See also:

• LOUIS
• LOUIS (804–876)
• LOUIS (893–911)
• LOUIS, JOSEPH DOMINIQUE, BARON (1755-1837)
• LOUIS, or LEWIS (from the Frankish Chlodowich, Chlodwig, Latinized as Chlodowius, Lodhuwicus, Lodhuvicus, whence-in the Strassburg oath of 842-0. Fr. Lodhuwigs, then Chlovis, Loys and later Louis, whence Span. Luiz and—through the Angevin kings—Hungarian

LOUIS See also:

• LOUIS GALLAIT (1810-1887)

GALLAIT (1810-1887)  , Belgian painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at Tournay, in See also:

• HAINAUT (Flem. Henegouwen, Ger. Hennegau)

Hainaut, See also:

• BELGIUM
• BELGIUM (Fr. Belgique; Flem. Belgic)

Belgium, on the 9th of May 18ro . He first studied in his native See also:

• TOWN

town under See also:

• HENNEQUIN, PHILIPPE AUGUSTE (1763-1833)

Hennequin . In 1832 his first picture, " See also:

• TRIBUTE (Lat. tributurn, a stated payment, contribution)

Tribute to See also:

• CAESAR, GAIUS JULIUS (102—44 B.c.)
• CAESAR, SIR JULIUS (1557-1558-1636)

Caesar," won a See also:

• PRIZE, or PRIZE OF WAR (Fr. prise, from prendre, to take)

prize at the See also:

• EXHIBITION

exhibition at See also:

• GHENT (Flem. Gent, Fr. Gand)

Ghent . He then went to See also:

• ANTWERP
• ANTWERP (Fr. Anvers)

Antwerp to prosecute his studies under Mathieu Ignace See also:

• VAN

Van Bree, and in the following See also:

• YEAR

year exhibited at the See also:

• BRUSSELS (Fr. Bruxelles, Flem. Brussel)

Brussels See also:

• SALON

Salon " See also:

• CHRIST (Gr. X pLQTOS, Anointed)
• CHRIST, WILHELM VON (1831-1906)

Christ Healing the See also:

• BLIND, MATHILDE (1841—1896)

Blind." This picture was See also:

• PURCHASED

purchased by subscription and placed in the See also:

• CATHEDRAL

cathedral at Tournay . See also:

• GALLAIT, LOUIS (1810-1887)

Gallait next went to See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris, whence he sent to the Belgian Salons "See also:

• JOB

Job on the Dunghill," "See also:

• MONTAIGNE, MICHEL DE (1533-1592)

Montaigne Visiting See also:

• TASSO, TORQUATO (1544-1595)

Tasso in See also:

• PRISON (derived through the Fr. from the Lat. prehensio, seizure)

Prison"; and, in 1841, " The See also:

• ABDICATION (Lat. abdicatio, disowning, renouncing, from ab, from, and dicare, to declare, to proclaim as not belonging to one)

Abdication of See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles V.," in the Brussels See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery . This was hailed as a See also:

• TRIUMPH (triumphus)

triumph, and gained for the painter a See also:

• EUROPEAN

European reputation . See also:

• OFFICIAL (Late Lat. QJicialis, for class. Lat. apparitor, from officium, office, duty)

Official invitations then caused him to See also:

• SETTLE
• SETTLE, ELKANAH (1648–1724)

settle at Brussels, where he died on the loth of See also:

• NOVEMBER (Lat. novem, nine)

November 1887 . Among his greater See also:

• WORKS

works may be named: " The Last Honours paid to See also:

• COUNTS

Counts See also:

• EGMONT (EGMOND), LAMORAL, COUNT OF
• EGMONT, EARLS OF

Egmont and See also:

• HORN
• HORN (a common Teutonic word, cognate with Lat. cornu; cf. Gr. Kipas)
• HORN (Lat. cornu; corresponding terms being Fr. cor, trompe; Ger. Horn; Ital. corno)
• HORN, ARVID BERNHARD, COUNT (1664-1742)
• HORN, PHILIP DE MONTMORENCY, COUNT

