See also:JOHN See also:GAY (1685-1732)
, See also:English poet, was baptized on the 16th of See also:September 1685 at See also:Barnstaple, where his See also:family had See also:long been settled
.
He was educated at the See also:grammar school of the See also:town under See also:Robert See also:Luck, who had published some Latin and English poems
.
On leaving school he was apprenticed to a See also:silk. See also:mercer in See also:London, but being weary, according to Dr See also:- JOHNSON, ANDREW
- JOHNSON, ANDREW (1808–1875)
- JOHNSON, BENJAMIN (c. 1665-1742)
- JOHNSON, EASTMAN (1824–1906)
- JOHNSON, REVERDY (1796–1876)
- JOHNSON, RICHARD (1573–1659 ?)
- JOHNSON, RICHARD MENTOR (1781–1850)
- JOHNSON, SAMUEL (1709-1784)
- JOHNSON, SIR THOMAS (1664-1729)
- JOHNSON, SIR WILLIAM (1715–1774)
- JOHNSON, THOMAS
Johnson, " of either the See also:restraint or the servility of his occupation," he soon returned to Barnstaple, where he spent some See also:- TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
- TIME, MEASUREMENT OF
- TIME, STANDARD
time with his See also:uncle, the Rev
.
See also:John Hanmer, the See also:Nonconformist See also:minister of thetown
.
He then returned to London, and though no details are available for his See also:biography until the publication of See also:Wine in 1708, the See also:account he gives in Rural
.
See also:Sports (1713), of years wasted in attending on courtiers who were profuse in promises never kept, may account for his occupations
.
Among his See also:early See also:literary See also:friends were See also:Aaron See also:- HILL
- HILL (0. Eng. hyll; cf. Low Ger. hull, Mid. Dutch hul, allied to Lat. celsus, high, collis, hill, &c.)
- HILL, A
- HILL, AARON (1685-175o)
- HILL, AMBROSE POWELL
- HILL, DANIEL HARVEY (1821-1889)
- HILL, DAVID BENNETT (1843–1910)
- HILL, GEORGE BIRKBECK NORMAN (1835-1903)
- HILL, JAMES J
- HILL, JOHN (c. 1716-1775)
- HILL, MATTHEW DAVENPORT (1792-1872)
- HILL, OCTAVIA (1838– )
- HILL, ROWLAND (1744–1833)
- HILL, SIR ROWLAND (1795-1879)
Hill and Eustace See also:Budgell
.
In The See also:Present See also:State of Wit (1711) See also:Gay attempted to give an account of " all our periodical papers, whether monthly, weekly or diurnal." He especially praised the Taller and the Spectator, and See also:Swift, who knew nothing of the authorship of the pamphlet, suspected it to be inspired by See also:Steele and See also:Addison
.
To Liiitot's See also:Miscellany (1712) Gay contributed " An See also:Epistle to See also:Bernard See also:Lintot," containing some lines in praise of See also:Pope, and a version of the See also:story of See also:Arachne from the See also:sixth See also:book of the Metamorphoses of See also:Ovid
.
In the same See also:year he was received into the See also:household of the duchess of See also:Monmouth as secretary, a connexion which was, however, broken before See also:June 1714
.
The See also:dedication of his Rural Sports (1713) to Pope was the beginning of a lasting friendship
.
Gay could have no pretensions to rivalry with Pope, who seems never to have tired of helping his friend
.
In 1713 he produced a See also:comedy, The Wife of See also:Bath, which was acted only three nights, and The See also:Fan, one of his least successful poems; and in 1714 The Shepherd's See also:Week, a See also:series of six pastorals See also:drawn from English rustic See also:life
.
Pope had urged him to undertake this last task in See also:- ORDER
- ORDER (through Fr. ordre, for earlier ordene, from Lat. ordo, ordinis, rank, service, arrangement; the ultimate source is generally taken to be the root seen in Lat. oriri, rise, arise, begin; cf. " origin ")
- ORDER, HOLY
order to ridicule the Arcadian pastorals of See also:Ambrose See also:Philips, who had been praised by the See also:Guardian, to the neglect of Pope's claims as the first See also:pastoral writer of the See also:age and the true English See also:Theocritus
.
Gay's pastorals completely achieved this See also:object, but his ludicrous pictures of the English swains and their loves were found to be abundantly entertaining on their own account
.
Gay had just been appointed secretary to the See also:British See also:ambassador to the See also:court of See also:Hanover through the See also:influence of See also:Jonathan Swift, when the See also:death of See also:Queen See also:Anne three months later put an end to all his hopes of See also:official employment
.
