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See also: London by the title of " See also: German See also: Reed " was a See also: form of theatrical enterprise deserving of See also: commemoration in connexion with those who made it successful
.
Mr See also: THOMAS GERMAN REED (
See also: born in See also: Bristol in 1817, died 1888) married in 1844 See also: Miss PRISCILLA See also: HORTON (1818-1895), and in 1855 they started their entertainment at the "Gallery of See also: Illustration," in See also: Waterloo Place, London
.
From 186o to 1877 they were assisted by See also: JOHN ORLANDO
See also: PARRY (1810-1879), an accomplished pianoforte player, mimic, parodist and humorous See also: singer; and the latter created a new type of musical and dramatic monologue which became very popular
.
His tradition was carried on after 187o by Mr CORNEY GRAIN (1844-1895), who, as a See also: clever, refined, and yet highly humorous society entertainer (originally a See also: barrister), was one of the best-known figures of his See also: day
.
After the retirement of the elder German Reeds, their son, See also: ALFRED GERMAN REED (1846-1895), himself a capital actor, carried on the business in partnership with Corney Grain
.
The " German Reed Entertainment "—which was always patronized by a large class of See also: people, many of whom objected on principle to going or taking their See also: children to a See also: regular theatre or a See also: music-See also: hall--retained its vogue for
See also: forty years at Waterloo Place and at the St See also: George's Hall, See also: Regent Street
.
But the See also: death of Mr Corney Grain almost simultaneously with Mr Alfred German Reed, in 1895, together with the changed public attitude towards the regular theatre, ended its career
.
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