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JOHN GAY (1685-1732)

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Originally appearing in Volume V11, Page 541 of the 1911 Encyclopedia Britannica.
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JOHN See also:GAY (1685-1732)  , See also:English poet, was baptized on the 16th of See also:September 1685 at See also:Barnstaple, where his See also:family had See also:long been settled . He was educated at the See also:grammar school of the See also:town under See also:Robert See also:Luck, who had published some Latin and English poems . On leaving school he was apprenticed to a See also:silk. See also:mercer in See also:London, but being weary, according to Dr See also:Johnson, " of either the See also:restraint or the servility of his occupation," he soon returned to Barnstaple, where he spent some See also:time with his See also:uncle, the Rev . See also:John Hanmer, the See also:Nonconformist See also:minister of thetown . He then returned to London, and though no details are available for his See also:biography until the publication of See also:Wine in 1708, the See also:account he gives in Rural . See also:Sports (1713), of years wasted in attending on courtiers who were profuse in promises never kept, may account for his occupations . Among his See also:early See also:literary See also:friends were See also:Aaron See also:Hill and Eustace See also:Budgell . In The See also:Present See also:State of Wit (1711) See also:Gay attempted to give an account of " all our periodical papers, whether monthly, weekly or diurnal." He especially praised the Taller and the Spectator, and See also:Swift, who knew nothing of the authorship of the pamphlet, suspected it to be inspired by See also:Steele and See also:Addison . To Liiitot's See also:Miscellany (1712) Gay contributed " An See also:Epistle to See also:Bernard See also:Lintot," containing some lines in praise of See also:Pope, and a version of the See also:story of See also:Arachne from the See also:sixth See also:book of the Metamorphoses of See also:Ovid . In the same See also:year he was received into the See also:household of the duchess of See also:Monmouth as secretary, a connexion which was, however, broken before See also:June 1714 . The See also:dedication of his Rural Sports (1713) to Pope was the beginning of a lasting friendship . Gay could have no pretensions to rivalry with Pope, who seems never to have tired of helping his friend .

In 1713 he produced a See also:

comedy, The Wife of See also:Bath, which was acted only three nights, and The See also:Fan, one of his least successful poems; and in 1714 The Shepherd's See also:Week, a See also:series of six pastorals See also:drawn from English rustic See also:life . Pope had urged him to undertake this last task in See also:order to ridicule the Arcadian pastorals of See also:Ambrose See also:Philips, who had been praised by the See also:Guardian, to the neglect of Pope's claims as the first See also:pastoral writer of the See also:age and the true English See also:Theocritus . Gay's pastorals completely achieved this See also:object, but his ludicrous pictures of the English swains and their loves were found to be abundantly entertaining on their own account . Gay had just been appointed secretary to the See also:British See also:ambassador to the See also:court of See also:Hanover through the See also:influence of See also:Jonathan Swift, when the See also:death of See also:Queen See also:Anne three months later put an end to all his hopes of See also:official employment . In 1715, probably with some help from Pope, he produced What d'ye See also:call it? a dramatic skit on contemporary tragedy, with See also:special reference to See also:Otway's See also:Venice Preserved . It See also:left the public so ignorant of its real meaning that See also:Lewis See also:Theobald and See also:Benjamin See also:Griffin (1680-1740) published a See also:Complete See also:Key to what d'ye call it by way of explanation . In 1716 appeared his Trivia, or the See also:Art of Walking the Streets of London, a poem in three books, for which he acknowledged having received several hints from Swift . It contains graphic and humorous descriptions of the London of that See also:period . In See also:January 1717 he produced the comedy of Three See also:Hours after See also:Marriage, which was grossly indecent without being amusing, and was a complete failure . There is no doubt that in this piece he had assistance from Pope and See also:Arbuthnot, but they were glad enough to have it assumed that Gay was the See also:sole author . Gay had numerous patrons, and in 1720 he published Poems on Several Occasions by subscription, realizing £r000 or more . In that year See also:James See also:Craggs, the secretary of state, presented him with some See also:South See also:Sea stock .

