VISCONDE DE JOAO BAPTISTA DA See also:

• SILVA, ANTONIO JOSE DA (1705–1739)

SILVA LEITAO DE See also:

• ALMEIDA
• ALMEIDA, DOM FRANCISCO DE (c. 1450-1510)

ALMEIDA See also:

• VISCONDE DE JOAO BAPTISTA DA SILVA LEITAO DE ALMEIDA GARRETT

GARRETT  See also:

• ALMEIDA
• ALMEIDA, DOM FRANCISCO DE (c. 1450-1510)

ALMEIDA-See also:

• GARRETT, JOAO BAPTISTA DA SILVA LEITAO DE ALMEIDA, VISCONDE DE

GARRETT (1799—1854), perhaps the greatest Portuguese poet since See also:

• CAMOENS [CAMOES], LUIS VAZ DE (1524-1580)

Camoens, was of Irish descent . See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

Born in See also:

• OPORTO (i.e. o Porto, " the port ")

Oporto, his parents moved to the Quinta do See also:

• CASTELLO, BERNARDO (1557—1629)
• CASTELLO, GIOVANNI BATTISTA (1500 ?–1569 ?)
• CASTELLO, VALERIO (1625-1659)

Castello at Gaya when he was five years old . The See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French invasion of See also:

• PORTUGAL

Portugal drove the See also:

• FAMILY

family to the See also:

• AZORES (Acores), or WESTERN ISLANDS

Azores, and Garrett made his first studies at See also:

• ANGRA, or ANGRA

Angra, beginning to versify at an See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age under the See also:

• INFLUENCE (Late Lat. influentia, from influere, to flow in)

influence of his See also:

• UNCLE

uncle, a poet of the school of See also:

• BOCAGE (from O. Fr. boscage, Late Lat. boscum, a wood)
• BOCAGE, MANUEL MARIA BARBOSA DE (1765-1805)

Bocage . Going to the university of See also:

• COIMBRA

Coimbra in 1816, he soon earned notoriety by the precocity of his talents and his fervent Liberalism, and there he gained his first oratorical and See also:

• LITERARY

literary successes . His tragedy See also:

• LUCRETIA

Lucretia was played there in See also:

• FEBRUARY

February 1819, and during this See also:

• PERIOD
• PERIOD (Gr. irepioSos, a going or way round, circuit, aepi, round, and &Sis, way, road)

period he also wrote See also:

• MEROPE

Merope as well as a See also:

• GREAT

great See also:

• PART

part of See also:

• CATO, DIONYSIUS
• CATO, MARCUS PORCIUS (234—149 B.c.)
• CATO, MARCUS PORCIUS (95-46 B.c.)
• CATO, PUBLIUS VALERIUS

Cato, all these plays belonging to the so-called classical school . Leaving Coimbra with a See also:

• LAW
• LAW (0. Eng. lagu, M. Eng. lawe; from an old Teutonic root lag, " lie," what lies fixed or evenly; cf. Lat. lex, Fr. loi)
• LAW, JOHN (1671—1729)
• LAW, WILLIAM (1686-1761)

law degree, he proceeded to See also:

• LISBON (Lisboa)

Lisbon, and on the 11th of See also:

• NOVEMBER (Lat. novem, nine)

November 1822 married D . Luiza Midosi; but the See also:

• ALLIANCE

alliance proved unhappy and a formal separation took See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place in 1839 . The reactionary See also:

• MOVEMENT

movement against the See also:

• RADICAL (Lat. radix, a root)

Radical revolution of 182o reached its height in 1823, and Garrett had to leave Portugal by See also:

• ORDER
• ORDER (through Fr. ordre, for earlier ordene, from Lat. ordo, ordinis, rank, service, arrangement; the ultimate source is generally taken to be the root seen in Lat. oriri, rise, arise, begin; cf. " origin ")
• ORDER, HOLY

order of the Absolutist See also:

• MINISTRY

ministry then in See also:

