JACQUES See also:

• JACQUES GREVIN (c.1539—1570)

GREVIN (c.1539—1570)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French dramatist, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at Clermont about 1539 . He studied See also:

• MEDICINE

medicine at the university of See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris . He became a See also:

• DISCIPLE

disciple of See also:

• RONSARD, PIERRE DE (1524-1585)

Ronsard, and was one of the See also:

• BAND

band of dramatists who sought to introduce the classical See also:

• DRAMA (literally "action," from Gr. Snail, act or do)

drama in See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France . As Sainte-Beuve points out, the comedies of See also:

• GREVIN, JACQUES (c.1539—1570)

Grevin show considerable See also:

• AFFINITY (Lat. affinitas, relationship by marriage, from offinis, bordering on, related to; finis, border, boundary)
• AFFINITY, CHEMICAL

affinity with the farces and soties that preceded them . His first See also:

• PLAY

play, La 1Jaubertiiee, was lost, and formed the basis of a new See also:

• COMEDY

comedy, La Tresoriere, first performed at the See also:

• COLLEGE (Collegium)

college of See also:

• BEAUVAIS

Beauvais in 1558, though it had been originally composed at the See also:

• DESIRE

desire of See also:

• HENRY
• HENRY (1129-1195)
• HENRY (c. 1108-1139)
• HENRY (c. 1174–1216)
• HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
• HENRY, EDWARD LAMSON (1841– )
• HENRY, JAMES (1798-1876)
• HENRY, JOSEPH (1797-1878)
• HENRY, MATTHEW (1662-1714)
• HENRY, PATRICK (1736–1799)
• HENRY, PRINCE OF BATTENBERG (1858-1896)
• HENRY, ROBERT (1718-1790)
• HENRY, VICTOR (1850– )
• HENRY, WILLIAM (1795-1836)

Henry II. to celebrate the See also:

• MARRIAGE

marriage of See also:

• CLAUDE, JEAN (1619-1687)

Claude, duchess of See also:

• LORRAINE

Lorraine . In 156o followed the tragedy of Jules Cesar, imitated from the Latin of Muret, and a comedy, See also:

• LES

Les Ebahis, the most important but also the most indecent of his See also:

• WORKS

works . Grevin was also the author of some medical works and of See also:

• MISCELLANEOUS

miscellaneous poems, which were praised by Ronsard until the friend's were separated by religious See also:

• DIFFERENCES, CALCULUS OF (Theory of Finite Differences)

differences . Grevin became in 1561 physician and counsellor to See also:

• MARGARET
• MARGARET (1283–1290)
• MARGARET (1353-1412)
• MARGARET (1489–1541)
• MARGARET, ST (c. 1045–1093)
• MARGARET, ST (SANCTA MARGARITA)

Margaret of See also:

• SAVOY, HOUSE
• SAVOY, HOUSE OF

Savoy, and died at her See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

court in See also:

• TURIN

Turin in 1570 . The See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

Theatre of Jacques G1-vin was printed in 1562, and in the Ancien Theatre See also:

• FRANCAIS, ANTOINE, COUNT (1756-1836)

francais, vol. iv . (1855-1856) . See L . Pinvert, Jacques Grevin (1899) .