YVETTE See also:

• YVETTE GUILBERT (1869— )

GUILBERT (1869— )  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French disease, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris . She served for two years until 1885 in the Magasin du Printemps, when, on the See also:

• ADVICE (Fr. avis, from Lat. ad, to, and visum, viewed)

advice of the journalist, Edmond Stoullig, she trained for the See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage under Landrol . She made her debut at the Bouffes du See also:

• NORD

Nord, then played at the Varietes, and in 1899 she received a See also:

• REGULAR

regular engagement at the Eldorado to sing a couple of songs at the beginning of the performance . She also sang at the Ambassadeurs . She soon won an immense See also:

• VOGUE, EUGENE MELCHIOR, COMTE DE (1848- )

vogue by her rendering of songs See also:

• DRAWN

drawn from Parisian See also:

• LOWER

lower-class See also:

• LIFE

life, or from the humours of the Latin See also:

• QUARTER (through Fr. from Lat. quartarius, fourth part)

Quarter, " Quatre z'etudiants " and the " Hotel du numero trois " being among her See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early triumphs . Her See also:

• ADOPTION (Lat. adoptio, for adoptalio, from adoptare, to choose for oneself)

adoption of an habitual yellow See also:

• DRESS (from the Fr. dresser, to set out, arrange, formed from Lat. directus, arranged, dirigere, to direct, arrange)

dress and See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long See also:

• BLACK
• BLACK, ADAM (1784-1874)
• BLACK, JEREMIAH SULLIVAN (1810–1883)
• BLACK, WILLIAM (1841-1898)

black gloves, her studied simplicity of diction, and her ingenuous delivery of songs charged with risque meaning, made her famous . She owed something to M . Xanrof, who for a long See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time composed songs especially for her, and perhaps still more to Aristide Bruant, who wrote many of her argot songs . She made successful See also:

• TOURS

tours in See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England, See also:

• GERMANY
• GERMANY (Ger. Deutschland)

Germany and See also:

• AMERICA

America, and was in See also:

• GREAT

great See also:

• REQUEST, LETTERS OF

request as an entertainer in private houses . In 189 she married Dr M . See also:

• SCHILLER, JOHANN CHRISTOPH FRIEDRICH VON (1759-18o5)

Schiller . In later years she discarded something of her earlier manner, and sang songs of the " See also:

• POMPADOUR, JEANNE ANTOINETTE POISSON LE NORMANT

pompadour " and the " See also:

• CRINOLINE (a Fr. word formed of the Lat. crinis, hair, and linum, thread)

crinoline " See also:

• PERIOD
• PERIOD (Gr. irepioSos, a going or way round, circuit, aepi, round, and &Sis, way, road)

period in See also:

• COSTUME
• COSTUME (through the Fr. costume, from Ital. costume, Late Lat. costuma, a contracted form of Lat. consuetudinem, ace. of consuetudo, custom, habit, manner, &c.)

costume .

She published the novels . La See also:

• VEDETTE

Vedette and See also:

• LES

Les Denii-vieilles, both in 1902 .