• POWER [WILLIAM GRATTAN] TYRONE (1797-1841)

power, and went to See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England . He became acquainted with the masterpieces ofthe See also:

• ENGLISH

English and See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German romantic movements during his stay abroad . Imbued with the spirit of See also:

• NATIONALITY

nationality, he wrote in 1824 at See also:

• HAVRE
• HAVRE, LE

Havre the poem " CamOes," which destroyed the influence of the worn-out classical and Arcadian rhymers, and in the following See also:

• YEAR

year composed the patriotic poem " D . Branca," or " The See also:

• CONQUEST

Conquest of the See also:

• ALGARVE, or ALGARVES

Algarve." He was permitted to return to Portugal in 1826, and thereupon devoted himself to journalism . With the publication of 0 Portuguez, he raised the See also:

• TONE, THEOBALD WOLFE (1763-1798)

tone of the See also:

• PRESS (through Fr. presse from Lat. pressare, frequentative of premere, to crush, squeeze, press)

press, exhibiting an See also:

• ELEVATION

elevation of ideas and moderation of See also:

• LANGUAGE (adapted from the Fr. langage, from langue, tongue, Lat. lingua)

language then unknown in See also:

• POLITICAL

political controversy, and he introduced the " See also:

• FEUILLETON (a diminutive of the Fr. feuillet, the leaf of a book)

feuilleton." But his See also:

• DEFENCE
• DEFENCE (Lat. defendere, to defend)

defence of Liberal principles brought him three months' imprisonment, and when D .

See also:

• MIGUEL, MARIA EVARIST (1802–1866)

Miguel was proclaimed See also:

• ABSOLUTE (Lat. absolvere, to loose, set free)

absolute See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

king on the 3rd of May 1828, Garrett.had again to leave the See also:

• COUNTRY (from the Mid. Eng. contre or contrie, and O. Fr. cuntree; Late Lat. contrata, showing the derivation from contra, opposite, over against, thus the tract of land which fronts the sight, cf. Ger. Gegend, neighbourhood)

country . In See also:

• LONDON

London, where he sought See also:

• REFUGE

refuge, he continued his See also:

• ADHESION (from Lat. adhaerere, to adhere)

adhesion to romanticism by See also:

• PUBLISHING

publishing Adozinda and Bernal-Francez, expansions of old folk-poems, which- met with the warmest praise from See also:

• SOUTHEY, ROBERT (1774-1843)

Southey and were translated by See also:

• ADAMSON, PATRICK (1537-1592)
• ADAMSON, ROBERT (1852-1902)

Adamson . He spent the next three years in and about See also:

• BIRMINGHAM

Birmingham, See also:

• WARWICK
• WARWICK, EARLS OF
• WARWICK, RICHARD BEAUCHAMP, EARL OF (1382—1439)
• WARWICK, RICHARD NEVILLE, EARL OF (1428—1471)
• WARWICK, SIR PHILIP (1609-1683)
• WARWICK, SIR ROBERT RICH, 2ND EARL OF (1587–1658)

Warwick and London, engaged in See also:

• WRITING
• WRITING (the verbal noun of " to write," O. Eng. writan, to inscribe)

writing See also:

• POETRY

poetry and political See also:

• PAMPHLETS

pamphlets, and by these and by his See also:

• PERIODICALS

periodicals he did much to unite the Portuguese emigres and to keep up their spirit amid their sufferings in a See also:

• FOREIGN

foreign See also:

• LAND

land . Learning that an expedition was being organized in See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France for the liberation of Portugal, Garrett raised funds and joined the forces under D . Pedro as a volunteer . Sailing in February 1832, he disembarked at See also:

• TERCEIRA

Terceira, whence he passed to S . Miguel, then the seat of the Liberal See also:

