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GRIMALD (or GRIMOALD), See also: English poet, was See also: born in See also: Huntingdonshire, the son probably of Giovanni Baptista Grimaldi, who had been a clerk in the service of See also: Empson and See also: Dudley in the reign of See also: Henry VII
.
He was educated at Christ's
See also: College, Cambridge, where he took his B.A. degree in 1J40
.
He then removed to See also: Oxford, becoming a probationer-See also: fellow of Merton College in 1541
.
In 1547 he was lecturing on rhetoric at Christ See also: Church, and shortly afterwards became
See also: chaplain to See also: Bishop See also: Ridley, who, when he was in prison, desired Grimald to translate See also: Laurentius Valla's See also: book against the alleged Donation of See also: Constantine, and the De gestis Basiliensis Concilii of See also: Aeneas Sylvius (See also: Pius II.)
.
His connexion with Ridley brought him under suspicion, and he was imprisoned in the See also: Marshalsea
.
It is said that he escaped the penalties of See also: heresy by recanting his errors, and was despised accordingly by his See also: Protestant See also: con-temporaries
.
Grimald contributed to the See also: original edition (See also: June 1557) of Songes and Sonettes (commonly known as Tottel's See also: Miscellany), See also: forty poems, only ten of which are retained in the second edition published in the next See also: month
.
He translated (1553) See also: Cicero's De officiis as See also: Marcus Tullius Ciceroes thre bokes of duties (2nd ed., 1556); a Latin paraphrase of Virgil's Georgics (printed 1591) is attributed to him, but most of the See also: works assigned to him by See also: Bale are lost
.
Two Latin tragedies are extant; Archipropheta sive Johannes Baptista, printed at Cologne in 1548, probably performed at Oxford the See also: year before, and Christus redivivus (Cologne, 1543) , edited by Prof
.
J
.
M
.
See also: Hart (for the See also: Modern Language Association of See also: America, 1886, separately issued 1899)
.
It cannot be determined whether Grimald was See also: familiar with See also: Buchanan's Baptistes (1543), or with J
.
Schoeppe's Johannes decollatus See also: vet Ectrachelisles (1546)
.
Grimald provides a purely romantic See also: motive for the catastrophe in the .passionate See also: attachment of Herodias to See also: Herod, and constantly resorts to lyrical methods
.
As a poet Grimald is memorable as the earliest follower of Surrey in the production of See also: blank verse
.
He writes sometimes simply enough, as in the lines on his own childhood addressed to his See also: mother, but in general his See also: style is more artificial, and his metaphors more studied than is the See also: case with the other contributors to the Miscellany
.
His classical See also: reading shows itself in the See also: comparative terseness and smartness of his verses
.
His epitaph was written by Barnabe See also: Googe in May 1562
.
See also: GRIMKE
See C
.
H
.
See also: Herford, Studies in the See also: Literary Relations of See also: England and See also: Germany (pp
.
113-119, 1886)
.
A See also: Catalogue of printed books
.
. . by writers bearing the name of Grimaldi (ed . A . B . Grimaldi), printed 1883; and See also: Arber's reprint of Tottel's Miscellany
.
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