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See also: born on the 3oth of See also: January 1813, at Comrie, See also: Perthshire, where his See also: father, the Rev
.
See also: Samuel See also: Gilfillan, the author of some theological See also: works, was for many years See also: minister of a See also: Secession See also: congregation
.
After an See also: education at See also: Glasgow
.
University, in See also: March 1836 he was ordained pastor of a Secession congregation in Dundee
.
He published a
See also: volume of his discourses in 1839, and shortly afterwards another See also: sermon on " Hades," which brought him under the See also: scrutiny of his co-presbyters, and was ultimately withdrawn from circulation
.
Gilfillan next contributed a series of sketches of celebrated contemporary authors to the Dumfries Herald, then edited by See also: Thomas
See also: Aird; and these, with several new ones, formed his first Gallery of See also: Literary Portraits, which appeared in 1846, and had a wide circulation
.
It was quickly followed by a Second and a Third Gallery
.
In 1851 his most successful See also: work, the Bards of the See also: Bible, appeared
.
His aim was that it should be " a poem on the Bible "; and it was far more rhapsodical than critical
.
His Martyrs and Heroes of the Scottish See also: Covenant appeared in 1832, and in 1856 he produced a partly autobiographical, partly fabulous, See also: History of a See also: Man
.
For See also: thirty years he was engaged upon a long poem, on See also: Night, which was published in 1867, but its theme was too vast, vague and unmanageable, and the result was a failure
.
He also edited an edition of the See also: British Poets
.
As a lecturer and as a preacher he See also: drew large crowds, but his literary reputation has not proved permanent
.
He died on the 13th of See also: August 1878
.
He had just finished a new See also: life of Burns designed to accompany a new edition of the works of that poet
.
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