See also:

• ALEXANDER
• ALEXANDER (1461-1506)
• ALEXANDER (ALEXANDER OF BATTENBERG) (1857-1893)
• ALEXANDER (ALEXANDER OsxENOVici) (1876-1903)
• ALEXANDER, ARCHIBALD (1772—1851)
• ALEXANDER, FRANCIS (1800—1881)
• ALEXANDER, GEORGE (1858— )
• ALEXANDER, JOHN WHITE (1856- )
• ALEXANDER, JOSEPH ADDISON (18o9—186o)
• ALEXANDER, SIR JAMES EDWARD (1803—1885)
• ALEXANDER, WILLIAM (1824— )
• ALEXANDER, WILLIAM LINDSAY (1808—1884)

ALEXANDER CONSTANTINOVICH See also:

• ALEXANDER CONSTANTINOVICH GLAZUNOV (1865- )

GLAZUNOV (1865- )  , See also:

• RUSSIAN

Russian musical composer, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in St See also:

• PETERSBURG

Petersburg on the loth of See also:

• AUGUST (originally Sextilis)

August 1865, his See also:

• FATHER

father being a publisher and bookseller . He showed an See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early See also:

• TALENT (Lat. talentum, adaptation of Gr. TaXavrov, balance, ! Recollections of a First Visit to the Alps (1841); Vacation Rambles weight, from root raX-, to lift, as in rXi vac, to bear, 1-aXas, and Thoughts, comprising recollections of three Continental

talent for See also:

• MUSIC

music, and studied for a See also:

• YEAR

year or so with Rimsky-Korsakov . At the See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age of sixteen he composed a See also:

• SYMPHONY

symphony (afterwards elaborated and published as op . 5), but his See also:

• OPUS ('O7rois)

opus 1 was a quartet in D, followed by a See also:

• PIANOFORTE (Ital. piano, soft, and forte, loud)

pianoforte See also:

• SUITE (Suite de pieces; Ordre; Partita)

suite on S-a-c-h-a, the diminutive of his name See also:

• ALEXANDER
• ALEXANDER (1461-1506)
• ALEXANDER (ALEXANDER OF BATTENBERG) (1857-1893)
• ALEXANDER (ALEXANDER OsxENOVici) (1876-1903)
• ALEXANDER, ARCHIBALD (1772—1851)
• ALEXANDER, FRANCIS (1800—1881)
• ALEXANDER, GEORGE (1858— )
• ALEXANDER, JOHN WHITE (1856- )
• ALEXANDER, JOSEPH ADDISON (18o9—186o)
• ALEXANDER, SIR JAMES EDWARD (1803—1885)
• ALEXANDER, WILLIAM (1824— )
• ALEXANDER, WILLIAM LINDSAY (1808—1884)

Alexander . In 1884 he was taken up by See also:

• LISZT, FRANZ (1811-1886)

Liszt, and soon became known as a composer . His first symphony was played that year at See also:

• WEIMAR

Weimar, and he appeared as a conductor at the See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris See also:

• EXHIBITION

exhibition in 1889 . In 1897 his See also:

• FOURTH

fourth and fifth symphonies were performed in Londonunder his own conducting . In 1900 he became See also:

• PROFESSOR (the Latin noun formed from the verb profiteri, to declare publicly, to acknowledge, profess)

professor at the St Petersburg See also:

• CONSERVATOIRE (the Fr. equivalent of Ital. Conservatorio, Ger. Conservatorium, from Med. Lat. conservatorium, a place where anything is preserved, Lat. conservare, to preserve)

conservatoire . His See also:

• SEPARATE

separate See also:

• WORKS

works, including orchestral symphonies, See also:

• DANCE
• DANCE (Fr. danse; of obscure origin, connected with Old High Ger. danson, to stretch)

dance music and songs, make a See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long See also:

• LIST (O.E. lisle, a Teutonic word, cf. Dut. lust, Ger. Leiste, adapted in Ital. lista and Fr. lisle)
• LIST, FRIEDRICH (1789-1846)

list . See also:

• GLAZUNOV, ALEXANDER CONSTANTINOVICH (1865- )

Glazunov is a leading representative of the See also:

• MODERN

modern Russian school, and a See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master of orchestration; his tendency as compared with contemporary Russian composers is towards classical See also:

• FORM (Lat. forma)

form, and he was much influenced by See also:

• BRAHMS, JOHANNES (1833–1897)

Brahms, though in " See also:

• PROGRAMME, or PROGRAM

programme music " he is represented by such works as his symphonic poems The See also:

• FOREST

Forest, Stenka See also:

• RAZIN, STEPHEN TIMOFEEVICH (d. 1671)

Razin, The Kremlin and his suite Aus dem Mittelalter . His See also:

• BALLET

ballet music, as in Raymonda, achieved much popularity .