• GOVERNMENT
• GOVERNMENT (0. Fr. governement, mod. gouvernement, O. Fr. governer, mod. gouverner, from Lat. gubernare, to steer a ship, guide, rule; cf. Gr. xv(3epvav)

government . Here he became a co-operator with the statesman Mousinho da Silveira, and assisted him in drafting those See also:

• LAWS

laws which were to revolutionize the whole framework of Portuguese society, this important See also:

• WORK

work being done far from books and without pecuniary See also:

• REWARD

reward . In his spare See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time he wrote some of the beautiful lyrics afterwards collected into See also:

• FLORES

Flores sem Fructo . He took part in the expedition that landed at the Mindello on the 8th of See also:

• JULY

July 1832, and in the occupation of Oporto . Early in the See also:

• SIEGE (0. Fr. sege, siege, mod. siege, seat, ultimately from sedere, to sit, cf. Class. Lat. obsidium, a siege)

siege he sketched out, under the influence of See also:

• WALTER, HUBERT (d. 1205)
• WALTER, JOHN (1738/9-1812)

Walter See also:

• SCOTT, ALEXANDER (fl. 1550)
• SCOTT, DAVID (18o6-1849)
• SCOTT, MICHAEL (1789-1835)
• SCOTT, ROBERT (1811-1887)
• SCOTT, SIR GEORGE GILBERT (1811-1878)
• SCOTT, SIR WALTER, BART
• SCOTT, WILLIAM BELL (1811-1890)
• SCOTT, WINFIELD (1786-1866)

Scott, the See also:

• HISTORICAL

historical See also:

• ROMANCE

romance Arco de Sant' See also:

• ANNA
• ANNA (Hindustani ana)
• ANNA, BALDASARRE

Anna, descriptive of the See also:

• CITY (through Fr. cite, from Lat. civitas)

city in the reign of D . Pedro I.; and, in addition, he organized the See also:

• HOME
• HOME, DANIEL DUNGLAS (1833-1886)
• HOME, EARLS OF

Home and Foreign offices under the See also:

• MARQUIS

marquis of See also:

• PALMELLA

Palmella, drafted many important royal decrees, and prepared the criminal and commercial codes .

In the following November he was despatched as secretary to the marquis on a See also:

• DIPLOMATIC

diplomatic See also:

• MISSION

mission to foreign courts, which involved him in much See also:

• PERSONAL

personal hardship . In the next year the See also:

• CAPTURE (from Lat. capere, to take; Fr. prise maritime; Ger. Wegnahme)

capture of Lisbon enabled him to return home, and he was charged to prepare a See also:

• SCHEME (Lat. schema, Gr. oxfjya, figure, form, from the root axe, seen in exeiv, to have, hold, to be of such shape, form, &c.)

scheme for the reform of public instruction . In 1834—1835 he served as See also:

• CONSUL
• CONSUL (in Gr. generally ihraros,ashortened form of errpavgybs 8hraeos, i.e. praetor maximus)

consul-See also:

• GENERAL
• GENERAL (Lat. generalis, of or relating to a genus, kind or class)

general and See also:

• CHARGE
• CHARGE (through the Fr. from the Late Lat. carricare, to load in a carrus or wagon; cf. " cargo ")

charge d'affaires at See also:

• BRUSSELS (Fr. Bruxelles, Flem. Brussel)

Brussels, representing Portugal with distinction under most difficult circumstances, for which he received no thanks and little pay . When he got back, the government employed him to draw up a proposal for the construction of a See also:

• NATIONAL

national See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

theatre and for a See also:

• CONSERVATOIRE (the Fr. equivalent of Ital. Conservatorio, Ger. Conservatorium, from Med. Lat. conservatorium, a place where anything is preserved, Lat. conservare, to preserve)

conservatoire of dramatic See also:

• ART

art, of which he became the See also:

• HEAD (in 0. Eng. heafad; the word is common to Teutonic languages; cf. Dutch hoofd, Ger. Haupt, generally taken to be in origin connected with Lat. caput, Gr. KerbOvi7)
• HEAD, SIR EDMUND WALKER, BART
• HEAD, SIR FRANCIS BOND, BART

head . He instituted prizes for the best plays, himself revising nearly all that were produced, and a school of dramatists and actors arose under his influence . To give them See also:

