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GEOFFREY OF See also: bishop of St See also: Asaph and writer on early See also: British See also: history, was See also: born about the See also: year 1 too
.
Of his early See also: life little is known, except that he received a liberal See also: education under the See also: eye of his paternal See also: uncle, Uchtryd, who was at that See also: time archdeacon, and subsequently bishop, of See also: Llandaff
.
In 1129 Geoffrey appears at See also: Oxford among the witnesses of an Oseney charter
.
He subscribes himself Geoffrey Arturus; from this we may perhaps infer that he had already begun his experiments in the manufacture of See also: Celtic See also: mythology
.
A first edition of his Historia Britonum was in circttla tin by the year
1139, although the text which we possess appears to date from 1147
.
This famous See also: work, which the author has the audacity to place on the same level with the histories of See also: William of
See also: Malmesbury and See also: Henry of Huntingdon, professes to be a
See also: translation from a Celtic source; " a very old See also: book in the British See also: tongue " which Walter, archdeacon of Oxford, had brought from See also: Brittany
.
Walter the archdeacon is a See also: historical personage; whether his book has any real existence may be fairly questioned
.
There is nothing in the See also: matter or the See also: style of the Historia to preclude us from supposing that Geoffrey See also: drew partly upon confused traditions, partly on his own See also: powers of invention, and to a very slight degree upon the accepted authorities for early British history
.
His chronology is fantastic and incredible; William of See also: Newburgh justly remarks that, if we accepted the events which Geoffrey relates, we should have to suppose that they had happened in another See also: world
.
William of Newburgh wrote, however, in the reign of See also: Richard I. when the reputation of Geoffrey's work was too well established to be shaken by such criticisms
.
The fearless romancer had achieved an immediate success
.
He was patronized by Robert, See also: earl of See also: Gloucester, and by two bishops of Lincoln; he obtained, about 1140, the See also: arch-deaconry of Llandaff " on account of his learning "; and in 1151 was promoted to the see of St Asaph
.
Before his See also: death the Historia Britonum had already become a
See also: model and a See also: quarry for poets and chroniclers
.
The See also: list of
imitators begins with Geoffrey Gaimar, the author of the Estorie
See also: des Engles (c
.
1147), and See also: Wace, whose See also: Roman de See also: Brut (1155) is
partly a translation and partly a See also: free paraphrase of the Historia
.
In the next century the influence of Geoffrey is unmistakably
attested by the Brut of See also: Layamon, and the rhyming See also: English
See also: chronicle of Robert of Gloucester
.
Among later historians who
were deceived by the Historia Britonum it is only needful to
mention Higdon, See also: Hardyng, See also: Fabyan (1512), Holinshed (158o)
and See also: John
See also: Milton
.
Still greater was the influence of Geoffrey
upon those writers who, like Warner in Albion's See also: England (1586),
and See also: Drayton in Polyolbion (1613), deliberately made their
accounts of English history as poetical as possible
.
The stories
which Geoffrey preserved or invented were not infrequently
a source of inspiration to See also: literary artists
.
The earliest English
tragedy, See also: Gorboduc (1565), the Mirror for Magistrates (1587), and
See also: Shakespeare's See also: Lear, are instances in point
.
It was, however,
the Arthurian See also: legend which of all his fabrications attained the
greatest vogue
.
In the work of expanding and elaborating this
theme the successors of Geoffrey went as far beyond him as he
had gone beyond See also: Nennius; but he retains the See also: credit due to the
founder of a See also: great school
.
See also: Marie de See also: France, who wrote at the
See also: court of Henry II., and Chretien de See also: Troyes, her French See also: con-
temporary, were the earliest of the avowed romancers to take
up the theme
.
The succeeding age saw the Arthurian See also: story
popularized, through See also: translations of the French romances, as
far afield as See also: Germany and Scandinavia
.
It produced in England the Roman du See also: Saint Graal and the Roman de Merlin, both from
the See also: pen of Robert de Borron; the Roman de Lancelot; the Roman
de See also: Tristan, which is attributed to a fictitious Lucas de Gast
.
In
the reign of See also: Edward IV
.
See also: Sir See also: Thomas
See also: Malory paraphrased and
arranged the best episodes of these romances in English See also: prose
.
His Morte d'Arthur, printed by See also: Caxton in 1485, epitomizes the
See also: rich mythology which Geoffrey's work had first called into life,
and gave the Arthurian story a lasting place in the English
See also: imagination
.
The influence of the Historia Britonum may be
illustrated in another way, by enumerating the more See also: familiar
of the legends to which it first gave popularity
.
Of the twelve
books into which it is divided only three (Bks
.
IX., X., XI.) are
concerned with Arthur
.
Earlier in the work, however, we have
the adventures of Brutus; of his follower Corineus, the vanquisher
of the Cornish giant Goemagol (Gogmagog); of Locrinus and
his daughter Sabre (immortalized in Milton's Comus); of Bladud
the builder of See also: Bath; of Lear and his daughters; of the three
pairs of See also: brothers, Ferrex and Porrex, Brennius and Belinus,
Elidure and Peridure
.
The story of See also: Vortigern and Rowena
takes its final See also: form in the Historia Britonum; and Merlin makes
his first. appearance in the prelude to the Arthur legend
.
Besides
II
the Historia Britonum Geoffrey is also credited with a Life of Merlin composed in Latin verse
.
The authorship of this work has, however, been disputed, on the ground that the style is distinctly See also: superior to that of the Historia
.
A minor composition, the Prophecies of Merlin, was written before 1136, and afterwards incorporated with the Historia, of which it forms the seventh book
.
For a discussion of the See also: manuscripts of Geoffrey's work, see Sir T
.
D
.
See also: Hardy's Descriptive See also: Catalogue (Rolls Series), i. pp
.
341 if
.
The Historia Britonum has been critically edited by See also: San Marte (See also: Halle, 1854)
.
There is an English translation by J
.
A
.
See also: Giles (See also: London,1842)
.
The Vita Merlini has been edited by F
.
Michel and T
.
See also: Wright (See also: Paris, 1837)
.
See also the See also: Dublin Unit
.
See also: Magazine for See also: April 1876, for an article by T
.
Gilray on the literary influence of Geoffrey; G
.
Heeger's Trojanersage der Britten (1889) ; and La Borderie's Etudes historiques bretonnes (1883)
.
(H
.
W
.
C
.
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