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JEAN LEON GEROME (1824-1904)

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Originally appearing in Volume V11, Page 902 of the 1911 Encyclopedia Britannica.
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JEAN See also:LEON See also:GEROME (1824-1904)  , See also:French painter, was See also:born on the 11th of May 1824 at See also:Vesoul (Haute-See also:Saone) . He went to See also:Paris in 1841 and worked under See also:Paul See also:Delaroche, whom he accompanied to See also:Italy (1844-1845) . On his return he exhibited See also:coal, See also:copper, See also:lead, See also:iron and other ores, was valued at less than " The See also:Cock-fight," which gained him a third-class See also:medal in the See also:Salon of 1847 . " The Virgin with See also:Christ and St See also:John " and " See also:Anacreon, Bacchus and See also:Cupid " took a second-class medal in 1848 . He exhibited "Bacchus and Love, Drunk," a "See also:Greek Interior" and "Souvenir d'Italie," in 1851; " See also:Paestum" (1852); and " An Idyll " (1853) . In 1854 See also:Gerome made a See also:journey to See also:Turkey and the shores of the See also:Danube, and in 1857 visited See also:Egypt . To the See also:exhibition of 1855 he contributed a " Pifferaro," a " Shepherd," " A See also:Russian See also:Concert " and a large See also:historical See also:canvas, " The See also:Age of See also:Augustus and the See also:Birth of Christ." The last was somewhat confused in effect, but in recognition of its consummate ability the See also:State See also:purchased it . GerOme'sreputation was greatly enhanced at the Salon of 1857 by a collection of See also:works of a more popular See also:kind: the " See also:Duel: after a Masquerade," " See also:Egyptian Recruits See also:crossing the See also:Desert," " See also:Memnon and See also:Sesostris and " Camels Watering," the See also:drawing of which was criticized by Edmond About . In " See also:Caesar " (1859) Gerome tried to return to a severer class of See also:work, but the picture failed to See also:interest the public . " See also:Phryne before the See also:Areopagus," " Le Roi Candaule " and " See also:Socrates finding See also:Alcibiades in the See also:House of See also:Aspasia " (1861) gave rise to some See also:scandal by See also:reason of the subjects selected by the painter, and brought down on him the See also:bitter attacks of Paul de See also:Saint-See also:Victor and Maxime Ducamp . At the same Salon he exhibited the " Egyptian chopping See also:Straw," and " See also:Rembrandt biting an See also:Etching," two very minutely finished works . GerBme's best paintings are of Eastern subjects; among these may be named the " See also:Turkish Prisoner " and " Turkish See also:Butcher " (1863); " See also:Prayer " (1865); " The Slave See also:Market " (1867); and " The See also:Harem out See also:Driving " (1869) .

He often illustrated 'See also:

history, as in " See also:Louis XIV. and See also:Moliere " (1863); " The Reception of the Siamese Ambassadors at See also:Fontainebleau " (1865); and the " See also:Death of See also:Marshal See also:Ney " (1868) . Gerome was also successful as a sculptor; he executed, among other works; " Omphale " (1887), and the statue of the duc d'See also:Aumale which stands in front of the See also:chateau of See also:Chantilly (1899) . His " See also:Bellona " (1892), in See also:ivory, See also:metal, and See also:precious stones, which was also exhibited in the Royal See also:Academy of See also:London, attracted See also:great See also:attention . The artist then began an interesting See also:series of " Conquerors," wrought in See also:gold, See also:silver and gems—" See also:Bonaparte entering See also:Cairo " (1897); " Tamerlane " (1898); and " See also:Frederick the Great " (1899) . Gerome was elected member of the Institut in 1865 . He died in 1904 .

End of Article: JEAN LEON GEROME (1824-1904)
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