See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

CHARLES See also:

• DANA, CHARLES ANDERSON (1819–'897)
• DANA, FRANCIS (1743-1811)
• DANA, JAMES DWIGHT (1813-1895)

DANA See also:

• CHARLES DANA GIBSON (1867- )
• GIBSON, EDMUND (1669-1748)
• GIBSON, JOHN (1790-1866)
• GIBSON, THOMAS MILNER (1806-1884)
• GIBSON, WILLIAM HAMILTON (1850-1896)

GIBSON (1867- )  , See also:

• AMERICAN

American artist and illustrator, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• ROXBURY

Roxbury, See also:

• MASSACHUSETTS (an Indian name, originally applied to a tribe of Indians)

Massachusetts, on the 14th of See also:

• SEPTEMBER (Lat. septem, seven)

September 1867 . After a See also:

• YEAR

year's study at the See also:

• SCHOOLS

schools of the See also:

• ART

Art Students' See also:

• LEAGUE

League, he began with some modest little drawings for the humorous weekly See also:

• LIFE

Life . These he followed up with more serious See also:

• WORK

work, and soon made a See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place for himself as the delineator of the American girl, at various occupations, particularly those out of doors . These obtained an enormous See also:

• VOGUE, EUGENE MELCHIOR, COMTE DE (1848- )

vogue, being after-wards published in See also:

• BOOK

book See also:

• FORM (Lat. forma)

form, See also:

• RUNNING

running through many See also:

• EDITIONS

editions . The " See also:

• GIBSON, CHARLES DANA (1867- )
• GIBSON, EDMUND (1669-1748)
• GIBSON, JOHN (1790-1866)
• GIBSON, THOMAS MILNER (1806-1884)
• GIBSON, WILLIAM HAMILTON (1850-1896)

Gibson Girl . " stood for a type of healthy, vigorous, beautiful and refined See also:

• YOUNG
• YOUNG, A
• YOUNG, ARTHUR (1741-1820)
• YOUNG, BRIGHAM (1801-1877)
• YOUNG, CHARLES MAYNE (1777–1856)
• YOUNG, EDWARD (1683–1765)
• YOUNG, JAMES (1811-1883)
• YOUNG, THOMAS (1773-1829)

young womanhood . Some book illustrations followed, notably for The Prisoner of Zenda . He was imitated by many of the younger draughtsmen, copied by amateurs, and his popularity was shown in his engagement by See also:

• COLLIER, ARTHUR (1680-1732)
• COLLIER, JEREMY (1650-1726)
• COLLIER, JOHN PAYNE (1789–1883)

Collier's Weekly to furnish weekly for a year a See also:

• DOUBLE
• DOUBLE (from the Mid. Eng. duble, the form which gives the present pronunciation, through the Old Er. duble, from Lat. duplus, twice as much)

double See also:

• PAGE
• PAGE, THOMAS NELSON (1853- )
• PAGE, WILLIAM (1811-1885)

page, receiving for the fifty-two drawings the sum of $5o,000, said to have been the largest amount ever paid to an illustrator for such a See also:

• COMMISSION (from Lat. commissio, committere)

commission . These drawings covered various See also:

• LOCAL

local themes and were highly successful, being See also:

• DRAWN

drawn with See also:

• PEN (Lat. penna, a feather, pen)

pen and See also:

• INK (from Late Lat. encaustum, Gr. gysavorov, the purple ink used by Greek and Roman emperors, from iyKaiew, to burn in)

ink with masterly facility and See also:

• GREAT

great directness and See also:

• ECONOMY

economy of See also:

• LINE

line . So popular was one See also:

• SERIES (a Latin word from serere, to join)

series, " The Adventures of Mr Pipp," that a successful See also:

• PLAY

play was modelled on it . In 1906, although besieged with commissions, Gibson withdrew from illustrative work, determining to devote himself to See also:

• PORTRAITURE

portraiture in oil, in which direction he had already made some successful experiments; but in a few years he again returned to See also:

• ILLUSTRATION

illustration .