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RUDOLF VON See also: German See also: man of letters, was See also: born at See also: Breslau on the 3oth of See also: September 1823, the son of a Prussian artillery officer
.
He received his early See also: education at the gymnasia in See also: Mainz and See also: Coburg, and subsequently at See also: Rastenburg in See also: East Prussia
.
In 1841 he entered the university of See also: Konigsberg as a student of See also: law, but, in consequence of his pronounced liberal opinions, was expelled
.
The See also: academic authorities at Breslau and See also: Leipzig were not more tolerant towards the See also: young fire-eater, and it was only in Berlin that he eventually found himself See also: free to prosecute his studies
.
During this See also: period of unrest he issued Lieder der Gegenwart (1842) and Zensurfliichtlinge (1843)—the poetical fruits of his See also: political See also: enthusiasm
.
He completed his studies in Berlin, took the degree of See also: doctor See also: juris in Konigsberg, and endeavoured to obtain there the venia legendi
.
His political views again stood in the way, and forsaking the legal career, See also: Gottschall now devoted himself entirely to literature
.
He met with immediate success, and beginning as dramaturge in Konigsberg with Der Blinde von Alcala (1846) and See also: Lord See also: Byron in Italien (1847) proceeded to See also: Hamburg where he occupied a similar position
.
In 1852 he married See also: Marie, baroness von Seherr-Thoss, and for the next few years lived in See also: Silesia
.
In 1862 he took over the editorship of a See also: Posen newspaper, but in 1864 removed"to Leipzig
.
Gottschall was raised, in 1877, by the See also: king of Prussia to the hereditary
See also: nobility with the prefix " von," having been previously made a Geheimer Hofrat by the See also: grand duke of See also: Weimar
.
Down to 1887 Gottschall edited the Brockhaus'sche Blatter fur litterarische Uxterhaltung and the monthly periodical Unsere Zeit
.
He died at Leipzig on the 21st of See also: March 1909
.
Gottschall's prolific
See also: literary productions cover the See also: fields of See also: poetry, novel-writing and literary See also: criticism
.
Among his volumes of lyric poetry are Sebastopol (1856), See also: Janus (1873), Bunte Bliiten (1891)
.
Among his epics, Carlo See also: Zeno (1854), Maja (1864), dealing with an See also: episode in the See also: Indian See also: Mutiny, and Merlins Wanderungen (1887)
.
The See also: comedy Pitt and See also: Fox (1854), first produced on the stage in Breslau, was never surpassed by the other lighter pieces of the author, among which may be mentioned Die Welt See also: des Schwindels and Der Spion von Rheinsberg
.
The tragedies, Mazeppa, Catharine See also: Howard, Amy See also: Robsart and Der Gotze von Venedig, were very successful; and the See also: historical novels, lm Banne des schwarzen Adlers (1875; 4th ed., 1884), Die Erbschaft des Blutes (1881), Die rocker Riibezahls (1889), and Verkummerte Existenzen (1892), enjoyed a high degree of popularity
.
As a critic and historian of literature Gottschall has also done excellent See also: work
.
His Die deutsche Nationalliteratur des zg
.
Jahrhunderts (1855; 7th ed., 1901-1902), and Poetik (1858; 6th ed., 1903) command the respect of all students of literature
.
Gottschall's collected Dramatische Werke appeared in 12 vols. in 188o (2nd ed., 1884); he has also, in See also: recent years, published many volumes of collected essays and criticisms
.
See his autobiography, Aus meiner Jugend (1898)
.
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