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See also: English See also: antiquary, was See also: born at Greenford in Middlesex, about the See also: year 1730
.
His See also: father was a wealthy Swiss jeweller, settled at See also: Richmond, Surrey
.
See also: Grose early showed an See also: interest in See also: heraldry and antiquities, and his father procured him a position in the Heralds' See also: College
.
In 1763, being then Richmond Herald, he sold his See also: tabard, and shortly afterwards became adjutant and paymaster of the Hampshire militia, where, as he himself humorously observed, the only account-books he kept were his right and See also: left pockets, into the one of which he received, and from the other of which he paid
.
This carelessness exposed him to serious See also: financial difficulties; and after a vain attempt to repair them by' accepting a captaincy in the Surrey militia, the See also: fortune left him by his father being squandered, he began to turn to account his excellent See also: education and his See also: powers as a draughtsman
.
In 1757 he had been elected See also: fellow of the Society of Antiquaries
.
In 1773 he began to publish his Antiquities of See also: England and See also: Wales, a See also: work which brought him See also: money as well as fame
.
This, with its supplementary parts See also: relating to the Channel Islands, was not completed till 1787
.
In 1789 he set out on an antiquarian tour through Scotland, and in the course of this journey met Burns, who composed in his honour the famous See also: song beginning " See also: Ken ye aught o' Captain Grose," and in that other poem, still more famous, "-Hear, See also: land o' cakes, and brither Scots," warned all Scotsmen of this " chield amang them taking notes." In 1790 he began to publish the results of what Burns called " his peregrinations through Scotland;" but he had not finished the work when he bethought himself of going over to See also: Ireland and doing for that country what he had already done for See also: Great Britain
.
About a See also: month after his arrival, while in See also: Dublin, he died in an apoplectic See also: fit at the See also: dinner-table of a friend, on the 12th of See also: June 1791
.
Grose was a sort of antiquarian Falstaff—at least he possessed in a striking degree the knight's See also: physical peculiarities; but he was a See also: man of true honour and charity, a valuable friend, " overlooking little faults and seeking out greater virtues," and an inimitable boon companion
.
His See also: humour, his varied knowledge and his See also: good nature were all eminently calculated to make him a favourite in society
.
As Burns says of him " But See also: wad ye see him in his See also: glee, For meikle glee and fun has he,
Then set him down, and twa or three
See also: Gude See also: fellows wi' him; And See also: port, 0 port! shine thou a wee,
And THEN yell see him
!
"
Grose's See also: works include The Antiquities of England and Wales (6 vols., 1773–1787) ; Advice to the See also: Officers of the See also: British Army (1782), a satire in the manner of See also: Swift's Directions to Servants; A Guide to See also: Health, Beauty, Riches and Honour (1783), a collection of advertisements of the See also: period, with characteristic satiric preface; A Classical See also: Dictionary of the Vulgar See also: Tongue (1785) ; A See also: Treatise on See also: Ancient See also: Armour and Weapons (1785–1789) ; Darrell's See also: History of See also: Dover (1786) ; Military Antiquities (2 vols., 1786–1788) ; A Provincial Glossary (1787); Rules for See also: Drawing Caricatures (1788); The Antiquities of Scotland (2 vols., 1789–1791) ; Antiquities of Ireland (2 vols., 1791), edited and partly written by Ledwich
.
The Grumbler, sixteen humerous essays, appeared in 1791 after his See also: death; and in 1793 The Olio, a collection of essays, jests and small pieces of See also: poetry, highly characteristic of Grose, though certainly not all by him, was put together from his papers by his publisher, who was also his executor
.
A capital full-length portrait of Grose by N
.
Dance is in the first See also: volume of the Antiquities of England and Wales, and another is among Kay's Portraits
.
A versified sketch of him appeared in the Gentleman's See also: Magazine, lxi
.
66o
.
See Gentleman's Magazine, lxi
.
498, 582 ; See also: Noble's Hist. of the College of Arms, p
.
434; Notes and Queries, 1st See also: ser., ix
.
350; 3rd ser., i
.
64, x
.
28o-281; 5th ser., xii . 148; 6th ser., ii . 47, 257, 291; See also: Hone, Every-See also: day See also: Book, i
.
655
.
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