See also:

• ANDREW (Gr. 'AvBp4as, manly)
• ANDREW, JOHN ALBION (1818-1867)

ANDREW See also:

• GEDDES, ALEXANDER (1737-1802)
• ANDREW GEDDES (1783-1844)
• GEDDES, JAMES LORRAINE (1827-1887)
• GEDDES, SIR WILLIAM DUGUID (1828-1900)

GEDDES (1783-1844)  , See also:

• BRITISH

British painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• EDINBURGH

Edinburgh . After receiving a See also:

• GOOD, JOHN MASON (1764-1827)

good See also:

• EDUCATION

education in the high school and in the university of that See also:

• CITY (through Fr. cite, from Lat. civitas)

city, he was for five years in the See also:

• EXCISE (derived through the Dutch, excijs or accijs, possibly from Late Lat. accensare,—ad, to, and census, tax; the word owes something to a confusion with excisum, cut out)

excise See also:

• OFFICE (from Lat. officium, " duty," " service," a shortened form of opifacium, from facere, " to do," and either the stem of opes, " wealth," " aid," or opus, " work ")

office, in which his See also:

• FATHER

father held the See also:

• POST

post of See also:

• DEPUTY (through the Fr. from a Late Lat. use of deputare, to cut off, allot; putare having the original sense of to trim, prune)

deputy auditor . After the See also:

• DEATH

death of his father, who had opposed his See also:

• DESIRE

desire to become an artist, he came to See also:

• LONDON

London and entered the Royal See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy See also:

• SCHOOLS

schools . His first contribution to the exhibitions ° of the Royal Academy, a " St See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John in the See also:

• WILDERNESS

Wilderness," appeared at See also:

• SOMERSET, EARLS AND DUKES OF
• SOMERSET, EDMUND BEAUFORT, DUKE OF (c. 1404–1455)
• SOMERSET, EDWARD SEYMOUR, DUKE OF (c. 1506–1552)
• SOMERSET, LORD ROBERT EDWARD HENRY (1776-1842)
• SOMERSET, ROBERT CARR (or KER), EARL OF (e. 1590-1645)

Somerset See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

House in 18o6, and from that See also:

• YEAR

year onwards See also:

• GEDDES, ALEXANDER (1737-1802)
• GEDDES, ANDREW (1783-1844)
• GEDDES, JAMES LORRAINE (1827-1887)
• GEDDES, SIR WILLIAM DUGUID (1828-1900)

Geddes was a fairly See also:

• CONSTANT, BENJAMIN (1845-1902)

constant exhibitor of figure-subjects and portraits . His well-known portrait of See also:

• WILKIE, SIR DAVID (1785–1841)

Wilkie, with whom he was on terms of intimacy, was at the Royal Academy in 1816 . He alternated for some years between London and Edinburgh, with some excursions on the See also:

• CONTINENT (from Lat. continere, "to hold together "; hence " connected," " continuous ")

Continent, but in 1831 settled in London, and was elected See also:

• ASSOCIATE (Lat. associates, from ad, to, and sociare to join)

associate of the Royal Academy in 1832; and he See also:

• LOWER

Lower See also:

• SURFACE

Surface of the Toe of (a) See also:

• GECKO

Gecko, (b) Hemidactylusenlarged . died in London of See also:

• CONSUMPTION (Lat. consumere)

consumption in 1844 . A very able executant, a good colourist, and a See also:

• CLOSE
• CLOSE (from Lat. clausum, shut)
• CLOSE, MAXWELL HENRY (1822-1903)

close student of See also:

• CHARACTER (Gr. xapareri7p, from xap&crew, to scratch)

character, he made his See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief success as a portrait-painter, but he produced occasional figure subjects and landscapes, and executed some admirable copies of the old masters as well . He was also a good etcher . His portrait of his See also:

• MOTHER

mother, and a portrait study, called " Summer," are in the See also:

• NATIONAL

National See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery of See also:

• SCOTLAND
• SCOTLAND, CHURCH OF
• SCOTLAND, EPISCOPAL CHURCH OF

Scotland, and his portrait• of See also:

• SIR

Sir See also:

• WALTER, HUBERT (d. 1205)
• WALTER, JOHN (1738/9-1812)

Walter See also:

• SCOTT, ALEXANDER (fl. 1550)
• SCOTT, DAVID (18o6-1849)
• SCOTT, MICHAEL (1789-1835)
• SCOTT, ROBERT (1811-1887)
• SCOTT, SIR GEORGE GILBERT (1811-1878)
• SCOTT, SIR WALTER, BART
• SCOTT, WILLIAM BELL (1811-1890)
• SCOTT, WINFIELD (1786-1866)

Scott is in the Scottish National Portrait Gallery . See See also:

• ART

Art in Scotland: its Origin and Progress, by See also:

• ROBERT
• ROBERT (1275—1343)
• ROBERT, HUBERT (1753-1808)
• ROBERT, LOUIS LEOPOLD (1794-1835)

Robert Brydall (1889); The Scottish School of See also:

• PAINTING

Painting, by See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

William D . McKay, R.S.A .

(F906) .