See also:

• ANN

ANN See also:

• GILBERT
• GILBERT (KINGSMILL) ISLANDS
• GILBERT (or GYLBERDE), WILLIAM (1544-1603)
• GILBERT, ALFRED (1854– )
• ANN GILBERT (1821-1904)
• GILBERT, GROVE KARL (1843– )
• GILBERT, J
• GILBERT, JOHN (1810-1889)
• GILBERT, MARIE DOLORES ELIZA ROSANNA [" LOLA MONTEZ "] (1818-1861)
• GILBERT, NICOLAS JOSEPH LAURENT (1751–1780)
• GILBERT, SIR HUMPHREY (c. 1539-1583)
• GILBERT, SIR JOSEPH HENRY (1817-1901)
• GILBERT, SIR WILLIAM SCHWENK (1836– )

GILBERT (1821-1904)  , See also:

• AMERICAN

American actress, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• ROCHDALE

Rochdale, See also:

• LANCASHIRE

Lancashire, on the 21st of See also:

• OCTOBER

October 1821, her See also:

• MAIDEN, or MAID

maiden name being See also:

• HARTLEY, DAVID (1705–1757)
• HARTLEY, JONATHAN SCOTT (1845– )
• HARTLEY, SIR CHARLES AUGUSTUS (1825– )

Hartley . At fifteen she was a See also:

• PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)

pupil at the See also:

• BALLET

ballet school connected with the Haymarket See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

theatre, conducted by See also:

• PAUL
• PAUL (PAULUS)

Paul See also:

• TAGLIONI, MARIA (1804-1884)

Taglioni, and became a dancer on the See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage . In 1846 she married See also:

• GEORGE
• GEORGE, 8TH MARQUESS OF TWEEDDALE (1787-1876)
• GEORGE, HENRY (1839—1897)
• GEORGE, LAKE
• GEORGE, SAINT (d. 303)

George H . See also:

• GILBERT
• GILBERT (KINGSMILL) ISLANDS
• GILBERT (or GYLBERDE), WILLIAM (1544-1603)
• GILBERT, ALFRED (1854– )
• GILBERT, ANN (1821-1904)
• GILBERT, GROVE KARL (1843– )
• GILBERT, J
• GILBERT, JOHN (1810-1889)
• GILBERT, MARIE DOLORES ELIZA ROSANNA [" LOLA MONTEZ "] (1818-1861)
• GILBERT, NICOLAS JOSEPH LAURENT (1751–1780)
• GILBERT, SIR HUMPHREY (c. 1539-1583)
• GILBERT, SIR JOSEPH HENRY (1817-1901)
• GILBERT, SIR WILLIAM SCHWENK (1836– )

Gilbert (d . 1866), a performer in the See also:

• COMPANY

company of which she was a member . Together they filled many engagements in See also:

• ENGLISH

English theatres, moving to See also:

• AMERICA

America in 1849 . Mrs Gilbert's first success in a speaking See also:

• PART

part was in 1857 as Wichavenda in See also:

• BROUGHAM
• BROUGHAM, JOHN (1814-188o)

Brougham's Pocahontas . In 1869 she joined See also:

• DALY, AUGUSTIN (1838-1899)

Daly's company, playing for many years wives to See also:

• JAMES
• JAMES (Gr. 'IlrKw,l3or, the Heb. Ya`akob or Jacob)
• JAMES (JAMES FRANCIS EDWARD STUART) (1688-1766)
• JAMES, 2ND EARL OF DOUGLAS AND MAR(c. 1358–1388)
• JAMES, DAVID (1839-1893)
• JAMES, EPISTLE OF
• JAMES, GEORGE PAYNE RAINSFOP
• JAMES, HENRY (1843— )
• JAMES, JOHN ANGELL (1785-1859)
• JAMES, THOMAS (c. 1573–1629)
• JAMES, WILLIAM (1842–1910)
• JAMES, WILLIAM (d. 1827)

James See also:

• LEWIS, HENRY CARVILL
• LEWIS, JOHN FREDERICK (180 1876)
• LEWIS, MATTHEW GREGORY (1775-1818)
• LEWIS, MERIWETHER (1774-1809)
• LEWIS, SIR GEORGE CORNEWALL, BART

Lewis's husbands, and old See also:

• WOMEN

women's parts, in which she had no equal . Mrs . Gilbert held a unique position on the American stage, on See also:

• ACCOUNT
• ACCOUNT (through O. Fr. acont, Late Lat. comptum, cornputare, to calculate)

account of the admiration, esteem and See also:

• AFFECTION (Lat. ad, and facere, to do something to, sc. a person)

affection which she enjoyed both in front and behind the footlights . She died at See also:

• CHICAGO
• CHICAGO, UNIVERSITY OF

Chicago on the 2nd of See also:

• DECEMBER (Lat. decent, ten)

December 1904 . See Mrs Gilbert's Stage Reminiscences (1901) .