See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

CHARLES See also:

• WELLINGTON
• WELLINGTON, ARTHUR WELLESLEY, 1ST DUKE OF (1769-1852)

WELLINGTON See also:

• CHARLES WELLINGTON FURSE (1868-1904)

FURSE (1868-1904)  , See also:

• ENGLISH

English painter, See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• STAINES

Staines, the son of the Rev . C . W . See also:

• FURSE, CHARLES WELLINGTON (1868-1904)

Furse, See also:

• ARCH
• ARCH, JOSEPH (1826– )

arch-See also:

• DEACON (Gr. S&& ovos, minister, servant)

deacon .of See also:

• WESTMINSTER
• WESTMINSTER, MARQUESSES AND DUKES OF
• WESTMINSTER, STATUTES OF
• WESTMINSTER, SYNODS OF

Westminster, was descended collaterally from See also:

• SIR

Sir See also:

• JOSHUA, BOOK OF

Joshua See also:

• REYNOLDS, JOHN FULTON (182o-1863)
• REYNOLDS, SIR JOSHUA (1723-1792)
• REYNOLDS, WALTER (d. 1327)

Reynolds, and in his See also:

• SHORT, FRANCIS JOB (1857– )

short span of See also:

• LIFE

life achieved such rare excellence as a portrait and figure painter that he forms an important See also:

• LINK

link in the See also:

• CHAIN (through the O. Fr. citable, chcene, &c., from Lat. catena)

chain of See also:

• BRITISH

British See also:

• PORTRAITURE

portraiture which extends from the See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time when See also:

• VAN

Van Dyck was called to the See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

court of See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles I. to our own See also:

• DAY (O. Eng. dreg, Ger. Tag; according to the New English Dictionary, " in no way related to the Lat. dies")
• DAY, JOHN (1574-1640?)
• DAY, THOMAS (1748-1789)

day . His See also:

• TALENT (Lat. talentum, adaptation of Gr. TaXavrov, balance, ! Recollections of a First Visit to the Alps (1841); Vacation Rambles weight, from root raX-, to lift, as in rXi vac, to bear, 1-aXas, and Thoughts, comprising recollections of three Continental

talent was precocious; at the See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age of seven he gave indications of it in a number of drawings illustrating See also:

• SCOTT, ALEXANDER (fl. 1550)
• SCOTT, DAVID (18o6-1849)
• SCOTT, MICHAEL (1789-1835)
• SCOTT, ROBERT (1811-1887)
• SCOTT, SIR GEORGE GILBERT (1811-1878)
• SCOTT, SIR WALTER, BART
• SCOTT, WILLIAM BELL (1811-1890)
• SCOTT, WINFIELD (1786-1866)

Scott's novels . He entered the See also:

• SLADE, FELIX (170o-1868)

Slade school in 1884, winning the Slade scholarship in the following See also:

• YEAR

year, and completed his See also:

• EDUCATION

education at See also:

• JULIAN (FLAVIUS CLAUDIUS JULIANUS) (331-363)

Julian's atelier in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris . Hard worker as he was, his activity was frequently interrupted by spells of illness, for he had See also:

• DEVELOPED

developed signs of See also:

• CONSUMPTION (Lat. consumere)

consumption when he was still attending the Slade school . An important See also:

• CANVAS

canvas called " See also:

• CAIN

Cain" was his first contribution (1888) to the Royal See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy, to the associateship of which he was elected in the year of his See also:

• DEATH

death . For some years before he had been a staunch supporter of the New English See also:

• ART

Art See also:

• CLUB (connected with " clump ")

Club, to the exhibitions of which he was a See also:

• REGULAR

regular contributor . He was married in See also:

• OCTOBER

October 1900 to Katherine, daughter of See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John Addington See also:

• SYMONDS, JOHN ADDINGTON (184o-180, English critic and poet, was born at Bristol, on the 5th of October 184o. He was the only son of John Addington Symonds, M.D. (1807—1871)
• SYMONDS, WILLIAM SAMUEL (1818-1887)

Symonds . His fondness for See also:

• SPORT (a contracted or shortened form of "disport," to amuse, divert oneself, O. Fr. se dis porter or deporter, to leave off work, hence to play, Lat. dis-, away, and portare, to carry; the origin of the meaning lies in the notion of turning away from ser

sport and of an open-See also:

• AIR (from an Indo-European root meaning " breathe," " blow ")
• AIR, or ASBEN

air life found expression in his art and introduced a new, fresh and vigorous See also:

• NOTE
• NOTE (Lat. nota, mark, sign, from noscere, to know)

note into portraiture . There is never a See also:

• SUGGESTION

suggestion of the studio or of the fatiguing pose in his portraits .

