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GIOVANNI See also: Italian architect and painter, named Il Bolognese from the place of his See also: birth, was a relative of the See also: Caracci See also: family, under whom it is presumed he studied first
.
He was afterwards a pupil of See also: Albani
.
He went to See also: Rome, and was appointed architect to See also: Pope See also: Paul V., and was also patronized by succeeding popes
.
Towards 1648 he was invited to See also: France by See also: Cardinal See also: Mazarin, and for about two years was employed in buildings for that See also: minister and for See also: Louis XIV., and in
See also: fresco-See also: painting in the Louvre
.
His colour was strong, somewhat excessive in the use of See also: green; his touch See also: light
.
He painted See also: history, portraits and landscapes—the last with predilection, especially in his advanced years—and executed engravings and etchings from his own landscapes and from those of See also: Titian and the Caracci
.
Returning to Rome, he was made president of the See also: Academy of St See also: Luke; and in that city he died on the 28th of See also: November 1680, in high repute not only for his See also: artistic skill but for his upright and charitable deeds
.
His son Alessandro assisted him both in painting and in See also: engraving
.
Paintings by Grimaldi are preserved in the Quirinal and Vatican palaces, and in the See also: church of S
.
Martino a'Monti; there is also a series of his landscapes in the Colonna Gallery
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[back] GRIMALD (or GRIMOALD), NICHOLAS (1519–1562) |
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