In 1715, probably with some help from Pope, he produced What d'ye See also:call it? a dramatic skit on contemporary tragedy, with See also:special reference to See also:Otway's See also:Venice Preserved
.
It See also:left the public so ignorant of its real meaning that See also:Lewis See also:Theobald and See also:Benjamin See also:Griffin (1680-1740) published a See also:Complete See also:Key to what d'ye call it by way of explanation
.
In 1716 appeared his Trivia, or the See also:Art of Walking the Streets of London, a poem in three books, for which he acknowledged having received several hints from Swift
.
It contains graphic and humorous descriptions of the London of that See also:period
.
In See also:January 1717 he produced the comedy of Three See also:Hours after See also:Marriage, which was grossly indecent without being amusing, and was a complete failure
.
There is no doubt that in this piece he had assistance from Pope and See also:Arbuthnot, but they were glad enough to have it assumed that Gay was the See also:sole author
.
Gay had numerous patrons, and in 1720 he published Poems on Several Occasions by subscription, realizing £r000 or more
.
In that year See also:- JAMES
- JAMES (Gr. 'IlrKw,l3or, the Heb. Ya`akob or Jacob)
- JAMES (JAMES FRANCIS EDWARD STUART) (1688-1766)
- JAMES, 2ND EARL OF DOUGLAS AND MAR(c. 1358–1388)
- JAMES, DAVID (1839-1893)
- JAMES, EPISTLE OF
- JAMES, GEORGE PAYNE RAINSFOP
- JAMES, HENRY (1843— )
- JAMES, JOHN ANGELL (1785-1859)
- JAMES, THOMAS (c. 1573–1629)
- JAMES, WILLIAM (1842–1910)
- JAMES, WILLIAM (d. 1827)
James See also:Craggs, the secretary of state, presented him with some See also:South See also:Sea stock
.
Gay, disregarding the prudent See also:advice of Pope and other of his friends, invested his all in South Sea stock, and, holding on to the end, he lost everything
.
The See also:shock is said to have made him dangerously See also:ill
.
As a See also:matter of fact Gay had always been a spoilt See also:child, who expected everything to be done for him
.
His friends did not fail him at this juncture
.
He had patrons in See also:- WILLIAM
- WILLIAM (1143-1214)
- WILLIAM (1227-1256)
- WILLIAM (1J33-1584)
- WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
- WILLIAM (c. 1130-C. 1190)
- WILLIAM, 13TH
William Pulteney, afterwards See also:earl of Bath, in the third earl of See also:Burlington, who constantly entertained him at See also:Chiswick or at Burlington See also:House, and in the third earl of See also:Queensberry
.
He was a frequent visitor with Pope, and received unvarying kindness from See also:Congreve and Arbuthnot
.
In 1724 he produced a tragedy called The Captives
.
In 1727 he wrote for See also:Prince William, afterwards See also:duke of See also:Cumberland, his famous Fifty-one Fables in See also:Verse, for which he naturally hoped to gain some preferment, although he has much to say in them of the servility of courtiers and the vanity of court honours
.
He was offered the situation of See also:gentleman-See also:- USHER (O. Fr. ussier, uissier, mod. huissier, from Lat. ostiarius, a door-keeper, ostium, doorway, entrance, os, mouth)
- USHER (or USSHER), JAMES (1581-1656)
usher to the Princess Louisa, who was still a child
.
He refused this offer, which all his friends seem to have regarded, for no very obvious See also:reason, as an indignity
.
As the Fables were written for the amusement of one royal child,
there would appear to have been a measure of reason in giving him a See also:sinecure in the service of another
.
His friends thought him unjustly neglected by the court, but he had already received (1722) a sinecure as lottery See also:commissioner with a See also:salary of £150 a year, and from 1722 to 1729 he had lodgings in the See also:palace at See also:Whitehall
.
He had never rendered any special services to the court
.
He certainly did nothing to conciliate the favour of the See also:government by his next See also:production, the Beggars' See also:Opera, a lyrical See also:drama produced on the 29th of January 1728 by See also:Rich, in which See also:Sir Robert See also:Walpole was caricatured
.
This famous piece, which was said to have made " Rich gay and Gay rich," was an innovation in many respects, and for a time it drove See also:Italian opera off the English See also:stage
.
Under See also:cover of the thieves and highwaymen who figured in it was disguised a See also:satire on society, for Gay made it See also:plain that in describing the moral See also:code of his characters he had in mind the corruptions of the governing class
.
See also:Part of the success of the Beggars' Opera may have been due to the acting of Lavinia See also:Fenton, afterwards duchess of See also:Bolton, in the part of Polly Peachum
.