Horn by the Corporations of the Town of Brussels," now at Tournay; " The See also:

• DEATH

Death of Egmont," in the See also:

• BERLIN
• BERLIN, CONGRESS AND TREATY OF
• BERLIN, ISAIAH (1725–1799)

Berlin gallery; the " See also:

• CORONATION (Lat. corona, crown)

Coronation of Baudouin, See also:

• EMPEROR (Fr. empereur, from the Lat. imperator)

Emperor of See also:

• CONSTANTINOPLE
• CONSTANTINOPLE, COUNCILS OF

Constantinople," painted for See also:

• VERSAILLES

Versailles; " The Temptation of St See also:

• ANTHONY, SAINT
• ANTHONY, SUSAN BROWNELL (1820-1906)

Anthony," in the See also:

• PALACE (Lat. Palatium, the name given by Augustus to his residence on the Palatine Hill)

palace at Brussels; " The See also:

• SIEGE (0. Fr. sege, siege, mod. siege, seat, ultimately from sedere, to sit, cf. Class. Lat. obsidium, a siege)

Siege of See also:

• ANTIOCH

Antioch," " See also:

• ART

Art and See also:

• LIBERTY (Lat. libertas, from liber, free)

Liberty," a " Portrait of M . B . Dumortier " and " The See also:

• PLAGUE (in Gr. Xotµos; in Lat. pestis, pestilentia)

Plague at Tournay," all in the Brussels gallery . " A Gipsy Woman and her See also:

• CHILDREN, LAW RELATING TO

Children " was painted in 1852 . " M .

Gallait has all the gifts that may be acquired by See also:

• WORK

work, See also:

• TASTE (from Lat. taxare, to touch sharply; tangere, to touch)

taste, See also:

• JUDGMENT

judgment and determination," wrote See also:

• THEOPHILE

Theophile See also:

• GAUTIER
• GAUTIER, EMILE THEODORE LEON (1832-1897)
• GAUTIER, THEOPHILE (1811-1872)

Gautier; his art is that of a See also:

• MAN
• MAN, ISLE OF (anc. Mona)

man of tact, a skilled painter, happy in his dramatic treatment but superficial . No doubt, this Walloon artist, following the example of the Flemings of the See also:

• RENAISSANCE, THE

Renaissance and the treatment of Belgian classical painters and the See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French Romantic school, sincerely aimed at truth; unfortunately, misled by contemporary taste, he could not conceive of it excepting as dressed in sentimentality . As an artist employed by the See also:

• STATE
• STATE, GREAT OFFICERS OF

State he exercised considerable See also:

• INFLUENCE (Late Lat. influentia, from influere, to flow in)

influence, and for a See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long See also:

• PERIOD
• PERIOD (Gr. irepioSos, a going or way round, circuit, aepi, round, and &Sis, way, road)

period he was the See also:

• LEADER, BENJAMIN WILLIAMS (1831– )

leader of public taste in Brussels . See Teichlin, See also:

• LOUIS
• LOUIS (804–876)
• LOUIS (893–911)
• LOUIS, JOSEPH DOMINIQUE, BARON (1755-1837)
• LOUIS, or LEWIS (from the Frankish Chlodowich, Chlodwig, Latinized as Chlodowius, Lodhuwicus, Lodhuvicus, whence-in the Strassburg oath of 842-0. Fr. Lodhuwigs, then Chlovis, Loys and later Louis, whence Span. Luiz and—through the Angevin kings—Hungarian

Louis Gallait and See also:

• DIE
• DIE (Fr. de, from Lat. datum, given)

die Malerei in Deutschland (1853) J . Dujardin, L'Art flamand (1899); C . See also:

• LEMONNIER, ANTOINE LOUIS CAMILLE (1844– )
• LEMONNIER, PIERRE CHARLES (1715—1799)

Lemonnier, Histoire See also:

• DES

des See also:

• BEAUX, CECILIA (1863– )

beaux-arts en Belgique (1881) .