GRUN  . HANS BALDUNG (c . 1470-1545), commonly called Grin, a See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German painter of the See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age of See also:

• DURER, ALBRECHT (1471-1528)

Durer, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at Gm.und in See also:

• SWABIA, SUABIA

Swabia, and spent the greater See also:

• PART

part of his See also:

• LIFE

life at See also:

• STRASSBURG, or STRASBURG (French Strasbourg)

Strassburg and See also:

• FREIBURG

Freiburg in See also:

• BREISGAU

Breisgau . The earliest pictures assigned to him are altarpieces with the See also:

• MONOGRAM (from Late Lat. monogramma, in Late Gr. µovoypaµµov, from µovos, single, ypaµµa, letter)

monogram H . B. interlaced, and the date of 1496, in the monastery See also:

• CHAPEL

chapel of Lichtenthal near See also:

• BADEN
• BADEN, GRAND DUCHY OF

Baden . Another See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early See also:

• WORK

work is a portrait of the See also:

• EMPEROR (Fr. empereur, from the Lat. imperator)

emperor See also:

• MAXIMILIAN
• MAXIMILIAN (1832—1867)

Maximilian, See also:

• DRAWN

drawn in 15ot on a See also:

• LEAF (O. Eng. leaf, cf. Dutch loof, Ger. Laub, Swed. lof, &c.; possibly to be referred to the root seen in Gr. Ma-eta, to peel, strip)

leaf of a See also:

• SKETCH (directly adapted from Dutch schets, which was taken from Ital. schizzo, a rough draft, Lat. schedium, something hastily made, Gr. oxE&os, sudden, off-hand, axeb6v, near by; Ger. Skizze and Fr. esquisse are from the same source)

sketch-See also:

• BOOK

book now in the See also:

• PRINT

print-See also:

• ROOM

room at Carlsruhe . The "Martyrdom of St See also:

• SEBASTIAN
• SEBASTIAN, ST

Sebastian" and the "See also:

• EPIPHANY, FEAST OF

Epiphany" (See also:

• BERLIN
• BERLIN, CONGRESS AND TREATY OF
• BERLIN, ISAIAH (1725–1799)

Berlin Museum), fruits of his labour in 1507, were painted for the See also:

• MARKET (Lat. mercatus, trade or place of trade)

market-See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church of See also:

• HALLE (known as HALLE-AN-DER-SAALE, t0 distinguish it from the small town of Halle in Westphalia)
• HALLE, SIR CHARLES (originally KARL HALLE) (1819-1895)

Halle in See also:

• SAXONY
• SAXONY (Ger. Provinz Sachsen)

Saxony . In 15o9 Griin See also:

• PURCHASED

purchased the freedom of the See also:

• CITY (through Fr. cite, from Lat. civitas)

city of Strassburg, and resided there till 1513, when he moved to Freiburg in Breisgau . There he began a See also:

• SERIES (a Latin word from serere, to join)

series of large compositions, which he finished in 1516, and placed on the high See also:

• ALTAR (Lat. altare, from alias, high; some ancient etymological guesses are recorded by St Isidore of Seville in Etymologiae xv. 4)

altar of the Freiburg See also:

• CATHEDRAL

cathedral . He purchased anew he freedom of Strassburg in 1517, resided in that city as his See also:

• DOMICILE (Lat. domicilium, from domus, home)

domicile, and died a member of its See also:

• GREAT

great See also:

• TOWN

town See also:

• COUNCIL (Lat. concilium, from cum, together, and the root cal, to call)

council 1545 . Though nothing is known of Grin's youth and See also:

• EDUCATION

education, it may be inferred from his See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style that he was no stranger to the school of which Durer was the See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief . Gmtind is but 50 M. distant on either See also:

• SIDE
• SIDE (mod. Eski Adalia)

side from See also:

• AUGSBURG
• AUGSBURG, CONFESSION OF
• AUGSBURG, WAR OF THE LEAGUE OF

Augsburg and See also:

• NUREMBERG (Ger. Nurnberg)

Nuremberg .

Grtln's prints were often mistaken for those of Durer; . and Darer himself was well acquainted with Grin's woodcuts and See also:

• COPPER (symbol Cu, atomic weight 63.1, H=1, or 63.6, O = 16)

copper-plates in which he traded during his trip to the Nether-lands (1520) . But Griin's prints, though Dureresque, are far below Durer, and his paintings are below his prints . Without See also:

• ABSOLUTE (Lat. absolvere, to loose, set free)

absolute correctness as a draughtsman, his conception of human See also:

• FORM (Lat. forma)

form is often very unpleasant, whilst a questionable See also:

• TASTE (from Lat. taxare, to touch sharply; tangere, to touch)

taste is shown in See also:

• ORNAMENT (Lat. ornare, to adorn)

ornament equally profuse and " See also:

• BAROQUE

baroque." Nothing is more remarkable in his pictures than the pug-like shape of the faces, unless we except the coarseness of the extremities . No trace is apparent of any feeling for See also:

• ATMOSPHERE (Gr. fir µ6r, vapour; orkaipa, a sphere)

atmosphere or See also:

• LIGHT

light and shade . Though Grii11 has been commonly called the See also:

• CORREGGIO
• CORREGGIO, or COREGGIO

Correggio of the See also:

• NORTH
• NORTH, BARONS
• NORTH, MARIANNE (1830—1890)
• NORTH, ROGER (1653-1734)
• NORTH, SIR THOMAS (1535?-16o1?)

north, his compositions are a curious medley of glaring and heterogeneous See also:

• COLOURS, MILITARY

colours, in which pure See also:

• BLACK
• BLACK, ADAM (1784-1874)
• BLACK, JEREMIAH SULLIVAN (1810–1883)
• BLACK, WILLIAM (1841-1898)

black is contrasted with See also:

• PALE (through Fr. pal, from Lat. palms, a stake, for paglus, from the stem pag- of pangere, to fix; " pole " is from the same original source)

pale yellow, dirty See also:

• GREY, CHARLES GREY, 2ND EARL (1764-1845)
• GREY, HENRY GREY, 3RD EARL (1802-1894)
• GREY, LADY JANE (1537-1554)
• GREY, SIR EDWARD
• GREY, SIR GEORGE (1812–1898)

grey, impure red and glowing See also:

• GREEN, A
• GREEN, ALEXANDER HENRY (1832—1896)
• GREEN, DUFF (1791—1875)
• GREEN, JOHN RICHARD (1837—1883)
• GREEN, MATTHEW (1696-1737)
• GREEN, THOMAS HILL (1836-1882)
• GREEN, VALENTINE (1739–1813)
• GREEN, WILLIAM HENRY (.1825–1900)

green . Flesh is a See also:

• MERE
• MERE, ADALBERT (1838-1909)

mere glaze under which the features are indicated by lines . His See also:

• WORKS

works are mainly interesting because of the See also:

• WILD, JONATHAN (c. 1682-1725)

wild and fantastic strength which some of them display . We may pass lightly over the " Epiphany " of 1507, the " Crucifixion " of 1512, or the " Stoning of See also:

• STEPHEN
• STEPHEN (1097?-1154)
• STEPHEN (ISTVAN) BATHORY (1533-1586)
• STEPHEN, SIR JAMES (1789-1859)
• STEPHEN, SIR JAMES FITZJAMES, BART
• STEPHEN, SIR LESLIE (1832-1904)

Stephen " of 1522, in the Berlin Museum . There is some force in the " See also:

• DANCE
• DANCE (Fr. danse; of obscure origin, connected with Old High Ger. danson, to stretch)

Dance of See also:

• DEATH

Death " of 1517, in the museum of See also:

• BASEL (Fr. Bale)
• BASEL (Fr. Belle, but Basle is a wholly erroneous form; Ital. Basilea)
• BASEL, CONFESSION OF
• BASEL, COUNCIL OF

Basel, or the "Madonna" of 1530, in the See also:

• LIECHTENSTEIN

Liechtenstein See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery at See also:

• VIENNA (Ger. Wien; Lat. Vindobona)
• VIENNA, CONGRESS OF (1814-1815)

Vienna . Grun's best effort is the altarpiece of Freiburg, where the " See also:

• CORONATION (Lat. corona, crown)

Coronation of the Virgin," and the " Twelve Apostles," the " See also:

• ANNUNCIATION

Annunciation, Visitation, Nativity and See also:

• FLIGHT

Flight into See also:

• EGYPT

Egypt," and the " Crucifixion," with portraits of donors, are executed with some of that fanciful See also:

• POWER [WILLIAM GRATTAN] TYRONE (1797-1841)

power which See also:

• MARTIN (Martinus)
• MARTIN, BON LOUIS HENRI (1810-1883)
• MARTIN, CLAUD (1735-1800)
• MARTIN, FRANCOIS XAVIER (1762-1846)
• MARTIN, HOMER DODGE (1836-1897)
• MARTIN, JOHN (1789-1854)
• MARTIN, LUTHER (1748-1826)
• MARTIN, SIR THEODORE (1816-1909)
• MARTIN, SIR WILLIAM FANSHAWE (1801–1895)
• MARTIN, ST (c. 316-400)
• MARTIN, WILLIAM (1767-1810)

Martin SchOn bequeathed to the Swabian school . As a portrait painter he is well known . He See also:

• DREW
• DREW, SAMUEL (1765-1833)

drew the likeness of See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles V., as well as that of Maximilian; and his bust of See also:

• MARGRAVE (Ger. Markgraf)

Margrave See also:

• PHILIP
• PHILIP (Gr.'FiXtrsro , fond of horses, from dn)^eiv, to love, and limos, horse; Lat. Philip pus, whence e.g. M. H. Ger. Philippes, Dutch Filips, and, with dropping of the final s, It. Filippo, Fr. Philippe, Ger. Philipp, Sp. Felipe)
• PHILIP, JOHN (1775-1851)
• PHILIP, KING (c. 1639-1676)
• PHILIP, LANOGRAVE OF HESSE (1504-1567)

Philip in the See also:

• MUNICH (Ger. Munchen)

Munich Gallery tells us that he was connected with the reigning See also:

• FAMILY

family of Baden as early as 1514 .

At a later See also:

• PERIOD
• PERIOD (Gr. irepioSos, a going or way round, circuit, aepi, round, and &Sis, way, road)

period he had sittings from Margrave See also:

• CHRISTOPHER, SAINT (Christophorus, Christoferus)

Christopher of Baden, Ottilia his wife, and all their See also:

• CHILDREN, LAW RELATING TO

children, and the picture containing these portraits is still in the See also:

• GRAND

grand-ducal gallery at Carlsruhe . Like Durer and See also:

• CRANACH, LUCAS (1472-1553)

Cranach, Grun became a hearty supporter of the See also:

• REFORMATION
• REFORMATION, THE

Reformation . He was See also:

• PRESENT

present at the See also:

• DIET

diet of Augsburg in 1518, and one of his woodcuts represents See also:

• LUTHER, MARTIN (1483-1546)

Luther under the See also:

• PROTECTION

protection of the See also:

• HOLY

Holy See also:

• GHOST (a word common to the W. Teutonic languages; O.E. vest, Dutch, 'geest, Ger. Geist)

Ghost, which hovers over him in the shape of a See also:

• DOVE
• DOVE (Dutch duyve, Dan. due, Ice. dufa, Ger. Taube)

dove .