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See also:GILGAL (Heb. for " circle " of sacred stones) , the name of several places in See also:Palestine, mentioned in the Old Testament . The name is not found See also:east of the See also:Jordan . r . The first and most important was situated " in the east border of See also:Jericho " (Josh. iv . 19), on the border between See also:Judah and See also:Benjamin (Josh. xv . 7) . See also:Josephus (See also:Ant. v . 1 . 4) places it 50 stadia from Jordan and ro from Jericho (the New Testament site) . See also:Jerome (Onomasticon, s.v . " Galgal ") places See also:Gilgal 2 See also:Roman See also:miles from Jericho, and speaks of it as a deserted See also:place held in wonderful veneration (" miro cultu " ) by the natives . This site, which in the See also:middle ages appears to have been lost—Gilgal being shown farther See also:north—was in 1865 recovered by a See also:German traveller (See also:Hermann See also:Zschokke), and fixed by the See also:English survey party, though not beyond dispute .
It is about 2 m. east of the site of See also:Byzantine Jericho, and r m. from See also:modern er-Riha
.
A See also:fine See also:tamarisk, traces of a See also:
" Gelgel ") speaks of a See also:town of the name
his See also:fellow-citizens of Shurippak
.
Gilgamesh is artificially brought into contact with Ut-Napishtim, to whom he pays a visit for the purpose of learning the See also:secret of immortal See also:life and perpetual youth which he enjoys
.
During the visit Ut-Napishtim tells Gilgamesh the See also:story of the See also:flood and of his miraculous See also:escape
.
Nature myths have been entwined with other episodes in the epic and finally the theologians took up the combined stories and made them the See also:medium for illustrating the truth and force of certain doctrines of the Babylonian See also:religion
.
In its final See also:form, the outcome of an extended and complicated See also:literary See also:process, the Gilgamesh Epic covered twelve tablets, each tablet devoted to one See also:adventure in which the See also:hero plays a See also:direct or indirect See also:part, and the whole covering according to the most plausible estimate about 3000 lines
.
Of all twelve tablets portions have been found among the remains of See also:Assur-bani-See also:pal's library, but some of the tablets are so incomplete as to leave even their See also:general contents in some doubt
.
The fragments do not all belong to one copy
.
Of some tablets portions of two, and of some tablets portions of as many as four, copies have turned up, pointing therefore to the See also:great popularity of the See also:production
.
The best preserved are Tablets VI. and XI., and of the See also:total about 1500 lines are now known, wholly or in part, while of those partially preserved quite a number can be restored
.
A brief See also:summary of the contents of the twelve may be indicated as follows:
In the 1st tablet, after a general survey of the adventures of Gilgamesh, his See also:rule at See also:Erech is described, where he enlists the services of all the See also:young able-bodied men in the See also:building of the great See also:wall of the See also:city
.
The See also:people sigh under the See also:burden imposed, and See also:call upon the goddess Aruru to create a being who might See also:act as a See also:rival to Gilgamesh, curb his strength, and dispute his tyrannous See also:control
.
The goddess consents, and creates See also:Eabani, who is described as a See also:wild See also:man, living with the gazelles and the beasts of the See also: Eabani, whose name, signifying " See also:Ea creates," points to the tradition which made Ea (q.v.) the creator of humanity, symbolizes primeval man . Through a See also:hunter, Eabani and Gilgamesh are brought together, but instead of becoming rivals, they are joined in friendship . Eabani is induced by the snares of a See also:maiden to abandon his life with the animals and to proceed to Erech, where Gilgamesh, who has been told in several dreams of the coming of Eabani, awaits him . Together they proceed upon several adventures, which are related in the following four tablets . At first, indeed, Eabani curses the See also:fate which led him away from his former life, and Gilgamesh is represented as bewailing Eabani's dissatisfaction . The See also:sun-See also:god See also:Shamash calls upon Eabani to remain with Gilgamesh, who pays him all honours in his See also:palace at Erech . With the decision of the two See also:friends to proceed to the See also:forest of cedars in which the goddess Irnina—a form of See also:Ishtar—dwells, and which is guarded by Khumbaba, the 2nd tablet ends . In the 3rd tablet, very imperfectly preserved; Gilgamesh appeals through a Shamash priestess Rimat-See also:Belit to the sun-god Shamash for his aid in the proposed undertaking . The 4th tablet contains a description of the formidable Khumbaba, the See also:guardian of the See also:cedar forest . In the 5th tablet Gilgamesh and Eabani reach the forest . Encouraged by dreams, they proceed against Khumbaba, and despatch him near a specially