See also:

• COUNT (Lat. comes, gen. comitis, Fr. comte, Ital. conte, Span. conde)

COUNT GIOVANNI See also:

• COUNT GIOVANNI GIRAUD (1776-1834)

GIRAUD (1776-1834)  , See also:

• ITALIAN

Italian dramatist, of See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French origin, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• ROME
• ROME (Roma)

Rome, and showed a precocious See also:

• PASSION (post-classical Lat. passio, formed from pati, passus, to suffer, endure)

passion for the See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

theatre . His first See also:

• PLAY

play, L'Onestd non si vince, was successfully produced in 1798 . He took See also:

• PART

part in politics as an active supporter of See also:

• PIUS

Pius VI., but was mainly occupied with the See also:

• PRODUCTION (Lat. productionem, from producere, to pro-duce)

production of his plays, and in 1809 became director-See also:

• GENERAL
• GENERAL (Lat. generalis, of or relating to a genus, kind or class)

general of the Italian theatres . He died at See also:

• NAPLES
• NAPLES (Ital. Napoli, and Lat. Neapolis)
• NAPLES, KINGDOM OF

Naples in 1834 . See also:

• COUNT (Lat. comes, gen. comitis, Fr. comte, Ital. conte, Span. conde)

Count See also:

• GIRAUD, GIOVANNI, COUNT (1776-1834)

Giraud's comedies, the best of which are Gelosie per equivoco (1807) and L' A jo nell ' imbarazzo (1824), were See also:

• BRIGHT, JOHN (1811-188g)
• BRIGHT, SIR CHARLES TILSTON

bright and amusing on the See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage, but of no particular See also:

• LITERARY

literary quality . His collected comedies were published in 1823 and his Teatro domestico in 1825 .