GIULIA See also:

• GIULIA GRISI (1811-1869)

GRISI (1811-1869)  , See also:

• ITALIAN

Italian See also:

• OPERA (Italian for " work ")

opera-See also:

• SINGER, SIMEON (1846-1906)

singer, daughter of one of See also:

• NAPOLEON

Napoleon's Italian See also:

• OFFICERS

officers, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• MILAN
• MILAN (Ital. Milano, Ger. Mailand, anc. Mediolanum, q.v.)

Milan . She came of a See also:

• FAMILY

family of musical gifts, her maternal aunt Josephina Grassini (1773–1850) being a favourite opera-singer both on the See also:

• CONTINENT (from Lat. continere, "to hold together "; hence " connected," " continuous ")

continent and in See also:

• LONDON

London; her See also:

• MOTHER

mother had also been a singer, and her See also:

• ELDER (0. Eng. ellarn; Ger. Holunder; Fr. sureau)
• ELDER (Gr. 1rpev(3iTepos)

elder See also:

• SISTER

sister Giudetta and her See also:

• COUSIN (Fr. cousin, Ital. cugino, Late Lat. cosinus, perhaps a popular and familiar abbreviation of consobrinus, which has the same sense in classical Latin)
• COUSIN, JEAN (1500-1590)
• COUSIN, VICTOR (1792–1867)

cousin Carlotta were both exceedingly talented . Giulia was trained to a musical career, and made her See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage debut in 1828 . See also:

• ROSSINI, GIOACHINO ANTONIO (1792-1868)

Rossini and See also:

• BELLINI
• BELLINI, LORENZO (1643-1704)
• BELLINI, VINCENZO (1801--18J5)

Bellini both took an See also:

• INTEREST

interest in her, and at Milan she was the first Adalgisa in Bellini's Norma, in which Pasta took the See also:

• TITLE (0. Fr. title, mod. titre, from Lat. titulus)

title-See also:

• PART

part . See also:

• GRISI, GIULIA (1811-1869)

Grisi appeared in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris in 1832, as Semiramide in . Rossini's opera, and had a See also:

• GREAT

great success; and in 1834 she appeared in London . Her See also:

• VOICE (Fr. voix, from Lat. vox)

voice was a brilliant dramatic See also:

• SOPRANO (a variant of Ital. sovrano, supreme, sovereign, Late Lat. superanus, from super, above)

soprano, and her established position as a prima donna continued for See also:

• THIRTY

thirty years . She was a particularly See also:

• FINE

fine actress, and in London opera her association with such singers as See also:

• LABLACHE, LUIGI (1794–1858)

Lablache, Rubini, Tamburini and See also:

• MARIO, GIUSEPPE, COUNT OF CANDIA (1810-1883)

Mario was See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long remembered as the palmy days of Italian opera . In 1854 she toured with Mario in See also:

• AMERICA

America . She had married See also:

• COUNT (Lat. comes, gen. comitis, Fr. comte, Ital. conte, Span. conde)

Count de Melcy in 1836, but this ended in a See also:

• DIVORCE

divorce; and in 1856 she married Mario (q.v.) . She died in See also:

• BERLIN
• BERLIN, CONGRESS AND TREATY OF
• BERLIN, ISAIAH (1725–1799)

Berlin on the 29th of See also:

• NOVEMBER (Lat. novem, nine)

November 1869 .