GUARIENTO  , sometimes incorrectly named GUERRIERO, the first Paduan painter who distinguished himself . The only date distinctly known in his career is 1355, when, having already acquired high renown in his native See also:

• CITY (through Fr. cite, from Lat. civitas)

city, he was invited by the Venetian authorities to paint a See also:

• PARADISE (Gr. lrap6BEwos)

Paradise, and some incidents of the See also:

• WAR
• WAR (O. Eng. werre, Fr. guerre, of Teutonic origin; cf. O.H.G. werran, to confound)

war of See also:

• SPOLETO (anc. Spoletium)

Spoleto, in the See also:

• GREAT

great See also:

• COUNCIL (Lat. concilium, from cum, together, and the root cal, to call)

council-See also:

• HALL
• HALL (generally known as SCHWABISCH-HALL, tc distinguish it from the small town of Hall in Tirol and Bad-Hall, a health resort in Upper Austria)
• HALL (O.E. heall, a common Teutonic word, cf. Ger. Halle)
• HALL, BASIL (1788-1844)
• HALL, CARL CHRISTIAN (1812–1888)
• HALL, CHARLES FRANCIS (1821-1871)
• HALL, CHRISTOPHER NEWMAN (1816—19oz)
• HALL, EDWARD (c. 1498-1547)
• HALL, FITZEDWARD (1825-1901)
• HALL, ISAAC HOLLISTER (1837-1896)
• HALL, JAMES (1793–1868)
• HALL, JAMES (1811–1898)
• HALL, JOSEPH (1574-1656)
• HALL, MARSHALL (1790-1857)
• HALL, ROBERT (1764-1831)
• HALL, SAMUEL CARTER (5800-5889)
• HALL, SIR JAMES (1761-1832)
• HALL, WILLIAM EDWARD (1835-1894)

hall of See also:

• VENICE
• VENICE (continued)
• VENICE (Venezia)

Venice . These See also:

• WORKS

works were greatly admired at the See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time, but have See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long ago disappeared under repaintings . His works in See also:

• PADUA (Lat. Patavium ; Ital. Padova)

Padua have suffered much . In the See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church of the Eremitani are allegories of the See also:

• PLANETS, MINOR

Planets, and, in its See also:

• CHOIR (0. Fr. cuer from Lat. chorus; pronounced quire, and until the end of the 17th century so spelt, the spelling being altered to agree with the Fr. chceur)

choir, some small sacred histories in dead See also:

• COLOUR (Lat. color, connected with celare, to hide, the root meaning, therefore, being that of a covering)

colour, such as an Ecce Homo; also, on the upper walls, the See also:

• LIFE

life of St See also:

• AUGUSTINE, SAINT (354-430)
• AUGUSTINE, SAINT (d. c.613)

Augustine, with some other subjects . ,A few fragments of other paintings by Guariento are still extant in Padua . In the See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

gallery of See also:

• BASSANO
• BASSANO, JACOPO DA PONTE (1510-1592)

Bassano is a Crucifixion, carefully executed, and somewhat See also:

• SUPERIOR

superior to a merely traditional method of handling, although on the whole Guariento must rather be classed in that school of See also:

• ART

art which preceded See also:

• CIMABUE, GIOVANNI (1240 to about 1302)

Cimabue than as having advanced in his vestiges; likewise two other works in Bassano, ascribed to the same See also:

• HAND
• HAND (a word common to Teutonic languages; cf. Ger. Hand, Goth. handus)
• HAND, FERDINAND GOTTHELF (1786-185r)

hand . The painter is buried in the church of S . Bernardino, Padua .