See also:

• CLAUDE, JEAN (1619-1687)

CLAUDE See also:

• CLAUDE GILLOT (1673-1722)

GILLOT (1673-1722)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French painter, best known as the See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master of See also:

• WATTEAU, ANTOINE (1684-1721)

Watteau and See also:

• LANCRET, NICOLAS (1660-1743)

Lancret, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• LANGRES

Langres . His sportive mythological landscape pieces, with such titles as " Feast of See also:

• PAN (" pasturer ")
• PAN (common in various forms to many Teutonic languages, cf. Ger. Pfanne; it is generally taken to be an early adaptation in a shortened form of Lat. patina, shallow bowl or dish, from patere, to lie open)

Pan " and "Feast of Bacchus," opened the See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy of See also:

• PAINTING

Painting at See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris to him in 1715; and he then adapted his See also:

• ART

art to the fashionable tastes of the See also:

• DAY (O. Eng. dreg, Ger. Tag; according to the New English Dictionary, " in no way related to the Lat. dies")
• DAY, JOHN (1574-1640?)
• DAY, THOMAS (1748-1789)

day, and introduced the decorative fetes champeetres, in which he was afterwards surpassed by his pupils . He was also closely connected with the See also:

• OPERA (Italian for " work ")

opera and See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

theatre as a designer of scenery and costumes .