See also:

• THOMAS
• THOMAS (c. 1654-1720)
• THOMAS (d. 110o)
• THOMAS, ARTHUR GORING (1850-1892)
• THOMAS, CHARLES LOUIS AMBROISE (1811-1896)
• THOMAS, GEORGE (c. 1756-1802)
• THOMAS, GEORGE HENRY (1816-187o)
• THOMAS, ISAIAH (1749-1831)
• THOMAS, PIERRE (1634-1698)
• THOMAS, SIDNEY GILCHRIST (1850-1885)
• THOMAS, ST
• THOMAS, THEODORE (1835-1905)
• THOMAS, WILLIAM (d. 1554)

THOMAS See also:

• THOMAS GIRTIN (1775-18o2)

GIRTIN (1775-18o2)  , See also:

• ENGLISH

English painter and etcher, was the son of a well-to-do cordage maker in See also:

• SOUTHWARK

Southwark, See also:

• LONDON

London . His See also:

• FATHER

father died while See also:

• THOMAS
• THOMAS (c. 1654-1720)
• THOMAS (d. 110o)
• THOMAS, ARTHUR GORING (1850-1892)
• THOMAS, CHARLES LOUIS AMBROISE (1811-1896)
• THOMAS, GEORGE (c. 1756-1802)
• THOMAS, GEORGE HENRY (1816-187o)
• THOMAS, ISAIAH (1749-1831)
• THOMAS, PIERRE (1634-1698)
• THOMAS, SIDNEY GILCHRIST (1850-1885)
• THOMAS, ST
• THOMAS, THEODORE (1835-1905)
• THOMAS, WILLIAM (d. 1554)

Thomas was a See also:

• CHILD
• CHILD, FRANCIS JAMES (1825-1896)
• CHILD, L
• CHILD, LYDIA MARIA (1802-1880)
• CHILD, SIR FRANCIS (1642-1713)
• CHILD, SIR JOHN (d. 1690)
• CHILD, SIR JOSIAH (163o - 1699)

child, and his widow married Mr See also:

• VAUGHAN, CHARLES JOHN (1816-1897)
• VAUGHAN, HENRY (1622-1695)
• VAUGHAN, HERBERT (1832-1903)
• VAUGHAN, THOMAS (1622-1666)
• VAUGHAN, WILLIAM (1577-1641)

Vaughan, a See also:

• PATTERN

pattern-draughtsman . See also:

• GIRTIN, THOMAS (1775-18o2)

Girtin learnt See also:

• DRAWING

drawing as a boy, and was apprenticed to See also:

• EDWARD

Edward Doyes (1763-1804), the See also:

• MEZZOTINT

mezzotint engraver, and he soon made J . M . W . See also:

• TURNER, CHARLES (1773–1857)
• TURNER, JOSEPH MALLORD WILLIAM (1775–1851)
• TURNER, NAT (1800-1831)
• TURNER, SHARON (1768-1847)
• TURNER, SIR JAMES (1615–1686)
• TURNER, WILLIAM (d. 1568)

Turner's acquaintance . His architectural and topographical sketches and drawings soon established his reputation, his use of See also:

• WATER

water-See also:

• COLOUR (Lat. color, connected with celare, to hide, the root meaning, therefore, being that of a covering)

colour for landscapes being such as to give him the See also:

• CREDIT (Lat. credere, to believe)

credit of having created See also:

• MODERN

modern water-colour See also:

• PAINTING

painting, as opposed to See also:

• MERE
• MERE, ADALBERT (1838-1909)

mere " tinting." His etchings also were characteristic of his See also:

• ARTISTIC

artistic See also:

• GENIUS (from Lat. genere, gignere)

genius . His See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early See also:

• DEATH

death from See also:

• CONSUMPTION (Lat. consumere)

consumption (9th of See also:

• NOVEMBER (Lat. novem, nine)

November 1802) led indeed to Turner saying that " had Tom Girtin lived I should have starved." From 1794 to his death he was an exhibitor at the Royal See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy; and some See also:

• FINE

fine examples of his See also:

• WORK

work have been bequeathed by private owners to the See also:

• BRITISH

British Museum and the See also:

• VICTORIA
• VICTORIA (or VITTORIA), TOMMASSO LUDOVICO DA (C. I540-C. 1613)
• VICTORIA [ALEXANDRINA VICTORIA]

Victoria and See also:

• ALBERT
• ALBERT (1490'1545)
• ALBERT (149o-1568)
• ALBERT (1522–1557)
• ALBERT (FRANCIS CHARLES AUGUSTUS ALBERT EMMANUEL) (1819—1861)
• ALBERT (FRIEDRICH RUDOLF ALBRECHT)
• ALBERT, FREDERICK AUGUSTUS
• ALBERT, MADAME (c. 2805—2846)

Albert Museum .