JOHANN BAPTIST See also:

• JOHANN BAPTIST GANSBACHER (1778-1844)

GANSBACHER (1778-1844)  , See also:

• AUSTRIAN

Austrian musical composer, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in 1778 at Sterzing in See also:

• TIROL (or TYROL 1)

Tirol . His See also:

• FATHER

father, a schoolmaster and teacher of See also:

• MUSIC

music, undertook his son's See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early See also:

• EDUCATION

education, which the boy continued under various masters till 1802, when he became the See also:

• PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)

pupil of the celebrated See also:

• ABBE (Serbo-Croatian Rai))

Abbe G . J . See also:

• VOGLER, GEORG JOSEPH (1749-1814)

Vogler . To his connexion with this artist and with his See also:

• FELLOW

fellow-pupils, more perhaps than to his own merits, See also:

• GANSBACHER, JOHANN BAPTIST (1778-1844)

Gansbacher's permanent See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place in the See also:

• HISTORY

history of music is due; for it was during his second stay with Vogler, then (r 81o) living at See also:

• DARMSTADT

Darmstadt, that he became acquainted with See also:

• WEBER, CARL MARIA FRIEDRICH ERNEST VON (1786–1826)
• WEBER, WILHELM EDUARD (1804-1891)

Weber and See also:

• MEYERBEER, GIACOMO (1791-1863)

Meyerbeer, and the See also:

• CLOSE
• CLOSE (from Lat. clausum, shut)
• CLOSE, MAXWELL HENRY (1822-1903)

close friendship which sprang up among the three See also:

• YOUNG
• YOUNG, A
• YOUNG, ARTHUR (1741-1820)
• YOUNG, BRIGHAM (1801-1877)
• YOUNG, CHARLES MAYNE (1777–1856)
• YOUNG, EDWARD (1683–1765)
• YOUNG, JAMES (1811-1883)
• YOUNG, THOMAS (1773-1829)

young musicians, and was dissolved by See also:

• DEATH

death only, has become celebrated in the history of their See also:

• ART

art . But Gansbacher was himself by no means without merit . He creditably filled the responsible and difficult See also:

• POST

post of director of the music at St See also:

• STEPHEN
• STEPHEN (1097?-1154)
• STEPHEN (ISTVAN) BATHORY (1533-1586)
• STEPHEN, SIR JAMES (1789-1859)
• STEPHEN, SIR JAMES FITZJAMES, BART
• STEPHEN, SIR LESLIE (1832-1904)

Stephen's See also:

• CATHEDRAL

cathedral, See also:

• VIENNA (Ger. Wien; Lat. Vindobona)
• VIENNA, CONGRESS OF (1814-1815)

Vienna, from 1823 till his death (See also:

• JULY

July 13, 1844); and his compositions show high gifts and accomplishment . They consist chiefly of See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church music, 17 masses, besides litanies, motets, offertories, &c., being amongst the number . He also wrote several sonatas, a See also:

• SYMPHONY

symphony, and one or two See also:

• MINOR
• MINOR (Lat. for smaller, lesser)
• MINOR, ROBERT CRANNELL (1839-1904)

minor compositions of a dramatic See also:

• KIND (O. E. ge-cynde, from the same root as is seen in " kin," supra)

kind .