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See also: GUAYMAS, a seaport of Mexico, in the See also: state of Sonora, on a small See also: bay opening into the Gulf of California a few See also: miles W. of the mouth of the Yaqui See also: river, in See also: lat
.
270 58' N., long
.
110° 58' W
.
Pop
.
(1900) 8648
.
The harbour
by the emperor
.
In 1203 it had its first See also: podesta, and from this See also: period See also: dates the rise of its importance
.
In 1387, after various See also: political changes, it surrendered to Antonio da Montefeltro of See also: Urbino, and remained under the dominion of the See also: dukes of Urbino until, in 1624, the whole duchy was ceded to the See also: pope
.
Gubbio was the birthplace of Oderisio, a famous See also: miniature painter (1240–1299), mentioned by See also: Dante as the honour of his native See also: town (Purg. xi
.
8o " l' onor d'Agobbio "), but no authentic See also: works by him exist
.
In the 14th and 15th centuries a branch of the Umbrian school of See also: painting flourished here, the most famous masters of which were Guido Palmerucci (1280–1345?) and several members of the Nelli See also: family, particularly Ottaviano (d
.
1444), whose best See also: work is the " Madonna del Belvedere " in S
.
Maria Nuova at Gubbio (1404), extremely well preserved, with bright colouring andSee also: fine details
.
Another work by him is the See also: group of frescoes including a large " Last See also: Judgment," and scenes from the See also: life of St Augustine, in the See also: church of S
.
Agostino, discovered in 1902 under a coating of whitewash
.
These painters seem to have been influenced by the contemporary masters of the Sienese school
.
Gubbio occupies a far more important place in the
See also: history of See also: majolica
.
In a decree of 1438 a vasarius vasorum pictorum is mentioned, who probably was not the first of his See also: trade
.
The See also: art was brought to perfection by Giorgio Andreoli, whose See also: father had emigrated hither from See also: Pavia, and who in 1498 became a citizen of Gubbio
.
The works by his See also: hand are remarkable for their See also: ruby tint, with a beautiful metallic lustre; but only one small tazza remains in Gubbio itself
.
His art was carried on by his sons, Cencio and Ubaldo, but was afterwards lost, and only recovered in 18J3 by See also: Angelico Fabbri and See also: Luigi Carocci
.
Two miles outside Porta Metauro to the N.E. is the Bottaccione, a large See also: water See also: reservoir, constructed in the 12th or 14th century; the water is collected in the See also: bed of a stream by a massive See also: dam
.
See A
.
Colasanti, Gubbio (See also: Bergamo, 1905) ; L
.
McCracken, Gubbio ( See also: London, 1905)
.
(T
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