See also:

• GARBLE (a word derived from the Arab. gharbala, to sift, and related to ghirbal, a sieve; the Arabic words are of foreign origin, probably from the Lat. cribrum, a sieve)

GARBLE (a word derived from the Arab. gharbala, to sift, and related to ghirbal, a See also:

• SIEVE (O.E. sife, older sibi, cf. Dutch zeef, Ger. Sieb; from the subst. comes O.E. siftan, to sift)

sieve; the Arabic words are of See also:

• FOREIGN

foreign origin, probably from the See also:

• LAT

Lat. cribrum, a sieve)  , originally a See also:

• MEDIEVAL

medieval commercial See also:

• TERM

term in the Mediterranean ports, meaning to sort out, or to sift merchandize, such as See also:

• CORN (a common Teutonic word; cf. Lat. granum, seed, grain)
• CORN (fromm Lat. corms, horn)

corn, spices, &c., in See also:

• ORDER
• ORDER (through Fr. ordre, for earlier ordene, from Lat. ordo, ordinis, rank, service, arrangement; the ultimate source is generally taken to be the root seen in Lat. oriri, rise, arise, begin; cf. " origin ")
• ORDER, HOLY

order to See also:

• SEPARATE

separate what was See also:

• GOOD, JOHN MASON (1764-1827)

good from the refuse or See also:

• WASTE (O. Fr. wast, guast, gast, gaste; Lat. vastus, vast, desolate)

waste; hence to select the best of anything for retention . Similarly a " garbler " was an See also:

• OFFICIAL (Late Lat. QJicialis, for class. Lat. apparitor, from officium, office, duty)

official who was appointed to sort out, or test the See also:

• WORK

work of those who had already sorted, the spices or drugs offered for See also:

• SALE
• SALE, GEORGE (c. 1697-1736)
• SALE, SIR ROBERT HENRY (1782—1845)

sale in the See also:

• LONDON

London markets . In this See also:

• ORIGINAL

original sense the word is now obsolete, but by See also:

• INVERSION (Lat. invertere, to turn about)

inversion, or rather perversion, " See also:

• GARBLE (a word derived from the Arab. gharbala, to sift, and related to ghirbal, a sieve; the Arabic words are of foreign origin, probably from the Lat. cribrum, a sieve)

garble " now means to sort out or select, chiefly from books or other See also:

• LITERARY

literary See also:

• WORKS

works, or from public speeches, some portion which twists, mutilates, or renders ineffective the meaning of the author or See also:

• SPEAKER

speaker . GARCcAO, PEDRO See also:

• ANTONIO
• ANTONIO (1429—1498)
• ANTONIO, NICOLAS (1617-1684)

ANTONIO JOAQUIM CORR)@A (1724– followed in 1823 by his Il Fazzoletto . In 1824 he went to London, 1772), Portuguese lyric poet, was the son of Philippe See also:

• CORREA

Correa da Serra, a fidalgo of the royal See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

house who held an important See also:

• POST

post in the See also:

• FOREIGN

foreign See also:

• OFFICE (from Lat. officium, " duty," " service," a shortened form of opifacium, from facere, " to do," and either the stem of opes, " wealth," " aid," or opus, " work ")

office; his See also:

• MOTHER

mother was of See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French descent . The poet's See also:

• HEALTH

health was frail, and after going through a Jesuit school in See also:

• LISBON (Lisboa)

Lisbon and learning See also:

• ENGLISH

English, French and See also:

• ITALIAN

Italian at See also:

• HOME
• HOME, DANIEL DUNGLAS (1833-1886)
• HOME, EARLS OF

home, he proceeded in 1742 to the university of See also:

• COIMBRA

Coimbra with a view to a legal career . He took his degree in 1748, and two years later was created a See also:

• KNIGHT, CHARLES (1791-1873)
• KNIGHT, DANIEL RIDGWAY (1845– )
• KNIGHT, JOHN BUXTON (1843–1908)

knight of the Order of See also:

• CHRIST (Gr. X pLQTOS, Anointed)
• CHRIST, WILHELM VON (1831-1906)

Christ . In 1751 his See also:

• MARRIAGE

marriage with D . Maria Salema brought him a See also:

• RICH, BARNABE (c. 1540-1617)
• RICH, CLAUDIUS JAMES (1787-1821)
• RICH, JOHN (1692-1761)
• RICH, PENELOPE, LADY (c. 1562–1607)
• RICH, RICHARD, 1ST BARON RICH (1490?-1567)

rich See also:

• DOWER (through the Old Fr. douaire from late Lat. dotarium, classical Lat. dos, dowry)

dower which enabled him to live in ease and cultivate letters; but in later years a See also:

• LAW
• LAW (0. Eng. lagu, M. Eng. lawe; from an old Teutonic root lag, " lie," what lies fixed or evenly; cf. Lat. lex, Fr. loi)
• LAW, JOHN (1671—1729)
• LAW, WILLIAM (1686-1761)

law-suit reduced him to poverty . From 176o to 1762 he edited the Lisbon See also:

• GAZETTE

Gazette . In 1756, in See also:

• CONJUNCTION (from Lat. conjungere, to join together)

conjunction with Cruz e See also:

• SILVA, ANTONIO JOSE DA (1705–1739)

Silva and others, Garcao founded the See also:

• ARCADIA

Arcadia Lusitana to reform the prevailing See also:

• BAD, BCD

bad See also:

• TASTE (from Lat. taxare, to touch sharply; tangere, to touch)

taste in literature, identified with Seicentismo, which delighted in conceits, windy words and rhetorical phrases . The Arcadia fulfilled its See also:

• MISSION

mission to some extent, but it lacked creative See also:

• POWER [WILLIAM GRATTAN] TYRONE (1797-1841)

power, became dogmatic, and ultimately died of inanition .