high cedar over which he held guard . This adventure against Khumbaba belongs to the Eabani stratum of the epic, into which Gilgamesh is artificially introduced . The basis of the 6th tablet is the See also:familiar nature-myth of the See also:change of seasons, in which Gilgamesh plays the part of the youthful See also:solar god of the springtime, who is wooed by the goddess of fertility, Ishtar . Gilga mesh, recalling to the goddess the sad fate of those who fall a victim to her charms, rejects the offer . In the course of his See also:recital snatches of other myths are referred to, including he famous Tammuz-' See also:Adonis See also:tale, in which Tammuz, the youthful bridegroom, is slain by his See also:consort Ishtar . The goddess, enraged at the insult, asks her See also:father See also:Anu to avenge her . A divine See also:bull is sent to wage a contest against Gilgamesh, who is assisted by his friend Eabani . This See also:scene of the fight with the bull is often depicted on See also:seal cylinders . The two friends by their See also:united force succeed inkilling the bull, and then after performing certain votive and See also:purification See also:rites return to Erech, where they are hailed with joy In this adventure it is clearly Eabani who is artificially introduced in See also:order to maintain the association with Gilgamesh . The 7th tablet continues the Eabani stratum . The hero is smitten with sore disease, but the fragmentary See also:condition of this and the succeeding tablet is such as to envelop in doubt the accompanying circumstances, including the cause and nature of his disease . The 8th tablet records the See also:death of Eabani . The 9th and loth tablets, exclusively devoted to Gilgamesh, describe his wanderings in quest of Ut-Napishtim, from whom he hopes to learn how he may escape the fate that has overtaken his friend Eabani . He goes through See also:mountain passes and encounters lions . At the entrance to the mountain Mashu, See also:scorpion-men stand guard, from one of whom he receives See also:advice as to how to pass through the Mashu See also:district . He succeeds in doing so, and finds himself in a wonderful See also:park, which lies along the See also:sea See also:coast . In the loth tablet the goddess Sabitu, who, as guardian of the sea, first bolts her See also:gate against Gilgamesh, after learning of his quest, See also:helps him to pass in a See also:ship across the sea to the " See also:waters of death." The See also:ferry-man of Ut-Napishtim brings him safely through these waters, despite the difficulties and dangers of the voyage, and at last the hero finds himself See also:face to face with Ut-Napishtim . In the 1 nth tablet, Ut-Napishtim tells the famous story of the Babylonian flood, which is so patently attached to Gilgamesh in a most artificial manner . Ut-Napishtim and his wife are anxious to help Gilgamesh to new life . He is sent to a place where he washes himself clean from impurity . He is told of a See also:weed which restores youth to the one grown old . Scarcely has he obtained the weed when it is snatched away from him, and the tablet closes somewhat obscurely with the prediction of the destruction of Erech . In the 12th tablet Gilgamesh succeeds in obtaining a view of Eabani's shade, and learns through him of the sad fate endured by the dead . With this description, in which care of the dead is inculcated as the only means of making their existence in Aralu, where the dead are gathered, bearable, the epic, so far as we have it, closes . The See also:reason why the flood See also:episode and the interview with the dead Eabani are introduced is quite clear . Both are intended as illustrations of doctrines taught in the See also:schools of Babylonia; the former to explain that only the favourites of the gods can See also:hope under exceptional circumstances to enjoy life See also:everlasting; the latter to emphasize the impossibility for See also:ordinary mortals to escape from the inactive shadowy existence led by the dead, and to inculcate the See also:duty of proper care for the dead . That the astro-theological See also:system is also introduced into the epic is clear from the See also:division into twelve tablets, which correspond to the yearly course of the sun, while throughout there are indications that all the adventures of Gilgamesh and Eabani, including those which have an See also:historical background, have been submitted to the See also:influence of this system and projected on to the heavens . This See also:interpretation of the popular tales, according to which the career of the hero can be followed in its entirety and in detail in the movements in the heavens, in See also:time, with the growing predominance of the astral-mythological system, overshadowed the other factors involved, and it is in this form, as an astral myth, that it passes through the See also:ancient See also:world and leaves its traces -in the folk-tales and myths of See also:Hebrews, Phoenicians, Syrians, Greeks and See also:Romans throughout See also:Asia See also:Minor and even in See also:India . |
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