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See also: Middle High See also: German epic, written probably in the early years of the 13th century, not long after the See also: Nibelungenlied, the influence of which may be traced upon it
.
It is preserved in a single MS. which was prepared at the command of See also: Maximilian I., and was discovered as See also: late as 1820 in the See also: Castle of Ambras in See also: Tirol
.
The author was an unnamed See also: Austrian poet, but the See also: story itself belongs to the See also: cycle of sagas, which originated on the shores of the See also: North See also: Sea
.
The epic falls into three easily distinguishable parts—the adventures of See also: King Hagen of
See also: Ireland, the See also: romance of Hettel, king of the Hegelingen, who woos and wins Hagen's daughter Hilde, and lastly, the more or less parallel story of how Herwig, king of Seeland, wins, in opposition to her See also: father's wishes, See also: Gudrun, the daughter of Hettel and Hilde
.
Gudrun is carried off by a king of See also: Normandy, and her kinsfolk, who are in pursuit, are defeated in a See also: great See also: battle on the See also: island of Wiilpensand off the Dutch See also: coast
.
The finest parts of the epic are those in which Gudrun, a prisoner in the Norman castle, refuses to become the wife of her captor, and is condemned to do the most See also: menial See also: work of the See also: household
.
Here, thirteen years later, Herwig and her bxother Ortwin find her washing clothes by the sea; on the following See also: day they attack the Norman castle with their army and carry out the long-delayed retribution
.
The epic of Gudrun is not unworthy to stand beside the greater Nibelungenlied, and it has been aptly compared with it as the Odyssey to the Iliad
.
Like the Odyssey, Gudrun is an epic of the sea, a story of adventure; it does not turn solely round the conflict of human passions; nor is it built up round one all-absorbing, all-dominating idea like the Nibelungenlied
.
Scenery and incident are more varied, and the poet has an opportunity for a more lyric interpretation of See also: motive and character
.
Gudrun is composed in stanzas similar to those of the Nibelungenlied, but with the essential difference that the last See also: line of each stanza is identical with the others, and does not contain the extra accented syllable characteristic of the Nibelungen metre
.
Gudrun was first edited by von der Hagen in vol. i. of his See also: Heldenbuch (182o)
.
Subsequent See also: editions by A, Ziemann and A
.
J
.
Vollmer followed in 1837 and 1845
.
The best editions are those by K
.
Bartsch (4th ed., 188o), who has also edited the poem for Kiirschner's Deutsche Nationalliteratur (vol
.
6, 1885), by B
.
Symons (1883) and by E
.
See also: Martin (2nd ed., 1901)
.
L
.
Ettmuller first applied Lachmann's ballad-theory to the poem (1841), and K
.
Miillenhoff (Kudrun, die echten Teile
See also: des Gedichts, 1845) rejected more than three-quarters of the whole as " not genuine." There are many See also: translations of the epic into See also: modern German, the best known being that of K
.
See also: Simrock (15th ed., 1884)
.
A See also: translation into See also: English by M
.
P
.
See also: Nichols appeared at See also: Boston, U.S.A., in 1889
.
See K
.
Bartsch, Beitrage zur Geschichte and Kritik der Kudrun (1865); H
.
Keck, Die Gudrunsage (1867); W
.
Wilmanns, Die Entwickelung der Kudrundichtung (1873) ; A
.
See also: Fecamp, Le See also: Poe me de Gudrun, ses origines, sa formation et son histoire (1892) ; F
.
Panzer, Hilde-Gudrun (1901)
.
For later versions and adaptations of the saga see 0
.
Benedict, Die Gudrunsage in der neueren Literatur (1902.)
GU$BRIANT, See also: JEAN See also: BAPTISTE BUDES, COMTE DE (1602-
1643), marshal of See also: France, was See also: born at Plessis-Budes, near St Brieuc, of an old See also: Breton See also: family
.
He served first in See also: Holland, and in the
See also: Thirty Years' War he commanded from 1638 to 1639 the French contingent in the army of his friend See also: Bernard of Saxe-See also: Weimar, distinguishing himself particularly at the siege of See also: Breisach in 1638
.
Upon the See also: death of Bernard he received the command of his army, and tried, in conjunction with J
.
Baner (1J96-1641), the See also: Swedish general, a bold attack upon See also: Regensburg (164o)
.
His victories of Wolfenbiittel on the 29th of See also: June 1641 and of See also: Kempen in 1642 won for him the marshal's baton
.
Having failed in an attempt to invade See also: Bavaria in concert with Torstensson he seized See also: Rottweil, but was mortally wounded there on the 17th of See also: November 1643
.
A biography was published by Le Laboureur, Histoire du mareschal de Guebriant, in 1656
.
See A
.
Brinzinger in Wurttembergische Vierteljahrschrift fur Landesgeschichte (1902)
.
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