See also:GENTILE DA See also:FABRIANO (c. 1370-c. 1450)
, See also:Italian painter, was See also:born at See also:Fabriano about 1370
.
He is said to have been a See also:- PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)
pupil of Allegretto di Nuzio, and has been supposed to have received most of his See also:early instruction from Fra See also:Angelico, to whose manner his bears in some respects a See also:close similarity
.
About 1411 he went to See also:Venice, where by See also:- ORDER
- ORDER (through Fr. ordre, for earlier ordene, from Lat. ordo, ordinis, rank, service, arrangement; the ultimate source is generally taken to be the root seen in Lat. oriri, rise, arise, begin; cf. " origin ")
- ORDER, HOLY
order of the See also:doge and See also:senate he was engaged to adorn the See also:great See also:- HALL
- HALL (generally known as SCHWABISCH-HALL, tc distinguish it from the small town of Hall in Tirol and Bad-Hall, a health resort in Upper Austria)
- HALL (O.E. heall, a common Teutonic word, cf. Ger. Halle)
- HALL, BASIL (1788-1844)
- HALL, CARL CHRISTIAN (1812–1888)
- HALL, CHARLES FRANCIS (1821-1871)
- HALL, CHRISTOPHER NEWMAN (1816—19oz)
- HALL, EDWARD (c. 1498-1547)
- HALL, FITZEDWARD (1825-1901)
- HALL, ISAAC HOLLISTER (1837-1896)
- HALL, JAMES (1793–1868)
- HALL, JAMES (1811–1898)
- HALL, JOSEPH (1574-1656)
- HALL, MARSHALL (1790-1857)
- HALL, ROBERT (1764-1831)
- HALL, SAMUEL CARTER (5800-5889)
- HALL, SIR JAMES (1761-1832)
- HALL, WILLIAM EDWARD (1835-1894)
hall of the ducal See also:palace with frescoes from the See also:life of See also:Barbarossa
.
He executed this See also:work so entirely to the See also:satisfaction of his employers that they granted him a See also:pension for life, and accorded him the See also:privilege of wearing the See also:habit of a Venetian See also:noble
.
About 1422 he went to See also:Florence, where in 1423 he painted an "See also:Adoration of the Magi" for the See also:- CHURCH
- CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
- CHURCH, FREDERICK EDWIN (1826-1900)
- CHURCH, GEORGE EARL (1835–1910)
- CHURCH, RICHARD WILLIAM (1815–189o)
- CHURCH, SIR RICHARD (1784–1873)
church of See also:Santa Trinita, which is preserved in the Florence Accademia; this See also:painting is considered his best work now extant
.
To the same See also:period belongs a" Madonna and See also:Child," which is now in the See also:Berlin Museum
.
He had by this See also:- TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
- TIME, MEASUREMENT OF
- TIME, STANDARD
time attained a wide reputation, and was engaged to paint pictures for various churches, more particularly See also:Siena, See also:Perugia, See also:Gubbio and Fabriano
.
About 1426 he was called to See also:Rome by See also:- MARTIN (Martinus)
- MARTIN, BON LOUIS HENRI (1810-1883)
- MARTIN, CLAUD (1735-1800)
- MARTIN, FRANCOIS XAVIER (1762-1846)
- MARTIN, HOMER DODGE (1836-1897)
- MARTIN, JOHN (1789-1854)
- MARTIN, LUTHER (1748-1826)
- MARTIN, SIR THEODORE (1816-1909)
- MARTIN, SIR WILLIAM FANSHAWE (1801–1895)
- MARTIN, ST (c. 316-400)
- MARTIN, WILLIAM (1767-1810)
Martin V. to adorn the church of St See also:John Lateran with frescoes from the life of John the Baptist
.
He also executed a portrait of the See also:pope attended by ten cardinals, and in the church of St See also:Francesco Romano a painting of the " Virgin and Child attended by St See also:Benedict and St See also:Joseph," which was much esteemed by See also:Michelangelo, but is no longer in existence
.
See also:Gentile da Fabriano died about 1450
.
Michelangelo said of him that his See also:works resembled his name, meaning noble or refined
.
They are full of a quiet and serene joyousness, and he has a naive and See also:innocent delight in splendour and in See also:gold ornaments, with which, however, his pictures are not overloaded
.
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