Garcao was the See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief contributor to its proceedings, bearing the name of " See also:

• CORYDON

Corydon Erimantheo," and his orations and See also:

• DISSERTATIONS

dissertations, with many of his lyrics, were pronounced and read at its meetings . He lived much in the society of the English residents in Lisbon, and he is supposed to have conceived a See also:

• PASSION (post-classical Lat. passio, formed from pati, passus, to suffer, endure)

passion for an English married See also:

• LADY (0. Eng. hlaefdige, Mid. Eng. ldfdi, lavedi; the first part of the word is hldf, loaf, bread, as in the corresponding hldford, lord; the second part is usually taken to be from the root dig-, to knead, seen also in " dough "; the sense development fr

lady which completely absorbed him and contributed to his ruin . In the midst of his literary activity and growing fame, he was arrested on the See also:

• NIGHT

night of the 9th of See also:

• APRIL

April 1771, and committed to See also:

• PRISON (derived through the Fr. from the Lat. prehensio, seizure)

prison by See also:

• POMBAL, SEBASTIAO JOSE DE CARVALHO E MELLO, MARQUESS OF (1699-1782)

Pombal, whose displeasure he had incurred by his See also:

• INDEPENDENCE
• INDEPENDENCE, DECLARATION OF
• INDEPENDENCE, WAR OF

independence of See also:

• CHARACTER (Gr. xapareri7p, from xap&crew, to scratch)

character . The immediate cause of his incarceration would appear to have been his connexion with a love intrigue between a See also:

• YOUNG
• YOUNG, A
• YOUNG, ARTHUR (1741-1820)
• YOUNG, BRIGHAM (1801-1877)
• YOUNG, CHARLES MAYNE (1777–1856)
• YOUNG, EDWARD (1683–1765)
• YOUNG, JAMES (1811-1883)
• YOUNG, THOMAS (1773-1829)

young friend of his and the daughter of a See also:

• COLONEL (derived either from Lat. column, Fr. colonne, column, or Lat. corona, a crown)

Colonel Elsden, but he was never brought to trial, and the See also:

• MATTER

matter must remain in doubt . After much solicitation, his wife obtained from the See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

king an order for her See also:

• HUSBAND

husband's See also:

• RELEASE (O.Fr. reles, variant of relais, from relaisser, to release, let go, Lat. relaxare)

release on the loth of See also:

• NOVEMBER (Lat. novem, nine)

November 1772, but it came too See also:

• LATE

late, Broken by infirmities and the hardships of prison See also:

• LIFE

life, Gargao expired that very See also:

• DAY (O. Eng. dreg, Ger. Tag; according to the New English Dictionary, " in no way related to the Lat. dies")
• DAY, JOHN (1574-1640?)
• DAY, THOMAS (1748-1789)

day in the Limoeiro, at the See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age of See also:

• FORTY

forty-seven . _Taking See also:

• HORACE [QuINTus HORATIUS FLACCUS] (65-8 B.C.)

Horace as his See also:

• MODEL (0. Fr. modelle, mod. modele; It. modello, pattern, mould; from Lat. modus, measure, standard)

model, and aided by See also:

• SOUND
• SOUND, THE (Danish Oresund)

sound See also:

• JUDGMENT

judgment, scholarship and wide See also:

• READING

reading, Garcao set out to raise and purify the See also:

• STANDARD
• STANDARD, BATTLE OF THE

standard of poetical taste, and his verses are characterized by a classical simplicity of See also:

• FORM (Lat. forma)

form and expression . His sonnets ad sodales show a charming See also:

• PERSONALITY (from Lat. persona, originally an actor's mask, from personare,1 to sound through)

personality; his vigorous and elegant odes and epistles are sententious in See also:

• TONE, THEOBALD WOLFE (1763-1798)

tone and reveal an inspired poet and a See also:

• MAN
• MAN, ISLE OF (anc. Mona)

man chastened by suffering . His two comedies in hendecasyllables, the Theatro Novo (played in See also:

• JANUARY

January 1766) and the Assemblea, are excellent satires on the social life of the See also:

• CAPITAL (i.e. capital stock or fund)
• CAPITAL (Lat. caput, head)

capital; and in the See also:

• CANTATA (Italian for a song or story set to music)

Cantata de See also:

• DIDO, or ELISSA

Dido, included in the latter piece, the spirit of See also:

• GREEK
• GREEK, ETRUSCAN AND

Greek See also:

• ART

art is allied to perfection of form, making this See also:

• COMPOSITION
• COMPOSITION (Lat. compositio, from componere, to put together)

composition perhaps the See also:

• GEM (Lat. gemma, a bud,—from the root gen, meaning " to produce,"—or precious stone; in the latter sense the Greek term is > d>os)
• GEM, ARTIFICIAL

gem of Portuguese 18th See also:

• CENTURY (from Lat. centuria, a division of a hundred men)

century See also:

• POETRY

poetry . Garcao wrote little and spent much See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time on the labor limae . His works were published posthumously in 1778, and the most See also:

• COMPLETE

complete and accessible edition is that of J . A. de Azevedo See also:

• CASTRO, INEZ DE (d. 1355)
• CASTRO, JOAO DE (1500-1548)

Castro (See also:

• ROME
• ROME (Roma)

Rome, 1888) . An English version of the Cantata de Dido appeared in the See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy (January 19th, 1895) .

See Innocencio da Silva, Diccionario bibliographico Portuguez, vol. vi. pp . 386-393, and vol. xvii. pp . 182-184; also Dr Theophilo See also:

• BRAGA

Braga, A Arcadia Lusitana (See also:

• OPORTO (i.e. o Porto, " the port ")

Oporto, 1899) . (E .