GIOVANNI See also:

• GIOVANNI GABRIELI (1557-1612?)

GABRIELI (1557-1612?)  , See also:

• ITALIAN

Italian musical composer, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• VENICE
• VENICE (continued)
• VENICE (Venezia)

Venice in 1557, and was a See also:

• PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)

pupil of his See also:

• UNCLE

uncle See also:

• ANDREA, GIOVANNI (1275-1348)

Andrea, a distinguished musician of the contrapuntal school and organist of St See also:

• MARK
• MARK, CARL (1858– )
• MARK, GOSPEL OF ST
• MARK, ST

Mark's . He succeeded Claudio Merulo as first organist of the Same See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church in 1585, and died at Venice either in 1612 or 1613 . He was remarkable for his compositions for several choirs,. See also:

• WRITING
• WRITING (the verbal noun of " to write," O. Eng. writan, to inscribe)

writing frequently for 12 or 16 voices, and is important as an See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early experimenter in See also:

• CHROMATIC (Gr. xpcoµaruc6s, coloured, from xpwµa, colour)

chromatic See also:

• HARMONY (Gr. dpµovia, a concord of musical sounds, dpA'ew to join; &plan midi (sc. TeXvil)

harmony . It was probably for this See also:

• REASON (Lat. ratio, through French raison)

reason that he made a See also:

• SPECIAL

special point of combining voices with See also:

• INSTRUMENTS

instruments, being thus one of the founders of choral and orchestral See also:

• COMPOSITION
• COMPOSITION (Lat. compositio, from componere, to put together)

composition . Among his pupils was Heinrich Schutz; and the church of St Mark, from the See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time of the Gabrielis onwards down to that of See also:

• LOTTI, ANTONIO (1667?-174o)

Lotti, became one of the most important musical See also:

• SCHOOLS

schools in See also:

• EUROPE

Europe . See also Winterfeld, Johann See also:

• GABRIELI, GIOVANNI (1557-1612?)

Gabrieli and See also:

• SEINE
• SEINE (Lat. Sequana)
• SEINE, or SEAN (O. Fr. seigne, mod. seine, Lat. sagena, Gr. vaytivrl, a draw-net)

seine Zeit (1834) .