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See also: born at La Rochelle in See also: December 182o
.
After leaving school he studied for some years under See also: Louis Cabat, the landscape painter
.
See also: Fromentin was one of the earliest pictorial interpreters of See also: Algeria, having been able, while quite See also: young, to visit the See also: land and See also: people that suggested the subjects of most of his See also: works, and to store his memory as well as his portfolio with the picturesque and characteristic details of See also: North See also: African See also: life
.
In 1849 he obtained a medal of the second class
.
In 1852 he paid a second visit to Algeria, accompanying an archaeological See also: mission, and then completed that minute study of the scenery of the country and of the habits of its people which enabled him to give to his after-See also: work the realistic accuracy that comes from intimate knowledge
.
In a certain sense his works are not more See also: artistic results than contributions to ethnological science
.
His first See also: great success was produced at the See also: Salon of 1847, by the " Gorges de la Chiffa." Among his more important works are—" La Place de la breche A
.
See also: Constantine " (1849); " Enterrement
Maure " (18J3); " Bateleurs negres " and " See also: Audience chez un chalife " (1859); " Berger kabyle " and " Courriers arabes (1861); " Bivouac arabe," " See also: Chasse au faucon," " Fauconnier arabe " (now at Luxembourg) (1863); " Chasse au heron " (1865) ; " Voleurs de nuit " (1867) ; " See also: Centaurs et arabes attaques See also: par une See also: lionne " (1868); " Halte de muletiers " (1869); " Le Nil " and " Un Souvenir d'Esneh " (1875)
.
Fromentin was much influenced in See also: style by See also: Eugene Delacroix
.
His works are distinguished by striking composition, great dexterity of See also: hand-See also: ling and brilliancy of colour
.
In them is given with great truth and refinement the unconscious grandeur of See also: barbarian and animal attitudes and gestures
.
His later works, however, show signs of an exhausted vein and of an exhausted spirit, accompanied or caused by See also: physical enfeeblement
.
But it must be observed that Fromentin's paintings show only one See also: side of a See also: genius that was perhaps even more felicitously expressed in literature, though of course with less profusion
.
" Dominique," first published in the Revue See also: des deux mondes in 1862, and dedicated to See also: George See also: Sand, is remarkable among the fiction of the century for delicate and imaginative observation and for emotional earnestness
.
Fromentin's other See also: literary works are—Visites artistiques (1852); Simples Pelerinages (1856); Un Ete clans le See also: Sahara (18J7); Une Annie Bans le See also: Sahel (1858); and See also: Les Maitres d'autrejois (1876)
.
In 1876 he was an unsuccessful See also: candidate for the See also: Academy
.
He died suddenly at La Rochelle on the 27th of See also: August 1876
.
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