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See also: born at See also: Toulon, on the 25th of See also: March 1783, of poor parents
.
He learnt, as a lad, his
See also: father's See also: trade of a locksmith, whilst at the same See also: time he followed the classes of the See also: free school of See also: art
.
Having sold some copies to a See also: local See also: amateur, Guerin started for See also: Paris, where he came under the See also: notice of Vincent, whose counsels were of material service
.
In 1810 Guerin made his first appearance at the See also: Salon with some portraits, which had a certain success
.
In 1812 be exhibited " See also: Cain after the See also: murder of See also: Abel " (formerly in Luxembourg), and, on the return of the Bourbons, was much employed in See also: works of restoration and decoration at See also: Versailles
.
His "Dead Christ" (See also: Cathedral, Baltimore) obtained a medal in 1817, and this success was followed up by a long series of works, of which the following are the more note-worthy: " Christ on the knees of the Virgin " (1819) ; " See also: Anchises and See also: Venus " (1822) (formerly in Luxembourg); " Ulysses and See also: Minerva " (1824) (Musee de See also: Rennes) ; "the See also: Holy See also: Family" (1829) (Cathedral, Toulon); and " See also: Saint See also: Catherine " (1838)(St Ruch)
.
In his treatment of subject, Guerin attempted to realize See also: rococo graces of conception, the liveliness of which was lost in the strenuous effort to be correct
.
His chief successes were attained by portraits, and those of See also: Charles
See also: Nodier and the See also: Abbe See also: Lamennais became widely popular
.
He died on the 19th of See also: January 1855
.
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[back] GEORGES MAURICE DE GUERIN DU CAYLA (18x0-1839) |
[next] BARON PIERRE NARCISSE GUERIN (1774-1833) |
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