Gay, disregarding the prudent See also:

advice of Pope and other of his friends, invested his all in South Sea stock, and, holding on to the end, he lost everything . The See also:shock is said to have made him dangerously See also:ill . As a See also:matter of fact Gay had always been a spoilt See also:child, who expected everything to be done for him . His friends did not fail him at this juncture . He had patrons in See also:William Pulteney, afterwards See also:earl of Bath, in the third earl of See also:Burlington, who constantly entertained him at See also:Chiswick or at Burlington See also:House, and in the third earl of See also:Queensberry . He was a frequent visitor with Pope, and received unvarying kindness from See also:Congreve and Arbuthnot . In 1724 he produced a tragedy called The Captives . In 1727 he wrote for See also:Prince William, afterwards See also:duke of See also:Cumberland, his famous Fifty-one Fables in See also:Verse, for which he naturally hoped to gain some preferment, although he has much to say in them of the servility of courtiers and the vanity of court honours . He was offered the situation of See also:gentleman-See also:usher to the Princess Louisa, who was still a child . He refused this offer, which all his friends seem to have regarded, for no very obvious See also:reason, as an indignity . As the Fables were written for the amusement of one royal child, there would appear to have been a measure of reason in giving him a See also:sinecure in the service of another . His friends thought him unjustly neglected by the court, but he had already received (1722) a sinecure as lottery See also:commissioner with a See also:salary of £150 a year, and from 1722 to 1729 he had lodgings in the See also:palace at See also:Whitehall .

Phoenix-squares

He had never rendered any special services to the court . He certainly did nothing to conciliate the favour of the See also:

government by his next See also:production, the Beggars' See also:Opera, a lyrical See also:drama produced on the 29th of January 1728 by See also:Rich, in which See also:Sir Robert See also:Walpole was caricatured . This famous piece, which was said to have made " Rich gay and Gay rich," was an innovation in many respects, and for a time it drove See also:Italian opera off the English See also:stage . Under See also:cover of the thieves and highwaymen who figured in it was disguised a See also:satire on society, for Gay made it See also:plain that in describing the moral See also:code of his characters he had in mind the corruptions of the governing class . See also:Part of the success of the Beggars' Opera may have been due to the acting of Lavinia See also:Fenton, afterwards duchess of See also:Bolton, in the part of Polly Peachum . The See also:play ran for sixty-two nights, though the representations, four of which were " benefits " of the author, were not, as has sometimes been stated, consecutive . Swift is said to have suggested the subject, and Pope and Arbuthnot were constantly consulted while the See also:work was in progress, but Gay must be regarded as the sole author . Ile wrote a sequel, Polly, the See also:representation of which was forbidden by the See also:lord See also:chamberlain, no doubt through the influence of Walpole . This See also:act of " oppression " caused no loss to Gay . It proved an excellent See also:advertisement for Polly, which was published by subscription in 1729, and brought its author more than £r000 . The duchess of Queensberry was dismissed from court for enlisting subscribers in the palace . The duke of Queensberry gave him a See also:home, and the duchess continued her affectionate patronage until Gay's death, which took See also:place on the 4th of See also:December 1732 .

He was buried in See also:

Westminster See also:Abbey . The See also:epitaph on his See also:tomb is by Pope, and is followed by Gay's own mocking See also:couplet: " Life is a jest, and all things show it, I thought so once, and now I know it." See also:Acis and Galatea, an English pastoral opera, the See also:music of which was written by See also:Handel, was produced at the Haymarket in 1732 . The profits of his See also:posthumous opera of See also:Achilles (1733), and a new See also:volume of Fables (1738) went to his two sisters, who inherited from him a See also:fortune of £6000 . He left two other pieces, The Distressed Wife (1743), a comedy, and The See also:Rehearsal at Goatham (1754), a See also:farce . The Fables, slight as they may appear, cost him more labour than any of his other See also:works . The narratives are in nearly every See also:case See also:original, and are told in clear and lively verse . The moral which rounds off each little story is never strained._ They are masterpieces in their See also:kind, and the very numerous See also:editions of them prove their popularity . They have been translated into Latin, See also:French and Italian, See also:Urdu and See also:Bengali . See his Poetical Works (1893) in the See also:Muses' Library, with an introduction by Mr John Underhill; also See also:Samuel Johnson's Lives of the Poets, John Gay s Singspiele (1898), edited by G . See also:Sarrazin (Englische Textbibliothek II.) ; and an See also:article by See also:Austin See also:Dobson in vol . 21 of the See also:Dictionary of See also:National Biography; Gay's See also:Chair (182o), edited by See also:Henry See also:Lee, a See also:fellow-townsman, contained a See also:biographical See also:sketch by his See also:nephew, the Rev . See also:Joseph See also:Haller .

End of Article: JOHN GAY (1685-1732)
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