See also:

• HUGO, GUSTAV VON (1764–1844)
• HUGO, VICTOR MARIE (1802-1885)

HUGO See also:

• VAN

VAN DER GOES (d. 1482)  , a painter of consider-able celebrity at See also:

• GHENT (Flem. Gent, Fr. Gand)

Ghent, was known to See also:

• VASARI, GIORGIO (1511-1571)

Vasari, as he is known to us, by a single picture in a Florentine monastery . At a See also:

• PERIOD
• PERIOD (Gr. irepioSos, a going or way round, circuit, aepi, round, and &Sis, way, road)

period when the See also:

• FAMILY

family of the See also:

• MEDICI
• MEDICI, GIACOMO (1817-1882)

Medici had not yet risen from the See also:

• RANK (O.Fr. rant or rent, mod. rang, generally connected with the O.E. and O.H.G. bring, a ring)

rank of a See also:

• GREAT

great See also:

• MERCANTILE (or COMMERCIAL) AGENCIES

mercantile See also:

• FIRM

firm to that of a reigning See also:

• DYNASTY (Gr. &vvaareta, sovereignty, the position of a hevnori7r, lord, ruler, from SuvaaBay to be able, Suvaµas, power)

dynasty, it employed as an See also:

• AGENT (from Lat. agere, to act)

agent at the See also:

• PORT

port of See also:

• BRUGES (Flemish Brugge, a name signifying the bridge or place of bridges)

Bruges Tommaso Portinari, a lineal descendant, it was said, of Folco, the See also:

• FATHER

father of See also:

• DANTE

Dante's Beatrix . Tommaso, at that See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time See also:

• PATRON

patron of a See also:

• CHAPEL

chapel in the See also:

• HOSPITAL (Lat. haspitalis, the adjective of hospes, host or guest)

hospital of See also:

• SANTA

Santa Maria Nuova at See also:

• FLORENCE
• FLORENCE (Ital. Firenze, Lat. Florentia)

Florence, ordered an See also:

• ALTAR (Lat. altare, from alias, high; some ancient etymological guesses are recorded by St Isidore of Seville in Etymologiae xv. 4)

altar-piece of See also:

• HUGO, GUSTAV VON (1764–1844)
• HUGO, VICTOR MARIE (1802-1885)

Hugo See also:

• VAN

van der Goes, and commanded him to illustrate the sacred theme of " Quem genuit adoravit." In the centre of a vast See also:

• TRIPTYCH (Gr. rpiary os, three-fold, made in three layers, TpL-, rpeis, three; arux1, a fold; 7rr(uoELv, to fold, double over)

triptych, comprising numerous figures of See also:

• LIFE

life See also:

• SIZE

size, Hugo represented the Virgin kneeling in See also:

• ADORATION (Lat. ad, to, and os, mouth; i.e. " carrying to one's mouth ")

adoration before the new-See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born See also:

• CHRIST (Gr. X pLQTOS, Anointed)
• CHRIST, WILHELM VON (1831-1906)

Christ attended by Shepherds and Angels . On the wings he portrayed Tommaso and his two sons in See also:

• PRAYER (from Lat. precari, entreat; Ital. pregaria, Fr. priere)
• PRAYER, BOOK OF COMMON

prayer under the See also:

• PROTECTION

protection of See also:

• SAINT (lat. sanctus, " holy ")

Saint See also:

• ANTHONY, SAINT
• ANTHONY, SUSAN BROWNELL (1820-1906)

Anthony and St See also:

• MATTHEW, GOSPEL OF ST
• MATTHEW, ST (MaOOaior or MarOaIos, probably a shortened form of the Hebrew equivalent to Theodorus)
• MATTHEW, TOBIAS

Matthew, and Tommaso's wife and two daughters supported by St See also:

• MARGARET
• MARGARET (1283–1290)
• MARGARET (1353-1412)
• MARGARET (1489–1541)
• MARGARET, ST (c. 1045–1093)
• MARGARET, ST (SANCTA MARGARITA)

Margaret and St See also:

• MARY
• MARY (1457-1482)
• MARY (1496-1533)
• MARY, QUEEN OF SCOTS

Mary Magdalen . The triptych, which has suffered much from decay and restoring, was for over 400 years at Santa Maria Nuova, and is now- in the Uffizi See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery . Imposing because composed of figures of unusual size, the altar-piece is more remarkable for portrait See also:

• CHARACTER (Gr. xapareri7p, from xap&crew, to scratch)

character than for charms of ideal beauty . There are also small pieces in public galleries which claim to have been executed by Van der Goes . One of these pictures in the See also:

• NATIONAL

National Gallery in See also:

• LONDON

London is more nearly allied to the school of Memling than to the triptych of Santa Maria Nuova; another, a small and very beautiful " See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John the Baptist," at the Pinakothek of See also:

• MUNICH (Ger. Munchen)

Munich, is really by Memling; whilst numerous fragments of an altarpiece in the See also:

• BELVEDERE, or BELVIDERE (Ital. for " fair-view ")

Belvedere at See also:

• VIENNA (Ger. Wien; Lat. Vindobona)
• VIENNA, CONGRESS OF (1814-1815)

Vienna, though assigned to Hugo, are by his more gifted countryman of Bruges . Van der Goes, however, was not habitually a painter of easel pieces . He made his reputation at Bruges by producing coloured hangings in distemper . After he settled at Ghent, and became a See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master of his gild in 1465, he designed cartoons for See also:

• GLASS
• GLASS (O.E. glees, cf. Ger. Glas, perhaps derived from an old Teutonic root gla-, a variant of glo-, having the general sense of shining, cf. " glare," " glow ")
• GLASS, STAINED

glass windows . He also made decorations for the See also:

• WEDDING

wedding of See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles the Bold and Margaret of See also:

• YORK
• YORK (HOUSE OF)
• YORK, EDMUND OF LANGLEY, DUKE OF (1341-1402)
• YORK, EDWARD
• YORK, FREDERICK AUGUSTUS, DUKE OF (1763-1827)
• YORK, RICHARD, DUKE

York in 1468, for the festivals of the Rhetoricians and papal See also:

• JUBILEES, BOOK OF

jubilees on repeated occasions, for the See also:

• SOLEMN (Lat. sollemnis, sollemnis, less correctly solennis, yearly, annual; from sollus = totus, whole, entire, Gr. Mos., and annus, year)

solemn entry of Charles the Bold into Ghent in 1470-1471, and for the funeral of See also:

• PHILIP
• PHILIP (Gr.'FiXtrsro , fond of horses, from dn)^eiv, to love, and limos, horse; Lat. Philip pus, whence e.g. M. H. Ger. Philippes, Dutch Filips, and, with dropping of the final s, It. Filippo, Fr. Philippe, Ger. Philipp, Sp. Felipe)
• PHILIP, JOHN (1775-1851)
• PHILIP, KING (c. 1639-1676)
• PHILIP, LANOGRAVE OF HESSE (1504-1567)

Philip the See also:

• GOOD, JOHN MASON (1764-1827)

Good in 1474 .

The labour which he expended on these occasions might well add to his fame without being the less ephemeral . About the See also:

• YEAR

year 1475 he retired to the monastery of See also:

• ROUGE (" red," from Lat. rubeus)

Rouge Cloitre near Ghent, where he took the See also:

• COWL (through Fr. coule, from Lat. cucullus or cuculla, a covering; the word is found in various forms in most European languages, cf. Ger. Kugel or Kigel, Dutch kovel, Irish cochal or cochull ; the ultimate origin may be the root kal, found in Lat. clam,

cowl . There, though he still clung to his profession, he seems to have taken to drinking, and at one time to have shown decided symptoms of See also:

• INSANITY (from Lat. in, not, and sanus, sound)

insanity . But his superiors gradually cured him of his intemperance, and he died in the odour of sanctity in 1482 .