See also:FRIEDRICH See also:GAUERMANN (1807-1862)
, See also:Austrian painter, son of the landscape painter See also:Jacob See also:Gauermann (1773-1843), was See also:born at Wiesenbach near Gutenstein in See also:Lower See also:Austria on the loth of See also:September 1807
.
It was the intention of his See also:father that he should devote himself to See also:agriculture, but the example of an See also:elder See also:brother, who, however, died See also:early, fostered his inclination towards See also:art
.
Under his father's direction he began studies in landscape, and he also diligently copied the See also:works of the See also:chief masters in See also:animal See also:painting which were contained in the See also:academy and See also:court library of See also:Vienna
.
In the summer he made art See also:tours in the districts of See also:Styria, See also:Tirol and See also:Salzburg
.
Two animal pieces which he exhibited at the Vienna See also:Exhibition of 1824 were regarded as remarkable productions for his years, and led to his receiving commissions in 1825 and 1826 from See also:Prince Metternich and Caraman, the See also:French See also:ambassador
.
His reputation was greatly increased by his picture " The See also:Storm," exhibited in 1829, and from that See also:- TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
- TIME, MEASUREMENT OF
- TIME, STANDARD
time his works were much sought after and obtained correspondingly high prices
.
His " See also:- FIELD (a word common to many West German languages, cf. Ger. Feld, Dutch veld, possibly cognate with O.E. f olde, the earth, and ultimately with root of the Gr. irAaror, broad)
- FIELD, CYRUS WEST (1819-1892)
- FIELD, DAVID DUDLEY (18o5-1894)
- FIELD, EUGENE (1850-1895)
- FIELD, FREDERICK (18o1—1885)
- FIELD, HENRY MARTYN (1822-1907)
- FIELD, JOHN (1782—1837)
- FIELD, MARSHALL (183 1906)
- FIELD, NATHAN (1587—1633)
- FIELD, STEPHEN JOHNSON (1816-1899)
- FIELD, WILLIAM VENTRIS FIELD, BARON (1813-1907)
Field Labourer " was regarded by many as the most noteworthy picture in the Vienna exhibition of 1834, and his numerous animal pieces have entitled him to a See also:place in the first See also:rank of painters of that class of subjects
.
The peculiarity of his pictures is the See also:representation of human and animal figures in connexion with appropriate landscapes and in characteristic situations so as to See also:manifest nature as a living whole, and he particularly excels in depicting the See also:free See also:life of animals in See also:wild See also:mountain scenery
.
Along with See also:great mastery of the technicalities of his art, his works exhibit patient and keen observation, free and correct handling of details, and bold and clear colouring
.
He died at Vienna on the 7th of See also:July 1862
.
Many of his pictures have been engraved, and after his See also:death a selection of fifty-three of his works was prepared for this purpose by the Austrian Kunstverein (Art See also:Union).See also:language, a See also:ship is said to have the See also:weather See also:gage when she is to windward of another, and similarly the See also:- LEE
- LEE (or LEGIT) ROWLAND (d. 1543)
- LEE, ANN (1736–1784)
- LEE, ARTHUR (1740–1792)
- LEE, FITZHUGH (1835–1905)
- LEE, GEORGE ALEXANDER (1802-1851)
- LEE, HENRY (1756-1818)
- LEE, JAMES PRINCE (1804-1869)
- LEE, NATHANIEL (c. 1653-16g2)
- LEE, RICHARD HENRY (1732-1794)
- LEE, ROBERT EDWARD (1807–1870)
- LEE, SIDNEY (1859– )
- LEE, SOPHIA (1950-1824)
- LEE, STEPHEN DILL (1833-1908)
lee gage when to leeward of another; in this sense the word is usually spelt " gage," a spelling which prevails in See also:America for all senses
.
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