• MODELS

models, he proceeded to write a See also:

• SERIES (a Latin word from serere, to join)

series of See also:

• PROSE

prose dramas, choosing his subjects from Portuguese See also:

• HISTORY

history . He began in 1838 with the Aldo de Gil See also:

• VICENTE, GIL (147o-1540)

Vicente, considering that the first step towards the re-creation of the Portuguese See also:

• DRAMA (literally "action," from Gr. Snail, act or do)

drama was to revive the memory of its founder, and he followed this up in 1842 by the Alfageme de See also:

• SANTAREM

Santarem, dealing with the See also:

• HOLY

Holy See also:

• CONSTABLE (0. Fr. connestable, Fr. connetable, Med. Lat. comestabilis, conestabilis, constabularius, from the Lat. comes stabuli, count of the stable)
• CONSTABLE, ARCHIBALD (1774-1827)
• CONSTABLE, HENRY (1562-1613)
• CONSTABLE, JOHN (1776-1837)
• CONSTABLE, SIR MARMADUKE (c. 1455-1518)

Constable, and in 1843 by Frei Luiz de See also:

• SOUSA, LUIZ DE

Sousa, one of the few great tragedies of the 19th See also:

• CENTURY (from Lat. centuria, a division of a hundred men)

century, a work as intensely national as The Lusiads . The See also:

• STORY, JOHN (c. 1510-1571)
• STORY, JOSEPH (1779-1845)
• STORY, ROBERT HERBERT (1835-1907)
• STORY, WILLIAM WETMORE (1819—1895)

story, which in part is historically true, and has the merit of being See also:

• SIMPLE

simple, like the See also:

• ACTION

action, is briefly as follows . D . Joao de Portugal, who was supposed to have died at the See also:

• BATTLE

battle of Alcacer, returns, years afterwards, to find his wife married to Manoel de Sousa and the See also:

• MOTHER

mother of a daughter by him, named Maria . Thereupon the pair See also:

• SEPARATE

separate and enter See also:

• RELIGION
• RELIGION, FOLKLORE, CUSTOM

religion, and Manoel becomes the famous chronicler, Frei Luiz de Sousa (q.v.) . The characters live and move, especially Telmo, the old servant, who would never believe in the See also:

• DEATH

death of his former See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master D .

Joao, and the consumptive See also:

• CHILD
• CHILD, FRANCIS JAMES (1825-1896)
• CHILD, L
• CHILD, LYDIA MARIA (1802-1880)
• CHILD, SIR FRANCIS (1642-1713)
• CHILD, SIR JOHN (d. 1690)
• CHILD, SIR JOSIAH (163o - 1699)

child Maria, who See also:

• HELPS, SIR ARTHUR (1813-1875)

helps Telmo to create the See also:

• ATMOSPHERE (Gr. fir µ6r, vapour; orkaipa, a sphere)

atmosphere of impending disaster; while the episodes, particularly those of the return of D . Joao and the death of Maria, are full of power, and the language is Portuguese of the best . Entering See also:

• PARLIAMENT (Anglo-Lat. parliamentum, Fr. parlement, from parler, to speak)

parliament in 1837, Garrett soon made his See also:

• MARK
• MARK, CARL (1858– )
• MARK, GOSPEL OF ST
• MARK, ST

mark as an orator . In that year he delivered many notable discourses in defence of liberal ideas . He also brought in a literary See also:

• COPYRIGHT

copyright See also:

• BILL

bill, which, when it became law in 1851, served as a precedent for similar legislation in England and See also:

• PRUSSIA
• PRUSSIA (Ger. Preussen; Lat. Borussia)

Prussia . In 1840 he made his famous speech known as See also:

• PORTO

Porto Pyreu, in which he skilfully turned the well-known See also:

• ANECDOTE (from av-, privative, and isSLSwµu, to give out or publish)

anecdote of the " mad Athenian " against his opponents . While attending with assiduity to his duties as a See also:

• DEPUTY (through the Fr. from a Late Lat. use of deputare, to cut off, allot; putare having the original sense of to trim, prune)

deputy, he wrote, about this time, the drama D . Filippa de Vilhena, founded on an incident in the revolution of 164o, for See also:

• REPRESENTATION

representation by the pupils of the conservatoire, and the session of 1841 saw another of his oratorical triumphs in his speech against the law of See also:

• TITHES

tithes . In July 1843 an excursion to Santarem resulted in his prose masterpiece Viagens na minha terra, at once a novel and a See also:

• MISCELLANY

miscellany of literary, political and philosophic See also:

• CRITICISM
• CRITICISM (from the Gr. KpiTrlS, a judge, Kpivew, to decide, to give an authoritative opinion)

criticism, written without See also:

• PLAN
• PLAN (from Lat. planes, flat)

plan or method, easy, jovial and epigrammatic . He took no part in the See also:

• CIVIL

civil See also:

• WAR
• WAR (O. Eng. werre, Fr. guerre, of Teutonic origin; cf. O.H.G. werran, to confound)

war that followed the revolution of Maria da Fonte, but continued his literary labours, producing in 1848 the See also:

• COMEDY

comedy A Sobrinha do Marquez, dealing with the times of See also:

• POMBAL, SEBASTIAO JOSE DE CARVALHO E MELLO, MARQUESS OF (1699-1782)

Pombal, and in 1849 an historical memoir on Mousinho da Silveira . He spent much of the year 185o in See also:

• FINISHING

finishing his Romanceiro, a collection of folk-poetry of which he was the first to perceive the value; and in See also:

• JUNE

June 1851 he was created a See also:

• VISCOUNT (through O. Fr. viscomte, mod. vicomte, from Low Lat. vice-comes, cf. Portug. visconde, Ital. visconte)

viscount . In the following See also:

• DECEMBER (Lat. decent, ten)

December he See also:

• DREW
• DREW, SAMUEL (1765-1833)

drew up the additional See also:

• ACT (Lat. actus, actum)

act to the constitutional See also:

• CHARTER (Lat. charta, carta, from Gr. Xap-rns, originally for papyrus, material for writing, thence transferred to paper and from this material to the document, in O. Eng. boc, book)

charter, and his draft was approved by the ministers at a See also:

• CABINET

cabinet See also:

• MEETING (from " to meet," to come together, assemble, 0. Eng. metals ; cf. Du. moeten, Swed. mota, Goth. gamotjan, &c., derivatives of the Teut. word for a meeting, seen in O. Eng. Wit, moot, an assembly of the people; cf. witanagemot)

meeting in his See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

house .

Further, he initiated the Conselho Ultramarino; and the Law of the Misericordias, with its See also:

• PREAMBLE (Med. Lat. praeambulum, from praeambulare, to walk before)

preamble, published in 1852, was entirely from his See also:

• PEN (Lat. penna, a feather, pen)

pen . In the same year he became for a See also:

• SHORT, FRANCIS JOB (1857– )

short time See also:

• MINISTER (Lat. minister, servant)

minister of foreign affairs . In 1853 he brought out Folhas Cahidas, a collection of short poems ablaze with See also:

• PASSION (post-classical Lat. passio, formed from pati, passus, to suffer, endure)

passion and exquisite in See also:

• FORM (Lat. forma)

form, of which his friend Herculano said: " if Camoens had written love verses at Garrett's age, he could not have equalled him." His final literary work was a novel, See also:

• HELENA
• HELENA, ST (c. 247-c. 327)

Helena, which he See also:

• LEFT

left unfinished, and on the loth of February 1854 he made his last notable speech in the House . He died on the 9th of December 1854, and on the 3rd of May 1903 his re-mains were translated to the national See also:

• PANTHEON (Lat. pantheum or pantheon; Gr. srav& ov, all-holy, from re, s, all, and Oeor god)

pantheon, the Jeronymos at Belem, where they See also:

• REST (O. Eng. rest, reste, bed, cognate with other Teutonic forms, e.g. Ger. Rast, Riiste, rest, and probably Gothic Rasta, league, i.e. resting or stopping place)

rest near to those of Camoens . As poet, novelist, journalist, orator and dramatist, he deserves the remark of Rebello da See also:

• SILVA, ANTONIO JOSE DA (1705–1739)

Silva: " Garrett was not a See also:

• MAN
• MAN, ISLE OF (anc. Mona)

man of letters only but an entire literature in himself." Besides his strong religious faith, Garrett was endowed with a deep sensibility, a creative See also:

• IMAGINATION

imagination, rare See also:

• TASTE (from Lat. taxare, to touch sharply; tangere, to touch)

taste and a singular capacity for sympathy . Thus, though a learned man and an able jurist, he was See also:

• BOUND, or BOUNDARY (from O. Fr. bonde, Med. Lat. bodena or butina, a frontier line)

bound to be first and always an artist . His See also:

• ARTISTIC

artistic temperament explains his many-sided activity, his expansive kindliness, his seductive See also:

• CHARM (through the Fr. from the Lat. carmen, a song)

charm, especially for See also:

• WOMEN

women, his patriot-ism, his aristocratic pretensions, his huge vanity and dandyism, and the ingenuousness that absolves him from many faults in an irregular See also:

• LIFE

life . From his See also:

• RICH, BARNABE (c. 1540-1617)
• RICH, CLAUDIUS JAMES (1787-1821)
• RICH, JOHN (1692-1761)
• RICH, PENELOPE, LADY (c. 1562–1607)
• RICH, RICHARD, 1ST BARON RICH (1490?-1567)

rich artistic nature sprang his profound, sincere, sensual and See also:

• MELANCHOLY (Gr. µe)tayXotia, from µEtas, black, and Xotii, bile)

melancholy lyrics, the variety and perfection of his scenic creations, the splendour of his eloquence, the truth of his comic vein, the elegance of his lighter compositions . Two books stand out in bold See also:

• RELIEF

relief from among his writings: Folhas Cahidas, and that tragedy of fatality and pity, Frei Luiz de Sousa, with its See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

gallery of See also:

• NOBLE, SIR ANDREW (1832- )

noble figures incarnating the truest See also:

• REALISM (from Low Lat. realis, appertaining to res, things, as opposed to ideas and imaginations)

realism in an almost perfect prose form . The See also:

• COMPLETE

complete collection of his See also:

• WORKS

works comprises twenty-four volumes and there are several See also:

• EDITIONS

editions . AntHORITIES.—Gomes de Amorim, Garrett, memorias biographicas (3 vols., Lisbon, 1881–1888); D . Romero Ortiz, La Litteratura Portuguesa en el siglo XIX (See also:

• MADRID

Madrid, 1869), pp .

165-221; Dr Theophilo See also:

• BRAGA

Braga, Garrett e o romantismo (Oporto, 1904), and Garrett e os dramas romanticos (Oporto, 1905), with a full bibliography; Innocencio da Silva, Diccionario bibliographico Portuguez, vol. in. pp . 309-316, and vol. x. pp . 18o-185 . See Revue encyclopedique Larousse, No . 284, for a bibliography of the foreign See also:

• TRANSLATIONS

translations of Garrett . Frei Lutz de Sousa was translated by See also:

• EDGAR (EADGAR)
• EDGAR, or EADGAR (c. 1050-c. 1130)

Edgar Prestage under the See also:

• TITLE (0. Fr. title, mod. titre, from Lat. titulus)

title See also:

• BROTHER

Brother Luiz de Sousa (London, 1909) . (E .