GCDEFG  . This was the most See also:

• COMMON

common See also:

• SCHEME (Lat. schema, Gr. oxfjya, figure, form, from the root axe, seen in exeiv, to have, hold, to be of such shape, form, &c.)

scheme for the See also:

• SHORT, FRANCIS JOB (1857– )

short See also:

• OCTAVE (from Lat. octavus, eighth, octo, eight)

octave during the 16th and 17th centuries, although others are occasionally found . See also:

• PRAETORIUS, MICHAEL (1571_1621)

Praetorius also gives examples in which the See also:

• BLACK
• BLACK, ADAM (1784-1874)
• BLACK, JEREMIAH SULLIVAN (1810–1883)
• BLACK, WILLIAM (1841-1898)

black notes of the short octave were divided into two halves, or See also:

• SEPARATE

separate keys, the forward ' See the See also:

• ORIGINAL

original See also:

• GREEK
• GREEK, ETRUSCAN AND

Greek with See also:

• TRANSLATION

translation by See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles Maclean in " The Principle of the See also:

• HYDRAULIC

Hydraulic See also:

• ORGAN

Organ," Intern . Musikges. vi . 2, 219-220 (See also:

• LEIPZIG

Leipzig 1905) . See See also:

• CLEMENT (Lat. Clemens, i.e. merciful; Gr. K)4gs)
• CLEMENT, FRANCOIS (1714-1793)
• CLEMENT, JACQUES (1567-1589)

Clement Loret's See also:

• ACCOUNT
• ACCOUNT (through O. Fr. acont, Late Lat. comptum, cornputare, to calculate)

account in Revue archeologique, pp . 76-102 (See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris, 189o) . See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

Early Hist. of See also:

• SPANISH

Spanish See also:

• MUSIC

Music (See also:

• LONDON

London, 1807) . Reproduced by Dr Alwin Schulz in Deutsches Leben See also:

• IM(K2+a2+h2—2 ah cos 0)

im XIV. u . X V . Jhdt., See also:

• FIGS

figs . 522 seq .

(See also:

• VIENNA (Ger. Wien; Lat. Vindobona)
• VIENNA, CONGRESS OF (1814-1815)

Vienna, 1892) . " De diversis monocordis, pentacordis, etc., ex quibus diversa formantur instrumenta musica," reproduced by Edm. See also:

• VAN

van der Straeten in Hist. de la musique aux Pays-Bas, i . 278 . See also:

• HALF

half for the See also:

• DRONE

drone See also:

• NOTE
• NOTE (Lat. nota, mark, sign, from noscere, to know)

note, the back half for the See also:

• CHROMATIC (Gr. xpcoµaruc6s, coloured, from xpwµa, colour)

chromatic semitone, thus: Ftl IG# b E Bb C F GAB C This arrangement, which accomplishes its See also:

• OBJECT

object without See also:

• SACRIFICE (from Lat. sacrificium; sacer, holy, and facere, to make)

sacrifice, was to be found early in the 17th See also:

• CENTURY (from Lat. centuria, a division of a hundred men)

century in the See also:

• ORGANS

organs of the monasteries of Riddageshausen and of See also:

• BAYREUTH, or BAIREUTH

Bayreuth in See also:

• VOGTLAND, or VOIGTLAND

Vogtland . See A . J . Hipkins, See also:

• HISTORY

History of the See also:

• PIANOFORTE (Ital. piano, soft, and forte, loud)

Pianoforte (London, 1896), and the older See also:

• WORKS

works of See also:

• GIROLAMO (1450-1486)

Girolamo Diruta (1597), Praetorius (1618), and See also:

• MERSENNE, MARIN

Mersenne (1636) . (K .