The sitters appear unconscious of being painted, and are generally seen in the pursuit of their favourite outdoor sport or pastime, in the full enjoyment of life . Such are the " See also:

• DIANA

Diana of the Uplands," the " See also:

• LORD
• LORD (O. Eng. hldford, i.e. hldfweard, the warder or keeper of bread, hlIf, loaf; the word is not represented in any other Teutonic language)
• LORD, JOHN (1810-1894)

Lord See also:

• ROBERTS, DAVID (1796-1864)
• ROBERTS, FREDERICK SLEIGH ROBERTS, EARL

Roberts " and " The Return from the Ride " at the See also:

• TATE, JAMES (1771-1843)
• TATE, NAHUM (1652-1715)
• TATE, RALPH (1840-1901)
• TATE, SIR HENRY, BART

Tate See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery; the four See also:

• CHILDREN, LAW RELATING TO

children in the " Cubbing with the See also:

• YORK
• YORK (HOUSE OF)
• YORK, EDMUND OF LANGLEY, DUKE OF (1341-1402)
• YORK, EDWARD
• YORK, FREDERICK AUGUSTUS, DUKE OF (1763-1827)
• YORK, RICHARD, DUKE

York and Ainsty," " The See also:

• LILAC

Lilac See also:

• GOWN

Gown," " Mr and Mrs See also:

• OLIVER, ISAAC (c. 1566--1617)
• OLIVER, PETER (1594-1648)

Oliver Fishing " and the portrait of Lord Charles See also:

• BERESFORD, JOHN (1738-1805)
• BERESFORD, LORD CHARLES WILLIAM DE LA POER (1846- )
• BERESFORD, WILLIAM CARR BERESFORD, VISCOUNT (1768–1854)

Beresford . Most of these pictures, and indeed nearly all the See also:

• WORK

work completed in the few years of Furse's activity, show a pronounced decorative tendency . His sense of space, See also:

• COMPOSITION
• COMPOSITION (Lat. compositio, from componere, to put together)

composition and decorative See also:

• DESIGN (Fr. desiin, drawing; Lat. designare, to mark out)

design can best be judged by his admirable mural decorations for See also:

• LIVERPOOL
• LIVERPOOL, EARLS
• LIVERPOOL, EARLS OF

Liverpool See also:

• TOWN

town See also:

• HALL
• HALL (generally known as SCHWABISCH-HALL, tc distinguish it from the small town of Hall in Tirol and Bad-Hall, a health resort in Upper Austria)
• HALL (O.E. heall, a common Teutonic word, cf. Ger. Halle)
• HALL, BASIL (1788-1844)
• HALL, CARL CHRISTIAN (1812–1888)
• HALL, CHARLES FRANCIS (1821-1871)
• HALL, CHRISTOPHER NEWMAN (1816—19oz)
• HALL, EDWARD (c. 1498-1547)
• HALL, FITZEDWARD (1825-1901)
• HALL, ISAAC HOLLISTER (1837-1896)
• HALL, JAMES (1793–1868)
• HALL, JAMES (1811–1898)
• HALL, JOSEPH (1574-1656)
• HALL, MARSHALL (1790-1857)
• HALL, ROBERT (1764-1831)
• HALL, SAMUEL CARTER (5800-5889)
• HALL, SIR JAMES (1761-1832)
• HALL, WILLIAM EDWARD (1835-1894)

hall, executed between 1899 and 1902 . A memorial See also:

• EXHIBITION

exhibition of Furse's paintings and sketches was held at the See also:

• BURLINGTON

Burlington See also:

• FINE

Fine Arts Club i n s 906 .