See also:

• COUNT (Lat. comes, gen. comitis, Fr. comte, Ital. conte, Span. conde)

COUNT GASPARO See also:

• GOZZI, CARLO, COUNT (1722-1806)
• COUNT GASPARO GOZZI (1713-1786)

GOZZI (1713-1786)  , eldest See also:

• BROTHER

brother of Carlo See also:

• GOZZI, CARLO, COUNT (1722-1806)
• GOZZI, GASPARO, COUNT (1713-1786)

Gozzi, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born on the 4th of See also:

• DECEMBER (Lat. decent, ten)

December 1713 . In 1739 he married the poetess Luise Bergalli, and she undertook the management of the See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

theatre of Sant' Angelo, See also:

• VENICE
• VENICE (continued)
• VENICE (Venezia)

Venice, he supplying the performers with dramas chiefly translated from the See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French . The See also:

• SPECULATION

speculation proved unfortunate, but meantime he had attained a high reputation for his contributions to the Gazzetta Veneta, and he soon came to be known as one of the ablest critics and purest and most elegant stylists in See also:

• ITALY
• ITALY (Italia)

Italy . For a considerable See also:

• PERIOD
• PERIOD (Gr. irepioSos, a going or way round, circuit, aepi, round, and &Sis, way, road)

period he was See also:

• CENSOR (from Lat. censere, assess, estimate; in Gr. rt s ris)

censor of the See also:

• PRESS (through Fr. presse from Lat. pressare, frequentative of premere, to crush, squeeze, press)

press in Venice, and in 1974 he was appointed to reorganize the university See also:

• SYSTEM

system at See also:

• PADUA (Lat. Patavium ; Ital. Padova)

Padua . He died at Padua on the 26th of December 1786 . His See also:

• PRINCIPAL

principal writings are Osservatore Veneto periodico (1761), on the See also:

• MODEL (0. Fr. modelle, mod. modele; It. modello, pattern, mould; from Lat. modus, measure, standard)

model of the See also:

• ENGLISH

English Spectator, and distinguished by its high moral See also:

• TONE, THEOBALD WOLFE (1763-1798)

tone and its See also:

• LIGHT

light and pleasant See also:

• SATIRE (Lat. satira, satura; see below)

satire; Lettere famigliari (1755), a collection of See also:

• SHORT, FRANCIS JOB (1857– )

short racy pieces in See also:

• PROSE

prose and See also:

• VERSE (from Lat. versus, literally a line or furrow drawn by turning the plough, from vertere, and afterwards signifying an arrangement of syllables into feet)

verse, on subjects of See also:

• GENERAL
• GENERAL (Lat. generalis, of or relating to a genus, kind or class)

general See also:

• INTEREST

interest; See also:

• SERMON (Lat. sermo, a discourse)

Sermon, poems in See also:

• BLANK (from the Fr. blanc, white)

blank verse after the manner of See also:

• HORACE [QuINTus HORATIUS FLACCUS] (65-8 B.C.)

Horace; Il Mondo morale (176o), a personification of human passions with inwoven dialogues in the See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style of See also:

• LUCIAN (d. 312)
• LUCIAN [Aowaavos] (c. A.D. 120-180)

Lucian; and Giudizio degli antichi poeti sopra la moderna censura di See also:

• DANTE

Dante (1755), a See also:

• DEFENCE
• DEFENCE (Lat. defendere, to defend)

defence of the See also:

• GREAT

great poet against the attacks of See also:

• BETTINELLI, SAVESIO (1718-1808)

Bettinelli . He also translated various See also:

• WORKS

works from the French and English, including See also:

• MARMONTEL, JEAN FRANCOIS (1723-1799)

Marmontel's Tales and See also:

• POPE (Gr. irarraas, post-classical Lat. papa, father)
• POPE, ALEXANDER (1688–1744)
• POPE, ALEXANDER (1763-1835)
• POPE, JANE (1742-1818)
• POPE, JOHN (1822-1892)
• POPE, SIR THOMAS (c. 1507-1559)

Pope's See also:

• ESSAY, ESSAYIST (Fr. essai, Late Lat. exagium, a weighing or balance; exigere, to examine; the term in general meaning any trial or effort)

Essay on See also:

• CRITICISM
• CRITICISM (from the Gr. KpiTrlS, a judge, Kpivew, to decide, to give an authoritative opinion)

Criticism . His collected works were published at Venice, 1794-1798, in 12 volumes, and several See also:

• EDITIONS

editions have appeared since .