See also:SIR See also:JOHN See also:WATSON See also:GORDON (1788—1864)
, Scottish painter, was the eldest son of See also:Captain See also:Watson, R.N., a See also:cadet of the See also:family of Watson of Overmains, in the See also:county of See also:Berwick
.
He was See also:born in See also:Edinburgh in 1788, and was educated specially with a view to his joining the Royal See also:Engineers
.
He entered as a student in the See also:government school of See also:design, under the management of the See also:Board of Manufactures
.
His natural See also:taste for See also:art quickly See also:developed itself, and his See also:father was persuaded to allow him to adopt it as his profession
.
Captain Watson was himself a skilful draughtsman, and his See also:brother See also:George Watson, after-wards See also:president of the Scottish See also:Academy, stood high as a portrait painter, second only to See also:Sir See also:- HENRY
- HENRY (1129-1195)
- HENRY (c. 1108-1139)
- HENRY (c. 1174–1216)
- HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
- HENRY, EDWARD LAMSON (1841– )
- HENRY, JAMES (1798-1876)
- HENRY, JOSEPH (1797-1878)
- HENRY, MATTHEW (1662-1714)
- HENRY, PATRICK (1736–1799)
- HENRY, PRINCE OF BATTENBERG (1858-1896)
- HENRY, ROBERT (1718-1790)
- HENRY, VICTOR (1850– )
- HENRY, WILLIAM (1795-1836)
Henry See also:Raeburn, who also was a friend of the family
.
In the See also:year 18o8 See also:John sent to the See also:exhibition of the See also:Lyceum in See also:Nicolson See also:Street a subject from the See also:Lay of the Last See also:Minstrel, and continued for some years to exhibit See also:fancy subjects; but, although freely and sweetly painted, they were altogether without the force and See also:character which stamped his portrait pictures as the See also:works of a See also:master
.
After the See also:death of Sir Henry Raeburn in 1823, he succeeded to much of his practice
.
He assumed in 1826 the name of See also:Gordon
.
One of the earliest of his famous sitters was Sir See also:Walter See also:Scott, who sat for a first portrait in 182o
.
Then came J
.
G
.
See also:Lockhart in 1821; See also:Professor See also:- WILSON, ALEXANDER (1766-1813)
- WILSON, HENRY (1812–1875)
- WILSON, HORACE HAYMAN (1786–1860)
- WILSON, JAMES (1742—1798)
- WILSON, JAMES (1835— )
- WILSON, JAMES HARRISON (1837– )
- WILSON, JOHN (1627-1696)
- WILSON, JOHN (178 1854)
- WILSON, ROBERT (d. 1600)
- WILSON, SIR DANIEL (1816–1892)
- WILSON, SIR ROBERT THOMAS (1777—1849)
- WILSON, SIR WILLIAM JAMES ERASMUS
- WILSON, THOMAS (1663-1755)
- WILSON, THOMAS (c. 1525-1581)
- WILSON, WOODROW (1856— )
Wilson, 1822 and 185o, two portraits; Sir See also:Archibald See also:Alison, 1839; Dr See also:Chalmers, 1844; a little later De Quincey, and Sir See also:David See also:Brewster, 1864
.
Among his most important works may be mentioned the See also:earl of See also:Dalhousie (1833), in the Archers' See also:- HALL
- HALL (generally known as SCHWABISCH-HALL, tc distinguish it from the small town of Hall in Tirol and Bad-Hall, a health resort in Upper Austria)
- HALL (O.E. heall, a common Teutonic word, cf. Ger. Halle)
- HALL, BASIL (1788-1844)
- HALL, CARL CHRISTIAN (1812–1888)
- HALL, CHARLES FRANCIS (1821-1871)
- HALL, CHRISTOPHER NEWMAN (1816—19oz)
- HALL, EDWARD (c. 1498-1547)
- HALL, FITZEDWARD (1825-1901)
- HALL, ISAAC HOLLISTER (1837-1896)
- HALL, JAMES (1793–1868)
- HALL, JAMES (1811–1898)
- HALL, JOSEPH (1574-1656)
- HALL, MARSHALL (1790-1857)
- HALL, ROBERT (1764-1831)
- HALL, SAMUEL CARTER (5800-5889)
- HALL, SIR JAMES (1761-1832)
- HALL, WILLIAM EDWARD (1835-1894)
Hall, Edinburgh; Sir See also:Alexander See also:Hope (1835), in the county buildings, See also:Linlithgow; See also:Lord President Hope, in the See also:Parliament See also:House; and Dr Chalmers
.
These, unlike his later works, are generally See also:rich in See also:colour
.
The full length of Dr See also:Brunton (1844), and Dr See also:- LEE
- LEE (or LEGIT) ROWLAND (d. 1543)
- LEE, ANN (1736–1784)
- LEE, ARTHUR (1740–1792)
- LEE, FITZHUGH (1835–1905)
- LEE, GEORGE ALEXANDER (1802-1851)
- LEE, HENRY (1756-1818)
- LEE, JAMES PRINCE (1804-1869)
- LEE, NATHANIEL (c. 1653-16g2)
- LEE, RICHARD HENRY (1732-1794)
- LEE, ROBERT EDWARD (1807–1870)
- LEE, SIDNEY (1859– )
- LEE, SOPHIA (1950-1824)
- LEE, STEPHEN DILL (1833-1908)
Lee, the See also:principal of the university (1846), both on the See also:staircase of the See also:college library, See also:mark a modification of his See also:style, which ultimately resolved itself into extreme simplicity, both of colour and treatment
.
During the last twenty years of his See also:life he painted many distinguished Englishmen who came to Edinburgh to sit to him
.
And it is significant that David See also:Cox, the landscape painter, on being presented with his portrait, subscribed for by many See also:friends, See also:chose to go to Edinburgh to have it executed by Watson Gordon, although he neither knew the painter personally nor had ever before visited the See also:country
.
Among the portraits painted during this See also:period, in what may be termed his third style, are De Quincey, in the See also:National Portrait See also:Gallery, See also:London; See also:General Sir See also:- THOMAS
- THOMAS (c. 1654-1720)
- THOMAS (d. 110o)
- THOMAS, ARTHUR GORING (1850-1892)
- THOMAS, CHARLES LOUIS AMBROISE (1811-1896)
- THOMAS, GEORGE (c. 1756-1802)
- THOMAS, GEORGE HENRY (1816-187o)
- THOMAS, ISAIAH (1749-1831)
- THOMAS, PIERRE (1634-1698)
- THOMAS, SIDNEY GILCHRIST (1850-1885)
- THOMAS, ST
- THOMAS, THEODORE (1835-1905)
- THOMAS, WILLIAM (d. 1554)
Thomas Macdougall See also:Brisbane, in the Royal Society; the See also:prince of See also:Wales, Lord See also:Macaulay, Sir M
.
Packington, Lord See also:- MURRAY
- MURRAY (or MORAY), EARLS OF
- MURRAY (or MORAY), JAMES STUART, EARL OF (c. 1531-1570)
- MURRAY (or MORAY), SIR ROBERT (c. 1600-1673)
- MURRAY, ALEXANDER STUART (1841-1904)
- MURRAY, DAVID (1849– )
- MURRAY, EUSTACE CLARE GRENVILLE (1824–1881)
- MURRAY, JAMES (c. 1719-1794)
- MURRAY, JOHN
- MURRAY, JOHN (1778–1820)
- MURRAY, LINDLEY (1745–1826)
- MURRAY, LORD GEORGE (1694–1760)
- MURRAY, SIR JAMES AUGUSTUS HENRY (1837– )
- MURRAY, SIR JOHN (1841– )
Murray, Lord See also:Cockburn, Lord See also:Rutherford and Sir John See also:Shaw Lefevre, in the Scottish National Gallery
.
These latter pictures are mostly clear and See also:grey, sometimes showing little or no See also:positive colour, the flesh itself being very grey, and the handling extremely masterly, though never obtruding its cleverness
.
He was very successful in rendering acute observant character
.
A See also:good example of his last style, showing pearly flesh-See also:painting freely handled, yet highly finished, is his See also:head of Sir John Shaw Lefevre
.
John Watson Gordon was one of the earlier members of the Royal Scottish Academy, and was elected' its president in 185o; he was at the same See also:- TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
- TIME, MEASUREMENT OF
- TIME, STANDARD
time appointed limner for See also:Scotland to the See also:queen, and received the See also:honour of See also:knighthood
.
Since 1841 he had been an See also:associate of the Royal Academy, and in 1851 he was elected a royal academician
.
He died on the 1st of See also:June 1864
.
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