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ANDREW See also: British painter, was See also: born at See also: Edinburgh
.
After receiving a See also: good See also: education in the high school and in the university of that city, he was for five years in the excise office, in which his See also: father held the See also: post of deputy auditor
.
After the See also: death of his father, who had opposed his See also: desire to become an artist, he came to See also: London and entered the Royal See also: Academy See also: schools
.
His first contribution to the exhibitions
° of the Royal Academy, a " St See also: John in the
See also: Wilderness," appeared at See also: Somerset See also: House in 18o6, and from that See also: year onwards See also: Geddes was a fairly See also: constant exhibitor of figure-subjects and portraits
.
His well-known portrait of See also: Wilkie, with whom he was on terms of intimacy, was at the Royal Academy in 1816
.
He alternated for some years between London and Edinburgh, with some excursions on the Continent, but in 1831 settled in London, and was elected associate of the Royal Academy in 1832; and he
See also: Lower See also: Surface of the Toe of (a) See also: Gecko, (b) Hemidactylusenlarged
.
died in London of See also: consumption in 1844
.
A very able executant, a good colourist, and a close student of character, he made his chief success as a portrait-painter, but he produced occasional figure subjects and landscapes, and executed some admirable copies of the old masters as well
.
He was also a good etcher
.
His portrait of his See also: mother, and a portrait study, called " Summer," are in the See also: National Gallery of Scotland, and his portrait• of See also: Sir Walter See also: Scott is in the Scottish National Portrait Gallery
.
See See also: Art in Scotland: its Origin and Progress, by Robert Brydall (1889); The Scottish School of See also: Painting, by See also: William D
.
McKay, R.S.A
.
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