Royal Academy . During the next few years he produced several notable paintings, among them " See also:

• SQUIRE

Squire See also:

• THORNHILL
• THORNHILL, SIR JAMES (1676-1734)

Thornhill See also:

• RELATING

relating his See also:

• TOWN

town adventures to the See also:

• VICAR (Lat. vicarius, substitute)

Vicar's See also:

• FAMILY

family," and " The See also:

• VILLAGE

Village Pastor," which established his reputation as one of the most promising of the younger men of that See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time . This last See also:

• WORK

work was exhibited in 1845, and in the autumn of that See also:

• YEAR

year he was elected an See also:

• ASSOCIATE (Lat. associates, from ad, to, and sociare to join)

Associate of the Royal Academy . His promotion to the See also:

• RANK (O.Fr. rant or rent, mod. rang, generally connected with the O.E. and O.H.G. bring, a ring)

rank of Academician followed in 18J3, when he was chosen to fill the vacancy caused by See also:

• TURNER, CHARLES (1773–1857)
• TURNER, JOSEPH MALLORD WILLIAM (1775–1851)
• TURNER, NAT (1800-1831)
• TURNER, SHARON (1768-1847)
• TURNER, SIR JAMES (1615–1686)
• TURNER, WILLIAM (d. 1568)

Turner's See also:

• DEATH

death . The See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief pictures painted by him during his See also:

• TENURE (Fr. tenure, from Lat. tenere, to hold)

tenure of Associateship were: " An English Merry-making in the Olden Time," " Old Woman accused of See also:

• WITCHCRAFT

Witchcraft," " The Coming of See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

Age," " Sancho and See also:

• DON
• DON (anc. Tanais)

Don Quixote," " See also:

• HOGARTH, WILLIAM (1697–1764)

Hogarth before the See also:

• GOVERNOR (from the Fr. gouverneur, from gouverner, O. Fr. governer, Lat. gubernare, to steer a ship, to direct, guide)

Governor of See also:

• CALAIS

Calais," and the "See also:

• SCENE (Fr. scene, Lat. scaena, Gr. oflvil, a tent or booth, a stage or scene)

Scene from See also:

• GOLDSMITH
• GOLDSMITH, LEWIS (c. 1763–1846)
• GOLDSMITH, OLIVER (1728–1774)

Goldsmith's ` See also:

• GOOD, JOHN MASON (1764-1827)

Good-natured See also:

• MAN
• MAN, ISLE OF (anc. Mona)

Man,' " which was commissioned in 185o by Mr See also:

• SHEEPSHANKS, JOHN (1787–1863)

Sheepshanks, and bequeathed by him to the See also:

• SOUTH
• SOUTH, ROBERT (1634–1716)

South See also:

• KENSINGTON

Kensington Museum . Then came a See also:

• SUCCESSION (Lat. successio, from succedere, to follow after)

succession of large compositions which gained for the artist an extraordinary popularity . " See also:

• LIFE

Life at the Seaside," better known as " See also:

• RAMSGATE

Ramsgate Sands," was exhibited in 18J4, and was bought by See also:

• QUEEN
• QUEEN (O.E. cwen, wife, related to "quean," O.E. cwene, a hussy; cf. Gr. yvvi7: from root gan-, to produce; cf. genus, " kin," &c.)

Queen See also:

• VICTORIA
• VICTORIA (or VITTORIA), TOMMASSO LUDOVICO DA (C. I540-C. 1613)
• VICTORIA [ALEXANDRINA VICTORIA]

Victoria; " The See also:

• DERBY
• DERBY, EARLS OF

Derby See also:

• DAY (O. Eng. dreg, Ger. Tag; according to the New English Dictionary, " in no way related to the Lat. dies")
• DAY, JOHN (1574-1640?)
• DAY, THOMAS (1748-1789)

Day," in 1858; " See also:

• CLAUDE, JEAN (1619-1687)

Claude See also:

• DUVAL, ALEXANDRE VINCENT
• DUVAL, CLAUDE (1643–1670)

Duval," in 186o; " The Railway Station," in 1862; " The See also:

• MARRIAGE

Marriage of the See also:

• PRINCE
• PRINCE (Lat. princeps, from primus capio, " I am the first to take "; Ital. principe, Fr. prince)

Prince of See also:

• WALES (Cymru, Gwalia, Cambria)

Wales," painted for Queen Victoria, in 1865; " The Last See also:

• SUNDAY

Sunday of See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles II.," in 1867; " The See also:

• SALON

Salon d'Or," in 1871; " The Road to Ruin," a See also:

• SERIES (a Latin word from serere, to join)

series, in 1878; a similar series, " The See also:

• RACE

Race for See also:

• WEALTH

Wealth," shown at a See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

gallery in See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

King See also:

• STREET
• STREET, GEORGE EDMUND (1824-1881)

Street, St See also:

• JAMES
• JAMES (Gr. 'IlrKw,l3or, the Heb. Ya`akob or Jacob)
• JAMES (JAMES FRANCIS EDWARD STUART) (1688-1766)
• JAMES, 2ND EARL OF DOUGLAS AND MAR(c. 1358–1388)
• JAMES, DAVID (1839-1893)
• JAMES, EPISTLE OF
• JAMES, GEORGE PAYNE RAINSFOP
• JAMES, HENRY (1843— )
• JAMES, JOHN ANGELL (1785-1859)
• JAMES, THOMAS (c. 1573–1629)
• JAMES, WILLIAM (1842–1910)
• JAMES, WILLIAM (d. 1827)

James's, in 188o; " The Private View," in 1883; and " See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John See also:

• KNOX, HENRY (1750-1806)
• KNOX, JOHN (c. 1505–1572)
• KNOX, PHILANDER CHASE (1853– )

Knox at Holyrood," in1886 . See also:

• FRITH (or FRYTH), JOHN (c. 1503-1533)
• FRITH, WILLIAM POWELL (1818-19og)

Frith also painted a considerable number of portraits of well-known See also:

• PEOPLE

people .

In 1889 he became an honorary retired academician . His " Derby Day " is in the See also:

• NATIONAL

National Gallery of See also:

• BRITISH

British Art . In his youth, in See also:

• COMMON

common with the men by whom he was surrounded, he had leanings towards See also:

• ROMANCE

romance, and he scored many successes as a painter of imaginative subjects . In these he proved himself to be possessed of exceptional qualities as a colourist and manipulator, qualities that promised to See also:

• EARN

earn for him a secure See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place among the best executants of the British School . But in his See also:

• MIDDLE

middle See also:

• PERIOD
• PERIOD (Gr. irepioSos, a going or way round, circuit, aepi, round, and &Sis, way, road)

period he See also:

• CHOSE (Fr. for " thing ")

chose a fresh direction . Fascinated by the welcome which the public gave to his first attempts to illustrate the life of his own times, he undertook a considerable series of large canvases, in which he commented on the See also:

• MANNERS, CHARLES (1857– )

manners and morals of society as he found it . He became a pictorial preacher, a painter who moralized about the everyday incidents of See also:

• MODERN

modern existence; and he sacrificed some of his technical variety . There remained, however, a remarkable sense of characterization, and an acute appreciation of dramatic effect . Frith died on the 2nd of See also:

• NOVEMBER (Lat. novem, nine)

November 1909 . Frith published his Autobiography and Reminiscences in 1887, and Further Reminiscences in 1889 .