The See also:play ran for sixty-two nights, though the representations, four of which were " benefits " of the author, were not, as has sometimes been stated, consecutive
.
Swift is said to have suggested the subject, and Pope and Arbuthnot were constantly consulted while the See also:work was in progress, but Gay must be regarded as the sole author
.
Ile wrote a sequel, Polly, the See also:representation of which was forbidden by the See also:lord See also:- CHAMBERLAIN (0. Fr. chamberlain, chamberlenc, Mod. Fr. chambellan, from O. H. Ger. Chamarling, Chamarlinc, whence also the Med. Lat. cambellanus, camerlingus, camerlengus; Ital. camerlingo; Span. camerlengo, compounded of 0. H. Ger. Chamara, Kamara [Lat.
- CHAMBERLAIN, JOSEPH (1836— )
- CHAMBERLAIN, JOSHUA LAWRENCE (1828– )
- CHAMBERLAIN, SIR NEVILLE BOWLES (1820-1902)
chamberlain, no doubt through the influence of Walpole
.
This See also:act of " oppression " caused no loss to Gay
.
It proved an excellent See also:advertisement for Polly, which was published by subscription in 1729, and brought its author more than £r000
.
The duchess of Queensberry was dismissed from court for enlisting subscribers in the palace
.
The duke of Queensberry gave him a See also:home, and the duchess continued her affectionate patronage until Gay's death, which took See also:place on the 4th of See also:December 1732
.
He was buried in See also:Westminster See also:Abbey
.
The See also:epitaph on his See also:tomb is by Pope, and is followed by Gay's own mocking See also:couplet:
" Life is a jest, and all things show it,
I thought so once, and now I know it."
See also:Acis and Galatea, an English pastoral opera, the See also:music of which was written by See also:Handel, was produced at the Haymarket in 1732
.
The profits of his See also:posthumous opera of See also:Achilles (1733), and a new See also:volume of Fables (1738) went to his two sisters, who inherited from him a See also:fortune of £6000
.
He left two other pieces, The Distressed Wife (1743), a comedy, and The See also:- REHEARSAL (from " rehearse," to say over again, repeat, recount, O.Fr. rehercer, from re, again, and hercer, to harrow, cf. " hearse," the original meaning being to rake or go over the same ground again as with a harrow)
Rehearsal at Goatham (1754), a See also:farce
.
The Fables, slight as they may appear, cost him more labour than any of his other See also:works
.
The narratives are in nearly every See also:case See also:original, and are told in clear and lively verse
.
The moral which rounds off each little story is never strained._ They are masterpieces in their See also:kind, and the very numerous See also:editions of them prove their popularity
.
They have been translated into Latin, See also:French and Italian, See also:Urdu and See also:Bengali
.
See his Poetical Works (1893) in the See also:Muses' Library, with an introduction by Mr John Underhill; also See also:Samuel Johnson's Lives of the Poets, John Gay s Singspiele (1898), edited by G
.
See also:Sarrazin (Englische Textbibliothek II.) ; and an See also:article by See also:Austin See also:Dobson in vol
.
21 of the See also:Dictionary of See also:National Biography; Gay's See also:Chair (182o), edited by See also:- HENRY
- HENRY (1129-1195)
- HENRY (c. 1108-1139)
- HENRY (c. 1174–1216)
- HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
- HENRY, EDWARD LAMSON (1841– )
- HENRY, JAMES (1798-1876)
- HENRY, JOSEPH (1797-1878)
- HENRY, MATTHEW (1662-1714)
- HENRY, PATRICK (1736–1799)
- HENRY, PRINCE OF BATTENBERG (1858-1896)
- HENRY, ROBERT (1718-1790)
- HENRY, VICTOR (1850– )
- HENRY, WILLIAM (1795-1836)
Henry See also:- LEE
- LEE (or LEGIT) ROWLAND (d. 1543)
- LEE, ANN (1736–1784)
- LEE, ARTHUR (1740–1792)
- LEE, FITZHUGH (1835–1905)
- LEE, GEORGE ALEXANDER (1802-1851)
- LEE, HENRY (1756-1818)
- LEE, JAMES PRINCE (1804-1869)
- LEE, NATHANIEL (c. 1653-16g2)
- LEE, RICHARD HENRY (1732-1794)
- LEE, ROBERT EDWARD (1807–1870)
- LEE, SIDNEY (1859– )
- LEE, SOPHIA (1950-1824)
- LEE, STEPHEN DILL (1833-1908)
Lee, a See also:fellow-townsman, contained a See also:biographical See also:sketch by his See also:nephew, the Rev
.
See also:Joseph See also:Haller
.
End of Article: