See also:

• COUNT (Lat. comes, gen. comitis, Fr. comte, Ital. conte, Span. conde)

COUNT CARLO See also:

• COUNT CARLO GOZZI (1722-1806)
• GOZZI, GASPARO, COUNT (1713-1786)

GOZZI (1722-1806)  , See also:

• ITALIAN

Italian dramatist, was descended from an old Venetian See also:

• FAMILY

family, and was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• VENICE
• VENICE (continued)
• VENICE (Venezia)

Venice in See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March 1722 . Compelled by the embarrassed See also:

• CONDITION (Lat. condicio, from condicere, to agree upon, arrange; not connected with conditio, from condere, conditum, to put together)

condition of his See also:

• FATHER

father's affairs to procure the means of self-support, he, at the See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age of sixteen, joined the See also:

• ARMY
• ARMY (from Fr. armee, Lat. armata)

army in See also:

• DALMATIA (Ger. Dalmatien; Ital. Dalmazia; Serbo-Croatian, Dalmacija)

Dalmatia; but three years afterwards he returned to Venice, where he soon made a reputation for himself as the wittiest member of the Granelleschi society, to which the publication of several satirical pieces had gained him See also:

• ADMISSION

admission . This society, nominally devoted to conviviality and wit, had also serious See also:

• LITERARY

literary aims, and was especially .zealous to preserve the Tuscan literature pure and untainted by See also:

• FOREIGN

foreign influences . The displacement of the old Italian See also:

• COMEDY

comedy by the dramas of Pietro Chiari (1700-1788) and See also:

• GOLDONI, CARLO (1707-1793)

Goldoni, founded on See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French See also:

• MODELS

models, threatened defeat to all their efforts; and in 1757 See also:

• GOZZI, CARLO, COUNT (1722-1806)
• GOZZI, GASPARO, COUNT (1713-1786)

Gozzi came to the See also:

• RESCUE (in Middle Eng. rescous, from O. Fr. recousse, Low Lat. rescussa, from reexcussa,reexcutere, to shake off again, re, again, ex, off, quatere, to shake)

rescue by See also:

• PUBLISHING

publishing a satirical poem, Tartana degli influssi per l' wino bisestile, and in 1761 by his comedy, Fiaba dell' amore Belle tre melarancie, a See also:

• PARODY (Gr. s-apybia, literally a song sung beside, a comic parallel)

parody of the manner of the two See also:

• OBNOXIOUS (Lat. obnoxiosus, from ob, over, against, and noxa, harm)

obnoxious poets, founded on a See also:

• FAIRY (Fr. fee, faerie; Prov. facia; Sp. hada; Ital. fata; med. Lat. fatare, to enchant, from Lat. fatum, fate, destiny)

fairy See also:

• TALE (O.Eng. talu, number, account, story; the word is common to many Teutonic languages; cf. Ger. Zahl, number, Erzahlung, narrative, Du. taal, speech, language)

tale . For its See also:

• REPRESENTATION

representation he obtained the services of the See also:

• SACCHI, ANDREA (c. 1600--1661)

Sacchi See also:

• COMPANY

company of players, who, on See also:

• ACCOUNT
• ACCOUNT (through O. Fr. acont, Late Lat. comptum, cornputare, to calculate)

account of the popularity of the comedies of Chiari and Goldoni—which afforded no See also:

• SCOPE (through Ital. scopo, aim, purpose, intent, from Gr. o'KOaos, mark to shoot at, aim, o ic07reiv, to see, whence the termination in telescope, microscope, &c.)

scope for the display of their See also:

• PECULIAR

peculiar talents—had been See also:

• LEFT

left without employment; and as their satirical See also:

• POWERS, HIRAM (1805-1873)

powers were thus sharpened by See also:

• PERSONAL

personal enmity, the See also:

• PLAY

play met with extraordinary success . Struck by the effect produced on the See also:

• AUDIENCE (from Lat. audire, to hear)

audience by the introduction of the supernatural or mythical See also:

• ELEMENT (Lat. elementum)

element, which he had merely used as a convenient See also:

• MEDIUM

medium for his satirical purposes, Gozzi now produced a See also:

• SERIES (a Latin word from serere, to join)

series of dramatic pieces based on fairy tales, which for a See also:

• PERIOD
• PERIOD (Gr. irepioSos, a going or way round, circuit, aepi, round, and &Sis, way, road)

period obtained See also:

• GREAT

great popularity, but after the breaking up of the Sacchi company were completely disregarded . They have, however, obtained high praise from See also:

• GOETHE, JOHANN WOLFGANG VON (1749-1832)

Goethe, See also:

• SCHLEGEL, AUGUST WILHELM VON (1767-1845)
• SCHLEGEL, JOHANN ELIAS (1719-1749)
• SCHLEGEL, KARL WILHELM FRIEDRICH VON (1772-1829)

Schlegel, Madame de See also:

• STAEL, MADAME DE

Stael and See also:

• SISMONDI, JEAN CHARLES LEONARD DE (1773-1842)

Sismondi; and one of them, Re Turandote, was translated by See also:

• SCHILLER, JOHANN CHRISTOPH FRIEDRICH VON (1759-18o5)

Schiller . In his later years Gozzi set himself to the See also:

• PRODUCTION (Lat. productionem, from producere, to pro-duce)

production of tragedies in which the comic element was largely introduced; but as this innovation proved unacceptable to the critics he had recourse to the See also:

• SPANISH

Spanish See also:

• DRAMA (literally "action," from Gr. Snail, act or do)

drama, from which he obtained models for various pieces, which, however, met with only equivocal success . He died on the 4th of See also:

• APRIL

April 18o6 . His collected See also:

• WORKS

works were published under his own superintendence, at Venice, in 1792, in Jo volumes; and his dramatic works, translated into See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German by Werthes, were published at See also:

• BERN (Fr. Berne)

Bern in 1795 . See Gozzi's See also:

• WORK

work, Memorie inutili See also:

• DELTA (from the shape of the Gr. letter A, delta, originally used of the mouth of the Nile)

delta vita di Carlo Gozzi (3 vols., Venice, 1797), translated into French by See also:

• PAUL
• PAUL (PAULUS)

Paul de See also:

• MUSSET, LOUIS CHARLES ALFRED DE (1810-18S7)

Musset (1848), and into See also:

• ENGLISH

English by J . A .

See also:

• SYMONDS, JOHN ADDINGTON (184o-180, English critic and poet, was born at Bristol, on the 5th of October 184o. He was the only son of John Addington Symonds, M.D. (1807—1871)
• SYMONDS, WILLIAM SAMUEL (1818-1887)

Symonds (1889); F . See also:

• HORN
• HORN (a common Teutonic word, cognate with Lat. cornu; cf. Gr. Kipas)
• HORN (Lat. cornu; corresponding terms being Fr. cor, trompe; Ger. Horn; Ital. corno)
• HORN, ARVID BERNHARD, COUNT (1664-1742)
• HORN, PHILIP DE MONTMORENCY, COUNT

Horn, Ober Gozzis dramatische Poesie (Venice, 18o3); Gherardini, Vita di Gasp . Gozzi (1821); " See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles Gozzi," by Paul de Musset, in the Revue See also:

• DES

des deux monde: for 15th See also:

• NOVEMBER (Lat. novem, nine)

November 1844; Magrini, Carlo Gozzi e la fiabe: saggi storici, biografici, e critici (See also:

• CREMONA
• CREMONA, LUIGI (1830-1903)

Cremona, 1876), and the same author's See also:

• BOOK

book on Gozzi's See also:

• LIFE

life and times (See also:

• BENEVENTO

Benevento, 1883) .